Life Alert: I've managed to not be put out on the street for 15 years today! Fooled her again! 😂
In all seriousness, Happy 15th Anniversary @jesscaporale21
Love you bunches! 😉
Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox, rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.
Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado
Chris Stapleton’s All American Road Show launched in 2025 with a lighting design by Tony Caporale and Sooner Routhier, working alongside Bruce Rogers.
The stage was conceived as a large-scale jukebox, rosewood, gold details, and a warm tungsten glow that set a very specific tone from the start.
Within a tight timeline, Tony and Sooner introduced a dynamic layer: automated white spheres moving inside a “garage” of video, paired with lines of vintage bulbs across the stage.
The result is kinetic without feeling excessive... elegant, but still alive. With video driven entirely by camera work, lighting became essential. Every cue was built with the lens in mind: cinematic close-ups, rich textures, and the warmth of old-school fresnel lighting shaping the space.
A show where architecture, light, and performance come together in a quiet, but powerful way.
Production Design: Bruce Rodgers
Lighting Designer(s): Sooner Routhier and Tony Caporale
LX Programming: Tony Caporale and Mark Butts
Lighting Director: Ben Bearden
Drafting and Tech Plots: Andrew Goedde
Tour Manager: Jason Hecht
Management: Red Light Management
Premiere Global Productions: Lighting Vendor
Video Equipment: MooTV
Set Design: Bruce Rodgers/Tribe Inc
Set Fabrication: Gallagher Staging
Automation: Glow Motion Technologies
Production Manager: John Garriott
Project Manager(s) / Creative Producer(s): Allison Cloak
Business Manager: Dulce Martin
House Counsel: Tamara Dadd Alan Esq
Executive Assistant: Lois Zozobrado
