📢 Calling all creatives. I’m in the development stage of my next book, and I need your help. Share your career challenges, goals, and inspirations in a quick survey to help shape the content of my next book, designed to empower and guide professionals like you. Link to survey in bio.
Want some free merch? I’ve got a few leftovers I’d love to give you. Here’s how to get your hands on them:
1. ✏️ Post a review of Creative Endurance on both Amazon and Goodreads between now and October 10.
2. ✉️ Send a screenshot of your review, along with your mailing address, to [email protected]
3. 😱 Get ready to be surprised with a random assortment of cool stuff.
🎉 Bonus: The first seven people will receive exclusive pennants from @oxfordpennant
If you’re a nerd for creative process, then you’ll want to check out the latest episode of Creativity for Sale, where I chat with host @radim.malinic about how my magazine background shaped the creation of Creative Endurance.
We dig into topics such as finding your voice, building an audience, and of course, the face-palming challenges of designing your own book cover. Regardless of your industry, many of these creative obstacles are universal, so give it a listen this weekend! Link in bio. #graphicdesigners #creativity #running
Grab your ticket for the 61st Annual SPD Awards ASAP, spots are extremely limited!
Join us on Thursday, June 11th to celebrate the best work of 2025.
📍 The Georgia Room, NYC 📅 7:00–10:00 PM 🔗 Details and tickets at the link in bio.
Gold and Silver Medal winners will be announced during the virtual presentation at 12 PM ET. Then join us in New York for a cocktail reception where we’ll reveal SPD’s Highest Honors: Cover, Website, Video, Magazine, and Brand of the Year.
Come celebrate, connect, and toast this year’s best with the creative community!
I For our explainer video on the techy typeface, Valve, we decided to go with a Terminator theme. At the end, I said I'd be back.
And here we are. @fastcompany won a Webby!
🦾
Typeface: @pangram.pangram
Director: @singhandting
Producer: @katcaulderwood
Executive Video Editor: @frankzadlo Animator: Kenny Yee
Design Fellow: @lianademarco.png
Writer: Yours truly
I For our explainer video on the techy typeface, Valve, we decided to go with a Terminator theme. At the end, I said I'd be back.
And here we are. @fastcompany won a Webby!
🦾
Typeface: @pangram.pangram
Director: @singhandting Producer: @katcaulderwood
Executive Video Editor: @frankzadlo Animator: Kenny Yee Design Fellow: @lianademarco.png
Writer: Yours truly
We needed to create over 100 pieces of art for the online portion of Most Innovative Companies. That’s where @fastcompany ’s Photo Editors, @aaammmyyywwwooonnnggg , @salophoto , majayvette, and our Design Fellow, @lianademarco.png come in. They crafted unique approaches for companies ranging from electric car manufacturer BYD to the convenience store chain QuikTrip.
And for all of our sectors — biotech, augmented reality, and design, to name a few — Danny came up with a cohesive yet dynamic system of icons that overprint onto paper folds.
For the star font of our Spring 2026 issue, Fast Company Creative Director Mike Schnaidt chose Kyoto for its handmade, human feel that blends Japanese calligraphy with classic Latin forms.
In the latest episode of “It’s All in the Typeface,” he explains how this issue’s font selection was inspired by exploration and reflects the human touch behind every page of this issue.
“It’s All in the Typeface” was nominated at the 30th Annual Webby Awards. Click the link in bio to cast your vote. Voting closes April 16.
Font: @pangram.pangram
The @fastcompany art department distills perplexing topics into palatable visuals. Step one, we ask: Should the story be told through photography or illustration? And if it's an illustration, should it be conceptual or representational?
Senior Art Director @annegolden is a total pro at finding the perfect illustrator for the job. For our Most Innovative Companies package, she collaborated with a talented roster of illustrators to visualize topics — such as air-cleaning high-rise buildings and human-detecting heating lamps — into 35 engaging illustrations.
Check out a few of them here.
The Illustrators
1 + 5: @pierrebuttin
2-3: Liam O’Farrell
4, 6, 10: @the_project_twins
7: @odpomery
8-9: @emma_cheng__
What’s up type nerds?
Fast Company’s video series “It’s All in the Typeface” has been nominated for @thewebbyawards .
If you love our design content and want more meditations on geometric vs. grotesque fonts or condensed proportions, head to the link in bio to vote.
@fastcompany scored an award nomination from both the Webbys and the @spdesigners for our video series, “It’s All In The Typeface.”
Our SVP of Audio and Video, Heather Keets Wright, deserves a lot of credit for this one. When I presented our latest magazine redesign, Heather suggested we launch a YouTube series that shows off the signature typeface for each issue. And she thought I should star in that series.
I was hesitant. Would people really want to learn about serifs, or ligatures, or apertures, or ink traps, or the Eastern European origins of a typeface that appears to be chiseled out of stone?
She responded, “Nerds will show up for some good font content.”
-
Props to the team of @singhandting , @katcaulderwood , @frankzadlo , @lianademarco.png , and Kenny Yee, who direct, produce, edit, design, and animate each frame — and as a result, keep me from looking like a total knob (especially when I want to do a Terminator bit).
📸
B+W photograph by @sandravriano
