In samenwerking met @toneelgroepmaastricht en @viazuid werken deze 8 makers gedurende 5 weken samen tijdens de repetities van Talentlab 2026.
Tijdens de @museumnachtmaastricht op 10 april kan je het resultaat van deze samenwerking bekijken.
MEET THE RESIDENTS
๐ฆ๐ถ๐ฒ๐ป ๐๐๐๐๐ฒ๐ฟ๐ (1992, Netherlands) is an artist who lives and works in Antwerp. Her work stems from an interest in transformations between creation and decay, and in life forms that are dormant and hidden. She explores what it means to be human in relation to other living beings, and how other species such as fungi, worms, trees, snails, octopuses and moths can serve as examples for coexisting with different species.
At MORPHO, Sien will develop a short film in which a world is shown where the boundaries between living and non-living, organic and technological are blurred. Building on a family of sculptures created from the remnants of our current lives clumped together, she will explore how these sculptures can be brought to life through film, sound, encounters and performance.
๐ฆ @sienjpcusters
๐ธ @milesfischler
In the context of the Worldbuilding development residency.
๐ท
2, 3 @giaaadaci
4, 5, 6 @margovdpas
7, 8, 9 @fleurjakobs
Details van An Abundance of Pouches in Kunstpodium T met @lucafay@helena.cnockaert@jakobvanklinken (@keetje_mans ).
Foto's door Margo van de Pas.
Op foto 1 staat een mini sculptuur gemaakt tijdens het project MIRRORS op het KASK&Conservatorium, geleid door Chiara Scarpitti en Maria Boto Ordonez
An Abundance of Pouches in Kunstpodium T met @lucafay@helena.cnockaert@jakobvanklinken (@keetje_mans )
Foto's door Margo van de Pas
In this new iteration, our tools for intuitive storytelling expand, braiding our fantasies a little closer together. Through open dialogue and messy experimentation, our individual worlds digest into a shifting landscape. The good lifeโspeculative, sometimes awkward or funny, but always pulsing with possibility, rooted in matter. Our studios form an ecosystem, borrowing each otherโs materials, losing a hammer but gaining a horse, all in the intentional chaos of keeping things moving. We wonder: how far can we push these stories together, what does it take to keep momentum, and what unexpected smells might rise from the shared pouch we keep stirring?
