spike6

Aya beautifully articulated her decision for choosing this film - a choice which feels particularly important in the current political climate, where film becomes part of an essential archive of Palestinian culture and history: - I chose Tale of the Three Jewels because in this difficult time, especially when our phones constantly confront us with images of violence and terror, we rarely pause to honor the beauty of the culture that endures despite it all. I wanted to gently invite the audience into the richness of Palestinian life, its quiet strength and its deep-rooted community love, and above all, the profound connection between the Palestinian people and their land. The film tells the tender story of Yussef and Aida, two young people whose innocent love unfolds against the harsh realities of occupation. Through their journey, the film reveals not only the weight of political struggle, but also the resilience, magic, and humanity that persist in everyday life. It is a reminder that beyond headlines and conflict, there exists a culture defined by beauty, belonging, and hope. - @ayalazzizi

Thank you so much to everyone who came to our screenings of ‘Tale of the Three Jewels’ by Michel Khleifi, handpicked and hosted by the amazing and astute @ayalazzizi . It was a pleasure having you all and a privilege to share this wonderful film twice ! Everyone’s words, perspectives and feelings were so extremely insightful, touching and comprehensive. This film showcases a Palestinian child’s viewpoint of his world and in it we see our own humanity, through childlike wonder, curiosity and advocation. In our discussion, what rang true in all of the thoughts shared with us was that Palestinian people need the space to dream, to love and above all to live - this should never be a novelty, but rather an inherent right.

🇵🇸Tale of the Three Jewels (1995) is a romance-war film written and directed by Palestinian filmmaker Michel Khleifi, born in Nazareth. Set during the First Intifada, the film follows Yussef, a twelve-year-old Palestinian boy living in a Gaza refugee camp. With his father imprisoned and his brother hunted by the Israeli army, Yussef escapes a life shaped by violence through imagination and wandering the countryside. His chance encounter with Aida, a young traveller girl, draws him into a dangerous adventure. Shot in early 1994 under Israeli military occupation, the film is the first feature made entirely in the Gaza Strip. - @ayalazzizi Chosen by our first guest host, Aya Lazzizi, Tale of the Three Jewels will be held @young_space__ this Wednesday (07/01). The RSVP link is in our bio + will close once we hit capacity. spaces are very limited, so don’t miss out x 85-87 Southgate Rd, London N1 3JS doors open 7PM, film starts at 7:30 as usual free entry + refreshments <3 see you there x [RSVP CLOSED - ADDITIONAL SCREENING ON JAN 14TH]

Gearing up for our first screening of the new year, here’s a recap of our previous screening of His Motorbike, Her Island by Nobuhiko Obayashi, where we chatted and/or you listened to us chat <3 We discussed the parodied representation of the Bōsōzoku subculture (meaning ‘reckless driving group’) within the film, and how their disillusionment and eagerness for a new life were interestingly displayed alongside American symbolism, reminiscent of the freedom associated with the stereotypical ‘American Dream’. Thank you to everyone who joined us in 2025, and a huge thank you to @young_space__ and @alwaysdowhatyoushoulddo for providing a cosy and welcoming space! Looking forward to a new year of screenings and discussions with you all: look out very soon for our next announcement! Happy 2026, friends 🍀

Join us back at @young_space__ next Wednesday (24/09) for our next screening of ‘His Motorbike, Her Island’ (1986). Directed by Nobuhiko Obayashi, His Motorbike, Her Island is a romantic youth drama based on a 1977 novel by Yoshio Kataoka. The film follows Ko, a Tokyo biker, who encounters Miyoko, a carefree island girl, during a summer trip. Their fleeting romance, set against the contrast of urban restlessness and island tranquility, captures Obayashi’s signature blend of nostalgia, lyrical imagery, and the bittersweet impermanence of youth. The RSVP link will be in our bio tomorrow from 6PM + will close once we hit capacity - spaces are very limited and operate on a first come, first serve basis, so don’t miss out! 85-87 Southgate Rd, London N1 3JS doors open 7PM, film starts at 7:45 as usual free entry + refreshments <3 can’t wait to see you there <3

Thank you to all who joined our most recent screening: Larry Clark’s Kids (1995). This was one of our most challenging screenings yet, prompting an urgent and necessary conversation. We explored the ethics and intentions behind Clark’s work, the exploitation of young actors, and the unsettling contrast between the director’s age and the ages of those on screen. As a group, we considered the implications of watching a controversial “cult classic” in a communal setting, and how following with discussion can be beneficial to our processing. Screening Kids alongside open dialogue felt essential, more so than screening the film itself. We also took time to reflect on the kinds of films we bring into spike6, what it means to create a safe space for difficult viewing, and whether our community wants to continue engaging with controversial cinema. A huge thank-you to everyone who joined us with such openness and care: your voices shape this space as much as the films do. Despite our technical difficulties, thank you to those who stuck around for the entirety of the screening ♥️ Huge thank you to @alwaysdowhatyoushoulddo for hosting us once again 💌 Our next screening announcement will be up in just a few, stay tuned xx

VIEWER DISCRETION IS STRONGLY ADVISED: Kids (1995) contains explicit sexual content, drug use, and themes that remain deeply disturbing. Please do not sign up if you have not read the content advisory, or seen the film previously. Directed by Larry Clark, a photographer-turned-filmmaker, Kids blurred the lines between documentary and narrative. Clark’s gaze and willingness to place untrained, real teenagers in front of the camera made the film feel unsettlingly genuine. However, his controversial methods - including the way he worked with young, often inexperienced actors - have continued to spark debates about ethics in filmmaking. Shot in a vérité style, Kids follows a group of teenagers over the course of a single day, drifting through skate parks, parties, and city streets. Its stark realism captured youth culture in its rawest form: unfiltered, vulnerable, and often destructive. Upon release, Kids divided critics and audiences alike. To some, it was exploitation; to others, a necessary wake-up call about the consequences of neglect, the risks of casual sex, and the absence of adult guidance. “Kids is *Lord of the Flies with skateboards, nitrous oxide and hip-hop… There is no thunderous moral reckoning, only observational detachment.” - The New York Times

VIEWER DISCRETION IS STRONGLY ADVISED: Kids (1995) contains explicit sexual content, drug use, and themes that remain deeply disturbing. Please do not sign up if you have not read the content advisory, or seen the film previously. This year marks the 30th anniversary of Larry Clark’s Kids, a film that shocked audiences upon its release for its raw depiction of teenage life in New York City. Unlike the glossy teen comedies and romances of the early ’90s, Kids stripped away the glamour to reveal a world of unprotected sex, drugs, and reckless nihilism - forcing both teens and adults to confront realities that mainstream cinema had long ignored. It captures a generation confronting adulthood too soon, blurring the line between freedom and self-destruction. With great pleasure, this screening is hosted by @alwaysdowhatyoushoulddo !! ♥️ Sunday 14th September 7-10 PM free entry, free snacks The RSVP link is in our bio !! Confirmations will be emailed to confirmed attendees by Friday morning. Spots are very limited due to the nature of the film. The location will be shared only with confirmed attendees - please check your emails to secure your spot! See you then <3

Hope you’ve all had a restful summer - we’re excited to continue where we left off ❤️ Gearing up for the autumn season, here’s a quick recap of our last screening: Miloš Forman’s debut Taking Off (1971). It was such a joy to watch and discuss a film that playfully yet poignantly captures the generational tensions of its time. Through its satire of suburban life, its tender (and often absurd) attempts at communication between parents and children, and its sly nods to the search for freedom in all its messy forms, Taking Off reminded us how comedy can be just as incisive a lens on society as drama. Forman’s first American film feels just as fresh today - a portrait of culture clash and longing that still resonates more than 50 years later. Thank you to everyone who joined us, and to those following along! Next screening announcement drops tomorrow - stay tuned xx

A quick recap of our first screening at @young_space__ — thank you so much for having us! And thank you to everyone who joined us for Eraserhead — it was a pleasure to screen such a singular film and to open up a conversation around its themes, especially the surreal (and sometimes overwhelming) experience of fatherhood. As David Lynch’s first feature, Eraserhead laid the foundation for a body of work defined by its dream logic, emotional unease, and deep attention to the subconscious. With his recent passing, it felt important to revisit where it all began — a quiet nod to an artist who reshaped the possibilities of cinema. Next screening announcement soon!! Stay tuned 💌

Back from hiatus! We’re excited to present our next screening: David Lynch’s Eraserhead (1977), a surreal cult classic that defies easy explanation. We’re pleased to announce this screening will be held at @young_space__ , the first of our residency there ♥️ RSVP link will be available from tomorrow at 6 PM- places are first come, first serve, so set a reminder! 30/4 (next Wednesday) 85-87 Southgate Rd, London N1 3JS DOORS open 7 PM, film starts 7:30. No entry will be permitted post starting time. as usual free entry, free refreshments <3 we hope to see you there 💌

As we prepare our return, let’s recap our last screening of ‘6 till 6’ (2024) by @burnermunde , for the launch of @opal.magazine ! Thank you to @koffi.adg for having us host such a special night, and a special thanks to @arranashan and @lengurz for gracing us with your presence and joining our discussion. It was such a pleasure to be able to screen ‘6 till 6’, gaining insight into the intentions, ethics, and wider topics surrounding the film. If you missed the screening, it’s available to watch on YouTube — of course as a spike6 favourite, we’d highly recommend that you give it a watch x We’ve missed hosting you and are super stoked to announce the next screening! Keep an eye out as we’ve got something rather exciting planned💋