@sara.codutti

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Weeks posts
So nice to talk again about Franco Vimercati—his incredibly beautiful deep blacks, his obsessions, his world, the sensibility of his eye. Thank you, Matteo Balduzzi, for the invitation; Elio, for the inspiring moderation; and Martino, Simone, Silvio, and Giorgio for sharing their thoughts. And to Wolfgang Scheppe, the genius to whom I owe many things, including this Dresden experience.
41 3
1 month ago
Some pictures from: Mythos Pasolini. On the Political Afterlife of a Popular Figure Roundtable on the Occasion of the 50th Anniversary of Pier Paolo Pasolini’s Death (Hamburg, Warburg House, November 1, 2025, 4:30 p.m.) Event organized by the Collaborative Research Center “Transformation of the Popular” (University of Siegen), in cooperation with the Warburg House and the Hamburg Gallery of the Obscure Arts. Organized by: Fabien Vitali (University of Siegen) and Benjamin Fellmann (University of Hamburg – Warburg House) With: Gabriella Angheleddu (Galerie der abseitigen Künste – Hamburg), Sara Codutti (Studio Fabio Mauri – Rome), Karl-Heinz Dellwo (Galerie der abseitigen Künste – Hamburg), Benjamin Fellmann (University of Hamburg), Fabien Vitali (University of Siegen). Special thanks to all the speakers and to the audience for their participation in this stimulating roundtable, which engaged with some of the crucial questions raised by Pasolini’s enduring legacy today. @fabiomauriofficial @gadak_hh @unisiegen #pierpaolopasolini #fabiomauri #abywarburg
41 2
6 months ago
FABIO MAURI. DIE SPRACHE DES KRIEGES 8.Salon, Hamburg Der Politische Ventilator, 1973 Linguaggio è guerra, 1975 Manipolazione di cultura, 1976 Le Proiezioni, 1978
41 0
1 year ago
(Last week in Hamburg) 8.Salon is a very special place to work, discuss and conceive research projects in the middle of the legendary St. Pauli district in Hamburg. Here we had the opportunity to do this exhibition dedicated to the artist books of Fabio Mauri. Thanks to Roberto Ohrt for managing this inspiring place and to Wolfgang Scheppe for his brilliant insights into Mauri's work. FABIO MAURI. DIE SPRACHE DES KRIEGES 8.Salon, Trommelstrasse 7, Hamburg. 26.10 - 7.12.2024 Curated by Sara Codutti, Wolfgang Scheppe, Roberto Ohrt. @fabiomauriofficial #fabiomauri
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1 year ago
Coming soon!
63 4
2 years ago
Archive: Fabio Mauri, Amore mio, 1970
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2 years ago
Fabio Mauri, Amore mio, 1970. Detail and press release, Montepulciano 1970. On view now in Zurich, Hauser & Wirth Gallery, Limmatstrasse 270. #amoremio #fabiomauriofficial #hauserandwirth
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2 years ago
On view for the first time in over 50 years… Fabio Mauri, Amore mio, 1970 Opening Reception Saturday 30 September 2023 5 – 7 pm Hauser & Wirth Limmatstrasse 270 Zürich #amoremio #fabiomauri #hauserandwirth
37 1
2 years ago
[SPOILER] BARRIKADENWETTER. Image Acts of Insurrection. Macro Museum, Rome. Video by Luca Pizzaroni. #barrikadenwetter #macromuseo #arsenaleinstituteforpoliticsofrepresentation #lucapizzaroni
29 3
2 years ago
The exhibition also explores the historical connections between the emergence of 20th century avant-garde techniques and the nature of the barricade. Dadaist artist Hannah Höch, who is also known for her proximity to the construction of barricades during the Spartacist Revolt in Berlin in 1919, pioneered a specific use of collage that brought heterogeneous elements from bourgeois society together, deploying them against it. #barrikadenwetter #macromuseum #hannahöch
34 0
2 years ago
"Considered in itself, 'Youth' is an advertising myth that is already deeply linked to the capitalist mode of production, as an expression of its dynamism.” #barrikadenwetter #macromuseum #studiobibliografico #bibliographicoffice #stiuationistinternational "Considerata in sé, la 'Gioventù' è un mito pubblicitario già profondamente legato al modo di produzione capitalista, come espressione del suo dinamismo"
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2 years ago
«The barricade reveals a historically enduring entity that has paradoxically persisted as a means of subversion on urban territory across all periods of almost half a millennium, unbroken by fundamental historical caesurae brought on by political and economic change in the forms of society or by technological developments due to science and industrialization. Which other instrument would have been able to remain the same over the course of this epoch without forfeiting its character as a means as its effectiveness faded under the impact of progress?» Wolfgang Scheppe, UNDER LEVIATHAN'S EYE, in Taxonomy of the barricade, Nero, Rome 2021 #barrikadenwetter #macromuseum #barricade #neroeditions #bibliographicoffice #studiobibliografico #wolfgangscheppe #arsenaleinstituteforpoliticsofrepresentation
31 1
2 years ago