Skye Gellmann

@skyegellmann

Unstable bodies Creating & directing Associate artist at Branch Nebula
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Weeks posts
Glass / Heels (in-progress experiments) Always in flux. Exploring pressure, instability, and constraint. The body doesn’t settle.
196 1
1 month ago
Glass / Heels, 2025 Photographic documentation by @valeriejoy.jpeg Developed across multiple presentations in 2025, this work continues to evolve through repetition, risk, and embodied decision-making. Each iteration sharpens the relationship between body, material, and time - allowing clarity to emerge through sustained exposure rather than resolution.
93 15
5 months ago
Glass / Heels, 2025 Performance presented at @machinehall with @aether_tiess . A body-based investigation into instability, endurance, and control, navigating two buckets of broken. The work holds the body in a continuous negotiation between opposing forces - fragility and force, precision and risk. Performance concept and choreography: Skye Gellmann. Documentation: @sebkayser
106 12
6 months ago
What would you call the first move?
32 14
3 days ago
Variations on Vs #poletrick #poledancenation
40 1
7 days ago
We’ve been associating with artist Skye Gellmann for some time and this year it's official: Branch Nebula’s 2026 Associate Artist Skye Gellmann. Skye is an artist and creator working across performance, photography and the moving image. They're a two-time Greenroom Award winner making bold, experimental work. Branch Nebula is proud to be sharing resources and expertise, as well as collaborating with Skye. 🖤
208 3
1 month ago
How Not To Climb A Mountain was a full-body, full-volume adventure. Huge thanks to @branch_nebula for bringing the chaos, risk and brilliance to Borderville Theatre. We love supporting visiting artists bringing bold, unexpected work to our space - and to everyone who came along, thank you for being part of it. What was your favourite moment? 👀 #physicaltheatre #circus
0 3
1 month ago
Aerial Plank began as an exploration of brutalism and movement. A body negotiating a single architectural element. No flourish. No escape from gravity. The apparatus does not ask to be performed. It asks to be endured. Friction shapes what remains.
43 5
2 months ago
THIS FRIDAY: How Not to Climb a Mountain celebrates the art of instability - acrobats wrestling dollies, instruments pushed past their limits and a soundscape built from pure, unpredictable action. Book your tickets via the link in our bio. 📍Borderville Theatre, Flying Fruit Fly Circus 13 March, 7pm Book now | Link in bio @fruitflycircus @leethalz @mirabellekes @skyegellmann
53 1
2 months ago
Cardboard cliffs. Human skin. Power tools meeting guitars. How Not to Climb a Mountain is a full‑body, full‑volume adventure in creative problem‑making and problem‑solving. It’s messy, bold and unexpectedly hilarious. Book your tickets via the link in our bio. 📍Borderville Theatre, Flying Fruit Fly Circus 13 March, 7pm Book now | Link in bio @fruitflycircus @leethalz @mirabellekes @skyegellmann
62 0
2 months ago
What happens when highly trained acrobats strap stage dollies to their bodies and call it “mountaineering”? How Not to Climb a Mountain is physical theatre at its most joyfully unpolished – guitars are misused, cliffs are created with cardboard and bodies are pushed to failure. One night only - book now via the link in our bio. 📍Borderville Theatre, Flying Fruit Fly Circus 13 March, 7pm Book now | Link in bio @fruitflycircus @leethalz @mirabellekes @skyegellmann
104 1
2 months ago
How Not To Climb a Mountain, 2026 A live performance experiment. Physical instability structures the dramaturgy. Through repeated attempts, allowing mistakes and unintended outcomes, the work accumulates. 13 March Borderville Theatre, Albury NSW Tickets via link in bio --- concept & performance Skye Gellmann @leethalz set & costume design @mirabellekes sound design Lee Wilson Phil Downing producer Michaela Coventry company @branch_nebula
66 5
2 months ago