LAST CHANCE TICKETS
There’s just 3 tickets left for the 2026 Experimental Choreographic Showing!
Tomorrow, join PSpace and Critical Path for a work-in-progress showing by this year's Experimental Choreographic Lab artists.
Featuring five movement artists who have spent two weeks expanding their practice with facilitator Martin Del Amo, the showing will be an opportunity to witness the seeds of new choreographic works that have emerged in development.
Featuring: Phaedra Brown (@phaedrabrownie ), Agustin Elaskar (@a.gooch.thing ), Nasim Patel (@nasimulacrum ), MaggZ (@magg._z ) and Ryuichi Fujimura (@ryuichifujimura3 ).
📆5 pm, 28 March
📍The Drill Hall, Critical Path
Book now. 🔗in bio.
📷 Ryuichi Fujimura in CAAP’s Work in Progress 2025. Photo by Justin Cueno.
We're leaning into the novel challenge for our interdisciplinary performance collective of playing not one, but two gigs this month.
And not only that, but back-to-back on two consecutive evenings!
Come and see us in our new home at @21shepherd_livingroomtheatre .
And under our new name -
Collective Disorder! 🙃
MEET THE ARTISTS
Ryuichi Fujimura (@ryuichifujimura3 ) is a Sydney based dancer with a unique journey into the world of dance. Following his migration from Japan to Australia, discovering the magic of dance in his late 20’s marked the beginning of a transformative chapter in his life. Professionally, he began his performance career in 2003 at the age of 39, participating in ensemble dance and theatre production under the direction and choreography of both Australian and international artists.
Through the Experimental Choreographic Lab, Ryuichi will explore choreographing gestural sequences structured through mathematical patterning, drawing inspiration from his collaborator, Sarah Chase, a Canadian choreographer.
Join PSpace and @critical_path_ for a work-in-progress showing by Ryuichi and our 2026 Experimental Choreographic Lab artists on 28 March.
Book now. 🔗 in bio.
📹 HERE NOW Trilogy. Video by Sam James @samueljames21 and Composer Hamed Sadeghi @hamedsadeghi_tar_
Collective Disorder are haunting a new location this month - a warehouse nestled under enormous figures trees in the backstreet of Marrickville. Link in bio
Photo documentation of my performance at CAAP's work-in-progress on 13th November 2025. Excerpts from Finishing Touch (working title), a dance solo performance currently in development in collaboration with Sarah Chase, a Canadian choreographer. 📷 @justincueno@caaperformance
Highlights from Works in Progress last week. Donita Cruz, Paul Cordeiro, Ryuichi Fujimura, Keng Tan and Krishna Patel shared bold, beautiful works in development, spanning South Asian futurism, movement-driven storytelling, dance memoir, a tour-de-force monologue and funny, incisive new writing.
Works in Progress lives in that rare space where artists are met with a supportive eye while they’re still deep in the making. It only comes alive because the community shows up, listens generously and becomes part of the night.
Big love to everyone who came through, shared a meal with us and backed the artists. Couldn’t ask for a better evening or a braver bunch of makers. ❤️
Works in Progress was presented with @carriageworks .
📸 @justincueno
𝟙𝟞.𝟙𝟙.𝟚𝟘𝟚𝟝. ℂ𝕣𝕚𝕥𝕚𝕔𝕒𝕝 ℙ𝕒𝕥𝕙
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Ryuichi Fujimura performing “How can I remember what I have forgotten” at the launch of “Vignettes flickers fades” archival project for 20 years of @critical_path_
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photos pre-cropping and editing by @elia.bosshard
Our final artist for Works in Progress: Ryuichi Fujimura!
An independent dance artist based in Sydney, Ryuichi has worked across dance, theatre, opera, site-specific performance and film for over two decades. For Works in Progress, he’ll share an excerpt from his new solo Finishing Touch, a dance memoir exploring memory, identity, and the moments that have shaped his journey.
WIP is tomorrow!
13 Nov | Carriageworks, Gadigal | Tix via link in bio
“Maybe dance discovered me.”
Veteran contemporary artist Ryuichi Fujimura revisits 25 years of movement, memory and meaning in his HERE NOW Trilogy; three solos that trace discovery, aging and the need to keep performing.
From 'How I Practice My Religion' to 'Fall! Falter!! Dance!!!' each piece asks a deeper question: what is dance, what is time, and what makes us return to the stage?
When/Where: Vitalstatistix | 5–7 Nov | OzAsia Festival 2025
Come witness an artist dancing fully, fiercely, here now.
#OzAsiaFestival #Vitalstatistix #RyuichiFujimura #HereNowTrilogy #AdelaideDance #ContemporaryDance #ArtsGarden937 #AdelaideArts #SupportLocalArtists
Next week on Arts Garden, we speak with dancer and choreographer Ryuichi Fujimura about dancing through time and what happens when the body that once leapt, now listens. “The work comes from ageing; from noticing what the body can no longer do, and what it has learned to do instead.”
Fujimura’s Here Now Trilogy (@ozasiafestival ) turns the physical changes of ageing into choreography: slower gestures, deeper attention, a quiet insistence on presence.
🎧 Monday 6:30 pm 93.7 FM
🎟 Here Now Trilogy | Nov 5-7 | @vitalstatistix | @ozasiafestival
📍 Port Adelaide
#ArtsGarden937FM #OzAsiaFestival #RyuichiFujimura #Vitalstatistix #AdelaideArts #ContemporaryDance #AgeingAndArt #HereNowTrilogy #DanceTheatre #BodyMemory
Tickets are now on sale for Works in Progress!
This year’s line-up features five brand new works from Donita Cruz, Paul Cordeiro, Ryuichi Fujimura, Keng Tan and Krishna Patel. These artists across disciplines will take a leap of faith to share their daring works-in-development our annual showcase.
In conversation with peers and audiences, Works in Progress offers performance makers the chance to test their creations and receive supportive feedback. Join us for an evening of bold ideas, conversation and community. After the show, stay for chats over some food.
Thursday 13 Nov 2025, 6:30pm
Bay 20, Carriageworks
Tix via link in bio.
