Fluffy chicken on a self made lens. Well, not totally self-made – I used glass elements from broken lenses and put them together in a different order, looking to get this swirly distortion towards the edges.
The always amazing Dragan @dragan122 on large format.
I love doing portraits and I love talking to people about their life story. So much so, that sometimes I forget to look at the composition, remove the dark slide too early or put a 9x12cm film into a 4x5" holder. Oh well, you live and learn.. You live, anyway.
Photographing @oliverboualam and his 'Reh' chair on 4x5 large format.
I knew one day I won't be able to say 'no' to the siren call of the huge negative.
Images taken with a 60 year old Bronica C medium format camera, with a 120 year old Petzval-type lens.
This camera is not only beautiful in a vintage car sort of way, but is also uniquely suited for adapting old lenses on medium format. On a typical camera, the lens houses the helicoid, the mechanical corkscrew-like part that moves the optics closer and further away from the subject allowing you to focus properly. On the Bronica, the helicoid sits between the body and the lens, and so you can adapt all kinds of weird lenses onto it. This particular lens probably stems from the late 19th, early 20th century. It has no markings on the body, but as I disassebled it to clean the glass, I found the inscription “A. Laverne & Co. Paris” on the rim of a glass. There were quite a few small optics manufacturers in the 19th century - the startups of the era.
The Petzval lens type was the first portrait lens design, created in 1840. It has with two elements at front and two at the back, and has a strong sharpness drop towards the corners. No, wait, it’s more accurate to say that only what’s in the center can ever have a high enough resolution. (Unless of course, you move the lens off-center, like you can with a large format camera). But sometimes, this lack of sharpness and the disquiet character of the rendering is what we are after.
Shoutout to @chris_spatschek and Lina who were so patient with me on this August afternoon!
Work in progress: mapping personal space in Piazza San Pietro in Vatican City. A webcam livestream of the piazza is analyzed for human bodies, transformed into a birds view, personal space infringement tracked and visualized.
The hard part here is treating groups of people as a single body - the webcam quality is not quite good enough for consistent tracking, and I'm not too familiar with spatio-temporal clustering algorithms.
#STARTSEU #STARTSAIR #STARTSresidencies #SonyCSLRome @startseu@SonyCSLRome
MOTH watching over the city.
Watching, searching for the right mapping aesthetic.
#STARTSEU #STARTSAIR #STARTSresidencies #SonyCSLRome @startseu@SonyCSLRome
