From my Sonic Dorm to yoursā¦ š¶šŖš¶
Been eyeing this one for a WHILE⦠as I continue rebuilding my record collection one album at a time, couldnāt resist purchasing this album again unless it was the one done by @mobilefidelityofficial !
Produced by the legendary Robert John āMuttā Lange (my all-time favorite producer!!), thereās even more clarity in the soundstage, more punch, more dynamics⦠Thomas Dolbyās keyboard/ synth work on songs like āUrgentā have even more atmosphere.
@lougrammgram sounds super dynamite of course!
As with all MOFI releases, I find this to be the definitive / go-to way of listening to this classic album moving forward. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Happy 30 year anniversary to one of my all-time favorite albums ever! āSlangā by Def Leppard.
Originally released on May 13th 1996, this album put its hooks in me from day 1 of discovery.
As an already massive Leppard fanatic, I wasnāt quite sure what to expect, and immediately this album lets you know itās not whatās to be expected from this band⦠ambitious, their most experimental album⦠one I find to be a masterpiece.
The band proved they could write proper tunes without producer āMuttā Langeās supervision / Midas touch⦠yet sonically this album is also incredibly rich, although it goes for more earthy tones⦠itās quite the adventure, as you can hear everything that the band was listening to at the time filtered through them, whether itās Boys II Men one minute, Nine Inch Nails another⦠Prince⦠and even a Sarangi is used! This album is quite brilliant, in my humble opinion.
Thankful for its existence. šš»
From my Sonic Dorm to yoursā¦ š¶šŖš¶
As I continue rebuilding my music collection one album at a time, Iām totally ecstatic to have my favorite @muse album back!
āDronesā is turning 11 years old next month, and it still packs a punch! I waited on the edge of my seat in anticipation for this album for months leading to its release, and a major reason driving my excitement was due to it being produced by the legendary Robert John āMuttā Lange! (My all-time favorite producer).
Interestingly enough, the blend of producer + band is a bit more balanced here than what I expected⦠while there still are some of āMuttāās trademark sounds on here, itās more on the subtle side⦠what we do get is a super well-recorded album with a lot of weight.
The band hired āMuttā Lange to get back-to-basics, and emphasize more on the guitar, bass, drums dynamic⦠leaning in towards his extraordinary work on āBack in Blackā⦠which was more so about getting stellar performances with not too much overdubbing.
I canāt rave about this album enough⦠and itās been long overdue for a marathon listen! As I havenāt given it a proper listen in what feels like ages. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Last week marked 36 years since the release of āCharmed Lifeāā @billyidol 4th studio album (originally released back on April 30th, 1990).
Significant because it was the first album to feature guitarist @markyoungersmith who brought more of a blues-based esthetic to Billyās sound, yet still mixed incredibly well with the dance / electro / pop hook realm that defined Billyās sound (alongside stellar producer Keith Forsey).
To my ears, this album brought back more of a band-centric sound / execution in contrast with the more hyper-electro soundscapes of the previous album (āWhiplash Smileā).
This album has aged really well for me⦠itās incredibly well-sequenced with personal favorites including:
⢠Pumping on Steel
⢠Trouble With the Sweet Stuff
⢠Love Unchained
This is the right kind of album to blast after sunset⦠ecstatic to have this recent reissue on 2 LPs. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
If anyone should know ONE band that impacted me at a monumental level in my formative years, itās The Cars!
Ricās quirky cool / Buddy Holly-influenced vocal style & lyrical charm, Benjamin Orrās heart & soulful voice complimenting Ricās wonderfully (the yin to his yang), Elliot Eastonās memorable guitar attack / memorable solos (they were songs within the song!), Greg Hawkesā hyper hooky synths, and David Robinsonās in the pocket kick⦠what a band!
They had the songs⦠and they influenced so so many: from Weezer to No Doubt⦠to Bad Brains and Smashing Pumpkins.
@billjanovitz did a phenomenal job writing this bookā covering the entire story of the band, and its membersā past, present & future (side projects included!).
Iām now reading this a 3rd time, and looking forward to many more. If you want to open your eyes to the thrill ride that is @thecars & their music, this book is the perfect compliment to have while listening to their albums through & through! š
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Happy 1 Year Anniversary to āDream Into Itā ! Billy Idolās 9th studio album and one that as a mega Idol fanatic has grown on me over the last 365 days.
Originally, this was intended to be an EPā but in true Idol fashion, @billyidol decided to just go all-out and craft a full-length album.
Amongst the things I still appreciate about this album⦠So mind-blowing to hear the title track sample Alan Vega & Martin Revās āDream Baby Dreamā!
The songs & overall atmosphere of this album goes for more of a straight-up pop/punk feel, and of course @stevestevens continues to add a super kinetic kick to everything. Truly the best.
As always, Billy & Steve bring an unforgettable uplift to my life that is second to none. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Duran Duran has always meant a lot to me. From my earliest memories of listening to them, their songwriting, mature songwriting (even during their early years) and avant-garde / otherworldly nature always connected to me.
Now, the 90s was an interesting period for the bandā by 1993, the band had reinvented themselves and evolved with guitarist Warren Cuccurullo making a major impact on their songwritingā adding further dimensions to their already fluid yet concrete style.
I can go on & on, but lookā the āWedding Albumā is still a stunning album to listen to, and Iām glad I got ahold of this new reissue, alongside its companion āThank Youā, which was recorded during the same sessions as the formerā with the band reinventing songs they admired in their own unique ways.
Their take on Bob Dylanās āLay Lady Layā is massively underrated⦠I tend to play it back-to-back with āCome Undoneā. Brilliant stuff. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
The rebuild continuesāwelcoming another essential chapter back into the collection: Marathon by @saga_band , their fifteenth studio album.
Released in the spring of 2003, this album stands as a key moment in the bandās rebirth eraāwhere everything that made SAGA so distinct comes back into focus, while still feeling naturally in step with its time.
What makes Marathon especially fascinating is how it came togetherāmore piecemeal in its creationāyet somehow, it flows with a cohesion that feels anything but fragmented. If anything, it adds to its character.
Thereās a beautiful cross-section here of everything I love about this band⦠the melodic depth, the subtle complexity, the sense of uplift woven into every corner.
And vocallyāthis is some of @michaelsadlermedia at his finest.
āBreathing Lessonsā and āYou Know I Know (Chapter 12)ā in particular showcase that unmistakable ability he has to inspire, to ground, & to elevate all at once.
Another meaningful piece restoredāone step closer to bringing it all back.
Stay curiousā¦ š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Tomorrow, Iāll be sharing a very special conversation with one of my all-time guitar heroes, @marco.pirroni ā a defining creative force whose work had a tremendous impact on my formative years, and whose presence helped shape so much of the Adam Ant sound.
Truly honored to have had him on Sonic Dorms. Full interview tomorrow. š¶šŖš¶
From my Sonic Dorm to yoursā¦ š¶šŖš¶
Pardon the rambling, but during my trip to the record store today, I was able to pick-up most of what I wanted for āRecord Store Dayā !!
Thankful!!