There is a particular kind of attention in Barbara Bosworth’s work—one that unfolds slowly, and rewards the same in return.
On 𝐀𝐩𝐫𝐢𝐥 𝟏𝟓, Bosworth will deliver the 𝟐𝟎𝟐𝟔 𝐌𝐚𝐥𝐥𝐨𝐲 𝐕𝐢𝐬𝐢𝐭𝐢𝐧𝐠 𝐀𝐫𝐭𝐢𝐬𝐭 𝐋𝐞𝐜𝐭𝐮𝐫𝐞 at the Tang Teaching Museum at Skidmore College.
In images like 𝘝𝘪𝘦𝘸 𝘰𝘧 𝘵𝘩𝘦 𝘮𝘦𝘢𝘥𝘰𝘸, 𝘧𝘳𝘰𝘴𝘵𝘺 𝘥𝘢𝘸𝘯 (2003), change gathers quietly, held in light and atmosphere. To spend time with Bosworth’s work is to be reminded that looking, too, can be a form of attention.
The lecture is free and open to the public. If you’re nearby, it’s not to miss.
We’re also currently sharing a focused group of vintage works from the 𝘖𝘯𝘦 𝘚𝘵𝘢𝘳 𝘢𝘯𝘥 𝘢 𝘋𝘢𝘳𝘬 𝘝𝘰𝘺𝘢𝘨𝘦 period. Please reach out to learn more.
📸💭 Wondering what it takes to build a sustainable photography career?
Join us next Tuesday, March 31st for the next session of our #ProfessionalDevelopment Webinar Series: The Photographer’s Life in 2026 with Sasha Wolf.
From the evolving role of gallery representation, to the importance of photo books, to why community matters now more than ever, this session is packed with practical insights for photographers ready to grow with intention.
👉 Link in bio to learn more + reserve your spot!
Barbara Bosworth’s photographs emerge from sustained attention to the natural world, from trees and forests to fragile ecosystems shaped by time and care.⠀
⠀
While grounded in direct observation, her work resists declarative environmental narratives. Through a quiet, contemplative approach, landscape becomes a site of reverence, responsibility, and reflection.⠀
Her photographs slow the act of looking, inviting a deeper awareness of presence, duration, and interdependence. ⠀
⠀
𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗰𝗮𝗻 𝗯𝗲 𝗾𝘂𝗶𝗲𝘁.⠀
It asks not only how we see the world, but how we engage with it.
Kristine Potter photographs landscapes and portraits shaped by history, belief, and power.
Her work maintains a documentary relationship to real places and people, while resisting illustrative or editorial framing. Through a subjective, atmospheric approach, landscape becomes psychological and emotional rather than descriptive, and portraiture becomes a site where inherited myths—of masculinity, violence, devotion, and sacrifice—are quietly interrogated. 𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗱𝗼𝗲𝘀 𝗻𝗼𝘁 𝗿𝗲𝘀𝗼𝗹𝘃𝗲 𝗵𝗶𝘀𝘁𝗼𝗿𝘆. It keeps its tensions visible.
Bryan Schutmaat’s photographs emerge from sustained personal engagement with the American landscape — places shaped by labor, extraction, and time.
While rooted in documentary tradition, his work resists explanation and narrative closure, favoring a restrained, lyrical approach that allows meaning to remain unresolved. 𝗣𝗼𝘀𝘁-𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗽𝗵𝗼𝘁𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗯𝗲𝗴𝗶𝗻𝘀 𝗵𝗲𝗿𝗲: 𝗴𝗿𝗼𝘂𝗻𝗱𝗲𝗱 𝗶𝗻 𝗿𝗲𝗮𝗹𝗶𝘁𝘆, 𝘀𝗵𝗮𝗽𝗲𝗱 𝗯𝘆 𝘀𝘂𝗯𝗷𝗲𝗰𝘁𝗶𝘃𝗶𝘁𝘆.
🙌 Our #ProfessionalDevelopment Webinar Series is back!
Conceived in collaboration with established artists and industry professionals, this interactive 4-part series is designed for emerging creatives ready to get practical about building a sustainable career in the arts
Kicking off on March 17th, each session includes real-world examples and advice for moving your career forward.
Register for individual sessions or for the entire series at a discounted rate. Follow the link in our bio to reserve your spot now!
We’re proud to share that five photographs by Rahim Fortune have been acquired by the Library of Congress.
Spanning recent bodies of work, these photographs reflect Fortune’s sustained engagement with family, ritual, place, and the everyday architecture of life in the American South. Across his practice, Rahim is deeply committed to honoring lineage and community while thoughtfully elevating both Black and Indigenous voices—expanding how histories of land, belonging, and identity are seen and preserved within the photographic record.
We’re thrilled to see this work enter one of the nation’s most important public collections.
→ View more work by Rahim Fortune via the link in bio.
How it felt getting back to the real world after the between-the-years pause.
Doug Dubois’s “My Last Day at Seventeen” was made in rural Ireland between 2009 and 2015 and follows teenagers at the edge of adulthood, capturing moments shaped by boredom, risk, intimacy, and sudden intensity. The photographs observe everyday life without judgment, allowing contradictions to sit side by side.
A series about transition — view it in full at the link in bio.
New year, same belief: that images matter, that people matter more, and that the best work happens in conversation. Thank you for being part of it. Welcome, 2026.
Barbara Bosworth’s The Meadow reflects a decades-long commitment to a single landscape.
Through sustained observation, the work becomes a rare record of time, attention, and continuity.
Select works from The Meadow and Evening: The Meadow are available.
In a year marked by crucial conversations about justice and healing, Rahim Fortune’s images brought human presence and resonance to stories that need to be seen. Proud of his contribution to @marshallproj ’s 2025 visuals. Photo by Rahim Fortune for “Who Answers for a Death in Custody?” Look back at the @marshallproj year in visuals at the link in bio.
