Carol Davis’ WORN “responds beautifully to its site, using a variety of entrances and exits to effectively frame the dancers in ways that shift our planes of perception.” Read more in our latest review by Leah Crosby now on SeattleDances.com. Link in bio!
#seattledance #seattledances #danceperformance
Read Kaitlin McCarthy’s reflections on the recent Jumpsuit Experimental Performance Night at @seattleopenartsplace in our latest review, up on the SeattleDances website now! Link in bio.
#seattledance #seattledances #performance #performanceart
In Heather Kravas’ RoCoCoCoCo, “each section is carefully crafted to constantly be tinkering with our expectations in ways that gratified, challenged, and stimulated the viewer.” Read more in the latest review by @zazadpm , up on our website now. Link in bio!
📷 by @erin.and.radar
#seattledance #seattledances #danceperformance #dance
HYPERNOVA’s meditation on grief “poignantly demonstrates that when someone you love dies, your relationship with them doesn’t end, it just morphs.” Read more in the latest review by @kari.tai , available on our website now…link in bio.
📷 by @trishafrenchphoto
#dancereview #seattledance #seattledances #performanceart
Carlin Kramer and PITH’s split bill explores erotism, innocence, looking, and looking away in two intense and thought-provoking works.
Read more in our latest review by KO Humphreys, available now on SeattleDances.com…link in bio!
📷 by Cameron Day O’Connell
#seattledance #seattledances #dance #dancereview
Alex Tatarsky’s BASE + RADAR residency showing moves through “gestural movements, classical clowning, and endless prop-work, all while slipping in quips about gender, politics, and capitalism.”
Read more now in our latest review by Lou Chow, up on the SeattleDances website now. Link in bio!
📷 by Jim Coleman
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“Each choreographer brought a level of composition to their work that was coherent, rich, and multilayered. The pieces went so well together, in fact, that I felt that I was just watching one long piece…” Read Alyza DelPan-Monley’s take on Full Tilt 2026 on our website now…link in bio!
📷 by @jazzyphoto
#dance #seattledance #seattledances #danceperformance
Posterity: proof of free will, created by @skyehug , dreams softly of a future where survival is no longer the goal. Read more in our latest review by Leah Crosby on our website now, link in bio.
📷 by @nickelandthief
#seattledance #seattledances #performance #performanceart
Cornish Dance Theater Spring 2026 says farewell to the Lee Center with new works by Cameo Lethem and Nia-Amina Minor. Read more in our latest review by Davian’s Griffin on our website now…link in bio!
📷 by @jazzyphoto@cornishcollegedance@cameolethem@niaaminam@daviannamoves #seattledance #seattledances #dancereview #danceperfomance
Leah Crosby reflects on Amy O’Neal’s recent premiere at @ontheboards : Again, There is No Other (The Remix). Read the full review on our website now…link in bio.
📷 by @allinadayswork_photo
#seattledance #seattledances #dance #dancereview
Guest writer @a_koi_ya reflects on Ogemdi Ude’s Major and the powerful use of the Majorette form inside a contemporary dance context. Read the full review on our website now…link in bio.
📷 by @allinadayswork_photo
#seattledance #seattledances #majorette #dance
