Playing with limits. Font in progress.
Built a typeface so tied to geometry it breaks itself: forms collapsing, letters bending, readability slipping.
Somewhere between system and chaos, it found its voice.
Not perfect. Not meant to be.
#typedesign #experimentaltype #atype #geometrychaos #designprocess
amigxs, nos vemos mañana!
we wanted to let you know you can get these beautiful prints for donation at tomorrow’s event 🌟
🖌️ gracias a @sebaaaaak
..que el camino también nos permita VOLVER
..VOLVER a donde está el amor infinito
..VOLVER a un lugar cambiado
..y VOLVER VOLVER VOLVER a tus brazos otra vez
..para VOLVER siga adelante
..VOLVER y cambiar de nuevo
📆 thursday 16.04
🕗 8 p.m.
📍 wssxrschxdxn (contact us via pm)
🎟️ donation based
💛 this event is to support a queer person from the Global South who, after navigating precarity, mental health struggles, and structural exclusion in Germany, is now in a difficult transition and working to stabilize their situation.
this includes covering urgent costs and responsibilities that come with leaving and sustaining a life across borders.
when institutions fail, we hold each other.
come through, share, or contribute if you can. community care is resistance.
amores, seguimos planeando detalles para ⓥⓞⓛⓥⓔⓡ a vernos, pero será pronto 💘 ya les queremos contar.
perderse y VOLVER cuántas veces haga falta..
cuando VOLVER es lo siguiente..
VOLVER donde sí me quieren bien..
VOLVER es morir y nacer..
VOLVER, recordar y no extrañar..
VOLVER y cambiar de nuevo..
🖌️ arte por @sebaaaaak
I wrote this poem, then drew it on paper, then finished it with AI and Photoshop. The font in use is also WIP, it has no name yet. #digitalart #aiart #poetry #typedesign #illustration
Book design for @transgressoesceramicas , a selection of brazilian artists who transform contemporary ceramics and extend the notion of what can be done within this art form. It includes images from curated works, interviews with artists, and essays from the curators.
Title: Transgressões Cerâmicas / Author: Cayo Da Silva, Cris Rocha, Andrés Hernández, and Danilo García / Language: Portuguese and English / Volume: 224 pages / Format: 210 x 260 mm / Fonts in use: Apollo by 177 Studio, and Orkney by Hanken Design Co.
#thedesigntip #thedesignblacklist #aigaeyeondesign #eyeondesignmag #itsnicethat #designspiration #designeverywhere #collectorgraphics #generaleclectics #designoftheday #delicatevacuum #grafikfeed #graphikradar #typebeast #graphicjuice #digitalarchive #fruitsartclub #editorialgrid #graphicindex #designwork #visualgraphc #editorial #slantedpublishers #coverjunkie #indesigntemplate #bookdesign
I designed this font in 2020 for my Master Thesis. I explored how to use social distancing measurements from the COVID-19 pandemic for the design process of a typeface. CONTACTLESS is a speculative typeface that limits language according to distance constraints and intends to represent the resulting human interactions through its visual characteristics. It is a variable font with dramatically long serifs that keep characters apart from each other. The serifs also hide / bend / enclose as the characters get closer. Words related to closeness and contact get crossed automatically thanks to Opentype-features.
#36daysoftype
#36days_c
#typedesign #variablefonts #opentypefeatures #goodtype #typeinspired #typetopia #typedaily #artoftype #thedailytype #thedesigntip #thedesignblacklist #aigaeyeondesign #eyeondesignmag #itsnicethat #designspiration #designeverywhere #collectorgraphics #generaleclectics #designoftheday #delicatevacuum #grafikfeed #graphikradar #typebeast #graphicjuice #digitalarchive #fruitsartclub
Book design for @davidftorres 's Master Thesis. A diary on the Colombian ceramic artist's several trips around the world, the gathering of symbols from different cultures and their relation to his identity as a Latin American. The creation and conceptualization of fascinating sculptures and performances that document a journey on migration and cultural transformation.
Title: Rucksack der Kulturartefakte / Author: David Torres / Language: German / Volume: 56 pages / Format: A5 / Fonts in use: Gangster Grotesk by Fresh Fonts
#thedesigntip #thedesignblacklist #aigaeyeondesign #eyeondesignmag #itsnicethat #designspiration #designeverywhere #collectorgraphics #generaleclectics #designoftheday #delicatevacuum #grafikfeed #graphikradar #typebeast #graphicjuice #digitalarchive #fruitsartclub #editorialgrid #graphicindex #designwork #visualgraphc #editorial #slantedpublishers #coverjunkie #indesigntemplate #bookdesign
