Join us this weekend for the finissage of "The Service". On this occasion, @lili.sueper will perform on Saturday, January 10, 2026, from 3–6 PM at the gallery. During the three hours, Lili Süper will be available as a performer, walking through the city and carrying out tasks via livestream, assigned to her by visitors at the gallery. Everything is accepted, visitors‘ assignments are limited only insofar as they must not endanger the performer or other people. Lili’s signature blue skin color and the live transmission gamify the intervention in the urban cityscape. A third-person perspective places viewers in a voyeuristic and charged position. The serving avatar is reminiscent of the bots of various delivery services, who work under precarious, isolated, and physically challenging conditions as part of the consumer infrastructure. They accept orders from the digital space, which they carry out in the material world, thus functioning as an interface between different levels of reality. For this performance, Lili Süper ultimately commodifies and gamifies herself into a bot. Lili Süper The Service Saturday, Jan. 10 3 - 6 pm Bahrenfelder Str. 57, 22765 HH

We are wishing everyone a great start into the new year! Thanks for another amazing year in Hamburg! The gallery will be open by appointment from January 02 for the last week of @lili.sueper exhibition "The Service" Süper will perform "The Service" one last time during the finissage on Saturday January 10, 2026 from 3-6 pm.

Lili Süper The Service (captured), 2025 Recorded performance as video installation Single-channel 4K video, no sound Duration: 1:10:50 During the opening of her solo exhibition at the gallery, Süper performed "The Service", a two-hour solo journey through the city in which she transformed herself into an avatar and served as the interface between the audience in the gallery and the outside world. During those two hours, visitors at the gallery could give her prompts, which she executed in real time. The resulting video work is currently on view at the gallery until January 10, 2026 and is available for acquisition as editions, each comprising 20-minute intervals. Lili Süper The Service Nov 14 - Jan 10, 2026 Open by appointment, you can contact us via dm or email: [email protected] @lili.sueper

Exhibition views of Lili Süper‘s solo show 'The Service' The exhibition runs through January 10, 2026 and is open by appointment. You can send us a dm or email: [email protected] "Lili Süper’s works are interested in creating access again within dissociated relations to the world and to the self. In her works, the self, bodies, landscapes, datasets, and digital technologies themselves can become the object of investigation. An important part of Süper‘s artistic practice is her understanding of, and her work with, medial representation. The geomapping software that was used within the framework of the Copernicus Program for the surveying of landscapes is the same software with which she workes in her pieces and on a digital surveying of bodies. Bodies, self, and world are subjected to the same technology. Technology here is a tool of dissociation: “the thing itself” is decoupled from itself and transformed into a dataset, an image, a molding. But Süper’s works do not remain in dissociation: she looks because she wants to see something; she zooms in to be closer; she makes molds in order to then hold something in her hands.
It is a devoted practice that wants to enter into connection. She transforms the skills of her digital practice into the analogue realm: in the use of high-quality natural materials for the ropes, or of posts from the Hanseatic Alten Land, lies the desire for haptics, for grip, and for grounding. In the performance, Lili intervenes in the everyday life of the urban space and makes her body available to the viewers in a long-durational setting. In doing so, she gives away a rare resource: her presence." - Kaija Knauer Lili Süper was born in 1997 in Bremen and studied Fine Arts and Stage Design at HFBK Hamburg and her postgrad in Art and Ecology at Goldsmiths College in London. image credits: @altaytuz

On Friday, 14 November Lili Süper’s first solo show will open at the gallery. Join us on the occasion, with an off-site/on-site performance and activation by Süper from 6-8 pm. "Transforming the gallery space into a field of gazes, bodies, and signals, Süper is using diverse media to explore bodily experiences of technological power. An angel of progress stands on stilts, trapped within the room. Frozen in a gaze from above, it seems to have wandered through ghostly landscapes: large-scale textile satellite images that read the planet through metallic sensors. Through a livestream, the audience will guide the artist’s blue body through the city, interacting with her surroundings, hovering amongst them like a drone. A social experiment developing, along with the question of the ultimate form of Service. What desires does technology fulfill for our bodies, and where does it take control? Between data and flesh, an immersive and poetic landscape unfolds." Lili Süper The Service Nov 14, 2025 - January 10, 2026 opening Friday, November 14, 6 pm performance 6-8 pm @lili.sueper

Johannes Seluga in 'L’ennui’ @selugaa image 1+2: Johannes Seluga Zwischen Bäumen, 2024 Öl auf Leinen / oil on linen 155 x 145 x 3 cm image 3+4: Johannes Seluga Vor der Tür, 2023 Öl und Ölpastell auf Leinen / oil and oil pastel on linen 180 x 150 x 4 cm Both works are currently on view in our duo-show 'L‘ennui‘ Johannes Seluga & Sally von Rosen co-curated by Sigrid Hermann running until Nov. 08, 2025 Bahrenfelder Str.57, 22765 HH-Altona send us a dm or email to: [email protected] for any appointments or further details

Sally von Rosen Rind (Motherform), 2025 Bronze, patina, wax, Unique 45 x 27 x 16 cm (17 3/4 x 10 5/8 x 6 1/4 in.) Von Rosen’s sculpture holds a tension that is both poised and precarious. It suggests rather than concludes: limbs caught mid-motion, curves that carry tension forward. Thorns unsettle its sinuous shape, introducing tension without breaking the form. ‚Rind (Motherform)‘ evokes the trace of a lived, animated body without fully assuming it, drawing the viewer into a somatic relation with what is shifting, fragmented, and unresolved. Though it asserts an insistent presence it remains open to projection and psychological charge. Her sculptural vocabulary unfolds through texture and gesture, speaking to longing, absence, and transference. Von Rosen, who is informed by post-minimalist, surrealist, and feminist traditions, approaches sculpture as a site of affective encounter, where sensation precedes interpretation and contradiction becomes generative. Her work seems to emerge from somewhere between epochs, recalling primal experiences of birth, death, separation, and transformation. As with memory or myth, it does not resolve; it lingers, mutates, and returns. In this way, the body in movement becomes a vessel for affect, transition, and the cyclical forces that it carries. Sally von Rosen’s work is part of our current exhibition at the gallery: L‘ennui Sally von Rosen & Johannes Seluga Sept. 19 - Nov. 08 @sallyvonrosen

Very excited to participate in @minor.attractions for the first time with a work by South African painter Paul Wallington. Wallington’s practice attends to topics that have long reached the realms of our everyday realities but still feel ambiguous to define to some extent. With an uncanny eye to social structures and perplexing details, his compositions foster a moment of intimacy and comprehension. Antagonistic in his use of color and materiality, Wallington treats the canvas as a cracking screen through which reality slowly creeps in via hues of thick impasto, dripping paint, and uncertain undertones, forbidding the notion that all is as real as it seems. Paul Wallington This Will Stand, 2025 Oil and acrylic on canvas 50 x 120 cm (diptych) For enquiries contact: [email protected] *************************************************************** Minor Attractions 2025 The Mandrake 20-21 Newman St, London W1T 1PG Opening: October 14 Oct. 15 - 18, 2025

Johannes Seluga Zu beiden Händen, 2025 Öl auf Leinen / oil on linen 100 x 80 x 4 cm In Seluga’s paintings, interior states press outward into distinct material form. His process, intuitive, and layered, unfolds like a slow excavation of psychological terrain. His use of the Zorn palette functions less as a system than as a means of attunement: earthy tones and flickers of pale light carry mood like weather. His works do not depict moments they reside in them, as if time had thickened into surface. Figures appear and dissolve within the dense weave of texture and brushwork, as if memory itself was trying to take shape but never fully solidifies. Landscapes become thresholds of intimate, disoriented zones where the human form is neither fully distinct nor fully absent. This ambiguity reflects a deeper interest in the spaces between perception and disappearance, self and environment, memory and presence. Seluga’s paintings often feel as though they are on the verge of being remembered, suspended in the act of becoming visible. L‘ennui Johannes Seluga & Sally von Rosen Sept. 19 - Nov. 08 Bahrenfelder Str. 57 We are back at the gallery this week Open by appointment - send us a dm or email to [email protected] Image credits: @foto.documentation

We are at @swabartfair today and tomorrow Presenting a set of works on paper that function as the starting point of Jaewon Kim‘s exploration into the complex structures of today’s ecosystems. With its symbolic presence, lavender and the honey bee become metaphors for the immeasurably complex interplay between plants and insects, which stabilise the entire ecological system in a delicate balancing act. The images, drawn with blue, yellow or black ballpoint pen or marker on paper, combine clear lines, precise geometry, and human, irregular traces, breathing new vitality into classical motifs. Pictured: Image 1+2 Jaewon Kim The melody is coming home again (series), 2025 digital drawing with black marker pen on paper 18 x 45,5 cm, framed Image 3 Jaewon Kim Only blue remains on the paper (series), 2025 digital drawing with blue marker pen on paper 27,5 x 68 cm, framed Jaewon Kim Only blue remains on the paper (series), 2025 digital drawing with blue marker pen on paper 31 x 39,5 cm, framed Image 4 Jaewon Kim Only blue remains on the paper (series), 2025 digital drawing with blue marker pen on paper 26,5 x 34 cm, framed Image 5+6 Jaewon Kim The melody is coming home again (series), 2025 digital drawing with yellow marker pen on paper 14,5 x 21 cm, framed @swabartfair Saturday and Sunday 12 - 9 pm Stand 13 #jaewonkim

Swab Barcelona opened today and continues until this Sunday, Oct. 5, 2025. We are showing new works by Hamburg- based, South Korean artist Jaewon Kim. It is a focus on Kim’s sculptural works and works on paper that draw attention to our fragile ecosystem and its threats of the 21st century. Cross-Pollination as the title of this presentation is an innuendo on the analog-digital approach that the artist has in his works; but furthermore it is an allusion on the double edged sword that is our attitude towards ecological systems that are threatened by modern agriculture and humanities behaviour towards this most vulnerable part of our existence. Swab Barcelona General Sector - Stand 13 Oct. 2 - 5 #jaewonkim

L‘Ennui Johannes Seluga & Sally von Rosen co-curated by Sigrid Hermann On view at the gallery until Nov. 08, 2025 Bahrenfelder Str.57, 22765 HH Open by appointment, you can dm us or send an email to [email protected] — "There is a particular stillness that makes itself felt when saturation silences perception. L’ennui, a French word often said to defy exact translation, names this state of existential overexposure: when the world is not lacking, but excessively present, and meaning is neither linear nor literal, but layered and elusive. This condition forms the foundation of the exhibition, bringing together Berlin-based artists Johannes Seluga and Sally von Rosen. As Baudelaire once described, l’ennui is not emptiness but a fullness so total that it presses the world into silence, a persistent ache beneath beauty’s surface sheen. An oversaturation of a world that offers too much, too constantly emerges as a quiet undercurrent throughout the exhibition. In response, both artists pare things back, returning to the essence of form, material, and color." — image credits @foto.documentation