SCOPE Art Show

The noise fades. The moment arrives.⁠ ⁠ In a world defined by acceleration, presence becomes radical. This year, SCOPE invites you to pause, look closer, and Be Here Now.⁠ ⁠ Welcome to SCOPE Art Show 2025.⁠ ⁠___⁠ ⁠ #SCOPEMiamiBeach #SCOPEArtShow⁠

A heartfelt note from SCOPE Art Show Director, @hayleyhayleyhayleyhayleyhayley “Thank you for showing up—with curiosity and presence. This week reminded us that art is at its best when it becomes a shared moment. Grateful for every artist, gallery, partner, and visitor who helped shape this year’s SCOPE into something real, alive, and unforgettable.” _____ Photos by @nathassan

Relive the energy of SCOPE Miami Beach 2024. With over 90 exhibitors from 20 countries, the exhibition floor became a global stage for groundbreaking contemporary art—from immersive installations to thought-provoking works that pushed creative boundaries. Beyond the booths, artists, exhibitors, and industry leaders participated in panel talks, sparking engaging conversations on art and culture, and enjoyed the dynamic programming at SCOPE. Look back at the exhibitors, artists, and fair-goers who brought the fair to life, making it an unforgettable week of art, culture, and connection. ___ #SCOPEMiamiBeach #SCOPEArtShow

On View at Pérez Art Museum Miami (@pamm ) | Get in the Game: Sports, Art, Culture⁠ ⁠ Featuring more than 100 works by artists from around the world, this exhibition demonstrates how sport has inspired personal expression and shared cultural memory.⁠ ⁠ Visitors are encouraged to reflect on the cultural impact of sport and explore the interplay between athletic performance and artistic expression. In Miami, a city shaped by exchange and diversity, the exhibition underscores how games and competitions create common ground across identities, traditions, and rivalries.⁠ ⁠ Get in the Game honors the resilience, energy, and imagination that define sports culture, while inviting visitors to consider how art reframes these themes across time and place.⁠ ⁠ Images:⁠ Image 1: Hugh Hayden, Nubian Queen, 2022, Synthetic hair, basketball rim, and backboard.⁠ Image 2: Samuel Fosso. Self-Portrait (Muhammad Ali), from the series African Spirits, 2008/22, Gelatin silver print.⁠ Image 3: Betsy Odom, Bulldog 30 shoulder pads, 2009.⁠ Image 4: Image 8: Eadweard Muybridge, A man catching a ball and throwing (Plate 283), 1887, Collotype.⁠ Image 5: Holly Bass, NWBA (jordan), 2012, Inkjet print on archival luster paper.⁠ Image 6: Tabitha Soren. Net Impact, 2024, Bone fragments, UV-resistant nylon baseball netting, resin, cured glue, and pitcher’s safety screen steel armature.⁠ ⁠ ____⁠ ⁠ #SCOPEArtShow

Artist Spotlight, Ariel Parrow | Showcased at SCOPE Miami Beach 2025 | Good Mother Gallery (@goodmothergallery )⁠ ⁠ Ariel Parrow (@arielparrow ) is an American multi-media artist. Her work blends minimalism, detailed realism, human behavior, and circumstance.⁠ Her paintings exemplify this balance between simple minimalist composition and detailed realism. ⁠ Image 1: Hypothalamus, Oil and acrylic on canvas⁠ Image 2: (crowd cheering), Oil and acrylic on wood panel⁠ Image 3: "Chuckanut", Oil on canvas⁠ Image 4: Her, Oil on canvas⁠ Image 5: Horses, Oil on canvas⁠ Image 6: Hounds, Oil on canvas

Artist Spotlight, Montana Moore (@montana_moore_art ) | Showcased at SCOPE Miami Beach 2025 | Tits & Co. (@titsandco )⁠ ⁠ Montana Moore is a Sydney-based artist whose sculptural paintings push the boundaries of material, form, and perception. Through a slow, intuitive process of sculpting, casting, and painting, she builds dimensional surfaces where light, texture, and shadow become active forces—shifting between movement and stillness, softness and presence.⁠ ⁠ Her multi-layered works carry a quiet emotional charge, shaped by introspection and sensitivity to space. Tracing subtle shifts and lived experience, Moore approaches each piece as a form of emotional archaeology—in which vulnerability and resilience surface in tandem, and memory becomes tactile.⁠ ⁠ The pictured works are part of The Ripple Effect Collection, a series that explores how small moments, gestures, and choices can create change. Each piece balances dimension and movement, feeling fluid, grounded and guided by a quiet sense of flow.⁠ ⁠ ____⁠ ⁠ #SCOPEArtShow

Last December, Bellwether [AR]T (@bwartsinc ) turned their booth into a space for collaboration. Visitors co-created final designs with artists by coloring custom collectible art cards, which Bellwether [AR]T's Color-Responsive AR tech then brought to life. ⁠ ⁠ Participating artists included:⁠ @jasonnaylor ⁠ @rosspino88 ⁠ @ecwoodard.studio ⁠ @sarahmainstudio ⁠ @mirafrommiami ⁠ @gabe_weis ⁠ @alex.alpert ⁠ ⁠ ⁠ ____⁠ ⁠ #SCOPEMiamiBeach #SCOPEArtShow

On View at Ki Smith Gallery (@kismithgallery ) | Beauty: Tom Wolf and Friends⁠ ⁠ “Beauty: Tom Wolf and Friends” began with a studio visit. When Ki Smith encountered Tom Wolf’s work, he responded instinctively: these luminous, layered paintings—merging digital photography, acrylic, Plexiglas, and colored urethane—held both depth and surface, rooted in the real while pushing toward something more atmospheric.⁠ ⁠ Rather than fill the gallery's two floors with small framed works, Tom proposed inviting some artist friends to show works alongside his own, transforming the exhibition into a collective exploration of beauty, material, and perception.⁠ ⁠ Image 1: Jim Sullivan, Untitled, Oil on wood⁠ Image 2: Tom Wolf, Guggenheim, 2015, Digital photograph, acrylic paint, plexiglas, and urethane with frame made by the artist⁠ Image 3: Laura Karetzky, Inception, 2017, Oil on Panel⁠ Image 4: Joanne Greenbaum, Untitled⁠ Image 5: Tom Wolf, Dad/Japan, 2025, Digital photograph, acrylic paint, plexiglas, and urethane with frame made by the artist⁠ Image 6: Kate Teale, UNTITLED, Gallery Stairs, 2026, Graphite on tyvek⁠ Image 7: Jim Sullivan, Exploding Ship, 2025, Oil on canvas⁠ Image 8: Petr Hilnomaz, LES 2, c.1988, Digital print from black and white negative⁠ Image 9: Jane Kaufman, NFS, Untitled from Color Galaxy, 1975, Metallic flakes and acrylic on canvas⁠ ⁠ Images photographed by @rophotoman ⁠ ⁠ ____⁠ ⁠ #SCOPEArtShow

Currently on View at Galleri Ramfjord (@galleriramfjord ), in the Project Room⁠ ⁠ A dynamic group presentation featuring Morteza Khosravi, Era Leisner, Gabriel Schmitz, Johan Söderström, and Peter Sutton.⁠ ⁠ Morteza Khosravi's (@mortezakhosravistudio ) work focuses on figurative drawing and the experience of engaging with art. His practice emphasizes the continuous search for artistic expression.⁠ ⁠ Era Leisner's (@eraleisner ) body of work consists of paintings in oil or acrylics with motifs based upon the friction and interaction between humans and nature. Even though the style is figurative, the paintings often have a surreal quality.⁠ ⁠ Peter Sutton's (@petersutton67 ) work is born out of a need to address, express, suggest, and narrate life around him. His painting process is a response to moments of everyday life. Through evoking suggestion, rather than realism, he aims to keep the painting alive and the narrative open.⁠ ⁠ Image 1: Morteza Khosravi, Untitled, Oil on canvas⁠ Image 2: Era Leisner, Rapunzel, Acrylic on canvas⁠ Image 3: Peter Sutton, Below, Oil on board (framed)⁠ Image 4: Era Leisner, Brewing Storm, Acrylic on canvas⁠

On View at One Grand Gallery (@onegrandgallery ) | Where Roots Refuse Borders⁠ ⁠ The solo exhibition featuring Oregon-based artist Zhanna Tsytsyn (@zhannavtsytsyn ) traces migration, memory, and transformation through a visual language in which human, botanical, and mythic forms converge. Using soil as a living archive, the work approaches identity as fluid—continuously reshaped through movement and exchange. Hybrid figures, part human and part plant, unfold across vast, steppe-like landscapes, blurring boundaries among species, places, and times. Layered motifs and repeating rhythms mirror the invisible systems that sustain both ecological and cultural life, prompting reflection on how inherited narratives can shift and evolve.⁠ ⁠ On view through May 8.⁠ ⁠ Images courtesy gallery⁠ ____⁠ ⁠ #SCOPEArtShow

Pen + Brush partners with Every Woman Biennial (EWB) for its 2026 edition, SPECTALiA. The gallery opens its doors to present the world’s largest all-women and non-binary biennial. Echoing movements like Dada and Surrealism that emerged in times of unrest, the exhibition asks: what are we building in a world moving faster than we can fully grasp?⁠ ⁠ The answer? SPECTALiA. In an age of distracting algorithms and spectacular seduction, EWB is blurring binaries—of gender, canvas and screen, sense and nonsense. The Biennial engages artists through a democratic open call to cross-pollinate with one another across a variety of mediums, generations, and racial and ethnic backgrounds.⁠ ⁠ The salon-style exhibition features painting, photography, installation, sculpture, video art, textile, and multimedia works to reimagine the role of art in a hyper-mediated age.⁠ ⁠ Image 1: Brooke DiDonato, I Should Be Somewhere Else, 2024, Video Installation⁠ ⁠ Image 2: Michela Martello, Through Destructions Comes Instructions, 2021/2026, Ceramic glaze⁠ ⁠ Image 3: Colby Lamson-Gordon, I can see the moon, and sometimes I wonder, 2025, Video with sound⁠ ⁠ Image 4: Ann Romero De Cordoba, Water Spirit, 2025, Digital print from 4x5 pinhole negative⁠ ⁠ Image 5: Barbara Brenner, ILLUSIONS FROM THE SEA, 2025, Photography⁠ ⁠ Image 6: Bianca Abdi-Boragi, Lip Service, 2025, Bronze⁠ ⁠ Image 7: Tiffany April, Portrait of the Self, 2024, Acrylic and oil on panel⁠ ⁠ Image 8: Shweta Bist, Cleaning (Sh!t I Do),2024, Sublimation Print on Satin and Glace⁠ ⁠ ____⁠ ⁠ #SCOPEArtShow

Under The Red Tent, is a collaborative project between the women at Red Thread Art Studio Miami (@red.thread.art.studio.miami ) and The Camp Gallery (@thecampgallery ). Curated by Aurora Molina, the exhibition brings together over 20 Miami-based women artists. Rooted in textile practices, the exhibition transforms the gallery into a contemporary sanctuary—where thread, fabric, and material become vessels for storytelling, connection, and collective memory.⁠ ⁠ Inspired by Anita Diamant’s The Red Tent, the exhibition reflects on feminine community, generational knowledge, and the power of shared narratives passed between women. Individual works come together to form a cocoon-like environment that honors cycles of labor, care, and interdependence while inviting moments of reflection and exchange.⁠ ⁠ Unified by the symbolic presence of red, each piece contributes to a larger visual language—one that speaks to visibility, protection, passion, and resilience. Here, red becomes both a connective thread and a declaration: a space where voices are held, stories are preserved, and collective strength is made visible.⁠ ⁠ ___⁠ ⁠ #SCOPEArtShow