Somehow Iāve made it 6 years into being a Professional Filmmakerā¢ without ever having headshots but now I no longer have to use random self portraits whenever someone needs one thanks to @andrewthillphoto
Welcome to Harvest Hill, Kyle!
Kyle most recently wrote, directed, produced, and edited his first feature film, COMPLIANCE, which will make its world premiere at the Fantaspoa Film Festival in April.
COMPLIANCE pays homage to ā70s conspiracy thrillers THE PARALLAX VIEW and THE CONVERSATION, while updating the genre for the modern-day surveillance state through a found footage angle, blending inspiration from films such as UNFRIENDED and SPREE.
Primarily shot through surveillance cameras, dash cams, and phone cameras, the story is told through dozens of fragments found online that you know you shouldnāt be allowed to see.
A stunning debut.
Thrilled to announce that COMPLIANCE will be having it's world premiere in Brazil at @fantaspoa this coming April š
Cannot wait to finally get to show this film at one of the largest genre festivals in the world! Plenty more to be announced in the coming months as well, so stay tuned
A few photos from the private cast and crew + friends and family screening of COMPLIANCE from two weeks ago courtesy of @andrewthillphoto
Incredibly surreal experience finally watching this film in a theater with a crowd and easily one of the best days of my life, thank you so much to everyone who made it so special š cannot wait to get this one out into the world properly
Stay tuned for our public festival premiere and more screenings coming to a city near you in the new year š
First looks at Compliance š¤Æš¤š³ lengthier update on where post is at on Kickstarter go check it out.
Looking at probably July? August? for some sort of a premiere for family/friends/contributors and teaser trailer probably by the end of next month. Don't hold me to either of those lol but it'll be here sooner than later!
Much love and appreciation to all of you for the continued support š«¶
Aftermath of the Eaton fire 1/8/24
Really hard to conceptualize the scope of what happened here without seeing it face to face. I felt a sort of obligation to witness and document as much of it as I could given some of the preoccupations Iāve had as an artist for a while now, and at the very least it did change the way Iāll view Los Angeles probably forever. Not much more to say that hasnāt been said already other than my thoughts are with those that were effected directly
