Have you had a chance to see Chuck Swedlund’s photographs in his current exhibition, “No Small Pictures,” at our gallery?
Stop by and see the show, now on view through June 12.
#StephenDaiterGallery #ChicagoExhibitions #ChicagoGalleries #Photograms
We’re excited to share that Clarissa Bonet has been selected as a finalist in the Hasselblad Masters 2026 in the Street category.
The featured images are part of her new project, Surface Tension, a body of work that explores windows as both architectural forms and psychological thresholds.
Public voting is now open through the end of the month.
Congratulations, Clarissa!
Vote here: /inspiration/masters/2026/vote/
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Photo 1: Space Available, 2023
Photo 2: At Day's End, 2025
Photo 3: Marked By Time, 2025
#StephenDaiterGallery #ClarissaBonet #HasselbladMasters
Thank you to everyone who visited us at The Photography Show @aipadphoto in New York and to those who supposed virtually.
We can’t wait to do it again next year!
#AIPAD #ThePhotographyShow
We’re pleased to reintroduce a selection of oversized gelatin silver prints by Lynne Cohen at @aipadphoto this year.
Produced in the late 1980s and early 1990s, these works reflect the rigor and foresight of Cohen’s conceptual practice. While often associated with the New Topographics, her photographs quietly turn inward, toward staged and institutional interiors that function as psychological landscapes, shaped by human presence yet conspicuously absent of figures.
On view at Booth C7. Stop by and you may even be able to pick up an exclusive tote!
For inquiries, please contact [email protected]
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Photo 1: Police Range II, 1990
Gelatin silver photograph on mount. 1990 print. Signed, titled, and editioned "2/10" in pencil with artist stamp on mount verso.
32 1/2 x 46 1/2 in. (82.5 x 118.1 cm)
Photo 2: Corridor, c. 1978
Gelatin silver photograph on mount. 1988 print. Signed, titled, editioned '13/14' in pencil by artist with artist stamp and 'Motel Fine Arts' label on mount verso.
28 1/2 x 36 3/4 in. (72.4 x 93.3 cm)
Photo 3: Recording Studio, c. 1978
Gelatin silver photograph on mount. 1988 print. Signed and editioned 'PP' in pencil by artist on mount verso.
28 1/2 x 37 in. (72.4 x 94 cm)
Photo 4: Laboratory, 1984
Gelatin silver photograph. 1988 printer’s proof. Signed, titled, and dated on mount verso. Edition of 10, 3 AP, 1 PP.
28 1/2 x 36 3/4 in. (72.39 x 93.35 cm)
#AIPAD #ThePhotographyShow
Please join Stephen Daiter Gallery at our Booth C7 for the Photography Show @aipadphoto VIP Preview night from 4:00PM - 9:00PM!
Park Avenue Armory
643 Park Avenue
New York, NY
10065
#AIPAD #ThePhotographyShow
We’re excited to reintroduce Dawoud Bey’s portfolio “Harlem, U.S.A.” at @aipadphoto , published in 2005 by Black Point Editions to mark the thirtieth anniversary of his project. This beautiful portfolio comprises ten carbon pigment prints on Hahnemühle Photo Rag, produced in a highly limited edition of just fifteen portfolios. While many were initially placed with major museums and collectors, a small number of portfolios have recently been rediscovered by the gallery, offering a rare opportunity to acquire this significant body of work. Only a limited number remain available.
For more information, please contact [email protected]
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Dawoud Bey, Harlem, USA (Portfolio, Black Points Edition: Chicago), 2005
Portfolio produced by Black Point Editions in 2005. Edition of 15 portfolios. Ten carbon pigment prints on HahnemĂĽhle Photo Rag, each signed, dated, and editioned in pencil by Dawoud Bey on print versos. Printed by Black Point Editions in Chicago, IL.
16 x 20 in. (40.6 x 50.8 cm)
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#AIPAD #ThePhotographyShow
Stephen Daiter Gallery is excited to return to The Photography Show presented by AIPAD this year, April 23-26!
Alongside works by a range of artists in our booth, we are especially pleased to reintroduce projects by two artists: Lynne Cohen’s large-scale gelatin silver photographs of interiors, and Dawoud Bey’s landmark portfolio "Harlem, USA" and his new portfolio "The Trail." More information coming soon.
If you’re in New York, please visit us at Booth C7 and say hello!
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Lynne Cohen, Corridor, c. 1978
Gelatin silver photograph on mount. 1988 print. Signed, titled, editioned '13/14' in pencil by artist with artist stamp and 'Motel Fine Arts' label on mount verso.
28 1/2 x 36 3/4 in. (72.4 x 93.3 cm)
(Image cropped for online publishing purposes)
#AIPAD #ThePhotographyShow
Harry Callahan, Untitled, 1940s-50s
Gelatin silver photograph. 1940s-50s print. Signed and inscribed "Do not sell only print" in pencil by artist on print verso.
8 7/8 x 9 7/8 in. (22.5 x 25.1 cm)
#AIPAD #ThePhotographyShow
A little sneak peak of an Andre Kertesz we're bringing to the Photography Show presented by @aipadphoto .
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Andre Kertesz, Southport, Long Island, August 14, 1949
Gelatin silver photograph. 1950s-c.1960 print. Museum of Modern Art loan label and annotation "187" on mount verso. Probably unique as vintage exhibition print in this size.
19 5/8 x 15 7/8 in. (49.9 x 40.3 cm)
#AIPAD #ThePhotographyShow #2026AIPADPhotographyShow #NYC #AndreKertesz
We're looking forward to seeing everyone tonight at our artist reception for Charles Swedlund: No Small Pictures.
Please join us today, from 5:00PM - 7:30PM for an evening of celebration!
We’re just one week away from our Artist Reception with Charles Swedlund for his exhibition No Small Pictures.
Join us on Friday, April 10, 2026, from 5:00–7:30 PM for an evening of art and celebration. We can’t wait to see you there!
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Nan's Farm, Red Chair, 1978
Archival pigment photograph on dibond mount. 2026 print. Editioned 1/4. Signed label on mount verso.
32 x 40 in. (81.3 x 101.6 cm)
Untitled (nude through sheet), c. 1975
Archival pigment photograph on dibond mount. 2026 print. Editioned 1/4. Signed label on mount verso.
32 x 40 in. (81.3 x 101.6 cm)
#photoexhibition #nosmallpictures #charlesswedlund #instituteofdesign