'Son of Frank - Andiamo'
November, 2025
520x520mm
Acrylic, and ink on paper
To celebrate the 5 year anniversary of my dear friends', and talented artists' @mrboombox and @julianjonathanfrancescoamato band, I am honoured to have created their second album cover 'Andiamo'.
Thank you for the opportunity to collaborate with your talents, as well as your love for music.
I look forward to creating more with @son_of_frank_music in the future.
In their wise words 'Music inspires Art. Art inspires Music. '
As always, a special thank you to @rathenartprinting for their excellent quality scanning -
‘Unplanned Power Outage (UPO)’
September 11, 2025
420x594mm
Printmaking ink, and acrylic on paper
(Image has been digitally altered to remove lighting sheen.)
‘Consortium No.1’
June, 2023
594x841mm (Approximately)
The ‘infinity arrows’ were something I had designed digitally, then transferred over to paper, where I could improvise the finer details. This rendering approach was also implemented in ‘Consortium No. 2’.
Saxon Buckley @saxtonal is a Sydney-based graphic designer and illustrator whose work blends a fine arts background with traditional design principles. Rooted in symmetry and geometry, their process begins with a hand-drawn grid — a structure that brings balance to more chaotic or speculative forms.
Buckley’s work offers a meditation on the complexity of human systems and the fragility of meaning-making in a rapidly changing world. Their layered, diagrammatic approach echoes themes of memory, structure, and the traces we leave behind — like a map of the collective subconscious at a turning point.
‘Palimpsest’ opens 2–3 August at 465 King Street, Newtown.
We are very excited to present ‘Palimpsest: Works on Paper’, a group exhibition exploring the tension between mark-making and erasure, surface and memory, legibility and resistance.
Borrowing its name from the term palimpsest — a surface made to be written over, layered with traces of prior inscriptions — the exhibition brings together six contemporary artists who approach paper not as a blank canvas, but as a contested site of presence, absence, and reconstruction.
