Some evenings continue to resonate long after they end.
Still thinking about the night with Oneohtrix Point Never and Freeka Tet at the Auditorium San Fedele, an intense audiovisual experience where sound, light and architecture continuously reshaped perception.
It felt like navigating a surreal journey through the fragmented memories of a dying hard drive. Daniel Lopatin’s cinematic synthesizers and Freeka Tet’s uncanny, hyper-digital visuals built a massive sonic architecture, constantly shifting between breathtaking ambient beauty and chaotic noise.
A suspended and overwhelming performance that transformed the space into a shifting landscape of tension, memory and immersion, blurring the lines between an electronic live set and a dystopian theatrical piece.
Here’s a small glimpse back into that evening.
@inner_spaces.sfm@slamjam@oexp.works
📹 @francesco.mancin@corradjno
What happened on May 6 at Auditorium San Fedele felt like more than a concert.
With Oneohtrix Point Never and Freeka Tet, the space seemed to open, like a portal, into a new and unfamiliar dimension. Sound, image and architecture merged into something fluid, reshaping the perception of the auditorium itself.
For a moment, San Fedele became a different place entirely: immersive, suspended, and intensely alive.
There was also a rare kind of warmth surrounding the artists: a shared presence that moved between stage and audience, dissolving distance and creating a collective experience that felt both intimate and expansive.
A memorable night, one that will stay with us.
📸 @stemattea
