Alex Sinh Nguyen

I’m very happy to have created a narrative video game experience for @barragan included on the B-Virus USB drive available for purchase on the website, as well as having contributed to the project’s initial design prototype. B-virus USB drive @v.arragan_ Development support for the video game: @ngtheo USB Drive & Packaging Production @nikkosmas @red_orchid_99

Interview with @sinhalex . Working between industrial design, digital environments and video game culture, his practice explores how digital worlds shape the way we imagine and construct objects today. Now online on templemagazine.co 🕳️

So happy to have done some modding on Guitar Hero: World Tour before the STONEHAVEN runway show by @marierohanaa , and for the announcement of the live performance by @aamne__ @111syri @gizmo7k . Guitar Hero Modding & Artistic Direction: @sinhalex @ngtheo Thanks to @leifisstrange @samual130 @leakika

After quite a delay but with even greater pride, we’re finally sharing the chair @hahahafner and I designed for Chapelle Mon-Gré in Switzerland. Produced in Bern by @roethlisberger.ch Photo by @thheo

Blown glass ashtray, tinted with red sand, presented on the occasion of @smoking.diaries Necrosis imbues the piece with an organic quality, evoking the shape of a blood cell that gradually darkens and deteriorates when repeatedly touched by ashes. Model 1 💨 Deep glossy red: 12.2x 4.5 cm Model 2 💨 Matte sandblasted, with an intentionally irregular, uneven color application: 12.5x 5 cm Price available upon request. Photographed by: @thheo Glassblower: @fs.shiny (▔▀ ‿ ▀ )ლ ▂▂⌇

Blown glass ashtray, tinted with red sand, presented on the occasion of @smoking.diaries . Necrosis imbues the piece with an organic quality, evoking the shape of a blood cell that gradually darkens and deteriorates when repeatedly touched by ashes.

Human wallets or croco wallets? 🐊 Either way, someone’s getting skinned, stitched, at the flesh sweatshop. Creative Director, Story & Edit: @v.arragan_ Art Direction & Modding: @sinhalex

Opening tonight @collectiblefair NYC at @wsanyc ʕ•ᴥ•ʔ ExoSeat edition of 2 Exhibition curation @_h_mart_ Scenography @cat.snodgrass ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ Many thanks to @amandahauserr @nastia.beselia @anglesio_moto @_h_mart_ for their help Supporterd by @prohelvetia_design @bernerdesignstiftung Projet rendu possible grâce au soutien par la Fondation bernoise de design/SWISSLOS Culture Canton de Berne

Excited to present the ExoSeat chair at @collectiblefair , September 4–7, 2025, at Water Street Projects WSA (@wsanyc ), 180 Maiden Lane, New York, NY 10038. Selected by @_h_mart_ ~ DM 4 invit 👅~ Many thanks to @prohelvetia_design and @bernerdesignstiftung For their support. Projet rendu possible grâce au soutien par la Fondation bernoise de design/SWISSLOS Culture Canton de Berne

Potential Objects - Alex Sinh Nguyen | Best in Design Přemýšlel jsi někdy nad tím, jaké by to bylo, kdyby design nebyl o finálním produktu, ale o samotném procesu tvorby?🎮 Projekt s názvem Potential Objects představuje digitální nástroj i otevřený systém, který kombinuje principy herního prostředí s návrhem objektů. Umožňuje experimentovat, prototypovat a sdílet 3D modely intuitivně – jako v sandboxové hře, ale s myšlenkou designu. ___ Potential Objects – Alex Sinh Nguyen | Best in Design Have you ever wondered what it would be like if design wasn’t about the final product, but about the process of creation itself? 🎮 Potential Objects is both a digital tool and an open system that blends the principles of game environments with object design. It allows for intuitive experimentation, prototyping, and sharing of 3D models—like in a sandbox game, but with a focus on design thinking.

Modding on Session: Skate Sim featuring the deck collection designed and produced by Mowalola @mowalola X The Skateroom @theskateroom Decks:  ~ TYSON CHROME DECK  ~ GRAFFITI DECK  ~ RED OMEN DECK  ~ LEOPARD DECK  ~ MOTO DECK Outfits: Model 01  ~ BPU UK MINI SKIRT  ~ COLLEGE TEE RED ~ Red Medium Bundle Bag Model 02   ~ NIGHT BRA BLUE   ~ TARTAN MINI SKIRT BLUE In collaboration with @lea.kika Assistance and shot production: @leifisstrange Thanks to @sumicoke for the feedback and support in refining the art direction. Soundtrack: Hit & Run by @mowalola #mowa #mowalola #skateroom #skate #session #sessionskatesim

L̸̖̽̌͂ẹ̿͋̒̕s̠҉͍͊ͅ R̴̨̦͕̝ẹ̿͋̒̕l̙͖̑̾ͣỉ͔͖̜͌q͉ͬ͋̇ͥư̡͕̭̇ẹ̿͋̒̕s̠҉͍͊ͅ G̩̱ͩ̏͜ā̤̓̍͘l̙͖̑̾ͣv͒̄ͭ̏̇ā̤̓̍͘ṇ̤͛̒̍ỉ͔͖̜͌q͉ͬ͋̇ͥư̡͕̭̇ẹ̿͋̒̕s̠҉͍͊ͅ Captured by @thheo Ceramic expertise: @sarah.scheder / @understory.ceramics Special thanks to @timothee_lehmann & @_christianmonney for the intricate structural assemblage Exhibited at the 18th International Design Festival – Design Parade Hyères. An ode to ruins, to relics that are slowly fading. When the last liturgical buildings collapse, when places of worship dissolve into concrete - what will remain sacred? The imprint of these churches, still dotting our urban landscapes, is corroding. As these marvels crumble, the metal frameworks that form their skeletons pierce through the rotting flesh of these ailing structures. These frames - commonly known as scaffolding - become the final nerves that still faintly pulse within the monuments. Although originally designed as temporary prosthetics, meant to hold together crumbling abbeys awaiting renewal, they end up fusing with the architecture. Wherever one looks, these buildings now share their space - inevitably - with these metallic transfusions, until the eye stops noticing them, accustomed to their constant presence. As a final tribute to these galvanized connectors, a baptism is held- to elevate them to the status of sacred relics. Let us canonize this “Rearden metal,” so that its fleeting support becomes immortal, eternal.