Ryan Driscoll 𝘔𝘰𝘳𝘳𝘪𝘨𝘢𝘯, 2026
@ryan__driscoll makes associative references to classical sculpture, devotional icon painting, Symbolist figuration and Romantic landscapes. Absorbing these sources into a consistent pictorial logic, he maintains a precise control of surface and finish. Figures are frequently rendered in monochrome, evoking marble or cast forms, while specific elements—eyes, flames, or internal structures—are heightened through concentrated color, asserting their mythological charge and situating them within an unfamiliar non-reality. Carefully controlled light and the absence of visible brushwork stabilizes the compositions as fully resolved objects.
𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
On view through June 13
📍 372 Broadway, New York
Artwork details: Ryan Driscoll
Morrigan, 2026
Oil on canvas mounted on board
14 ¹⁄₁₆ x 11 ¹⁄₃₂ inches / 35.7 x 28 cm
Lychgate
Tech Duinn
Oil on canvas mounted on board.
The Lychgates are covered structures from medieval England that are entrances to church Courtyards.they were where people would place the bodies of their dead loved ones awaiting their funerals.
The folklore of the Lychgate is that the spirit of the last body to be placed under the gate will stand there waiting for the next body to take their place
𝐑𝐲𝐚𝐧 𝐃𝐫𝐢𝐬𝐜𝐨𝐥𝐥: 𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
The exhibition title “Tech Duinn” translates to “House of Donn” or “House of the Dark One;” it refers to a dwelling in Irish mythology where the souls of the dead gather before passing onward to the afterlife. Driscoll’s newest works construct a self-contained mythological system that explores the mysteries of death and the realms beyond. Frontal figures of idealized bodies rendered with a disciplined smoothness recalling academic and Renaissance painting recur across the exhibition as presiding sentinel-like forms that watch over this place.
Through June 13
📍 372 Broadway, New York
We’re pleased to announce
𝐑𝐲𝐚𝐧 𝐃𝐫𝐢𝐬𝐜𝐨𝐥𝐥: 𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
On view May 2 - June 13
📍 372 Broadway, New York
The exhibition title “Tech Duinn” translates to “House of Donn” or “House of the Dark One;” it refers to a dwelling in Irish mythology where the souls of the dead gather before passing onward to the afterlife. Driscoll’s newest works construct a self-contained mythological system that explores the mysteries of death and the realms beyond. Frontal figures of idealized bodies rendered with a disciplined smoothness recalling academic and Renaissance painting recur across the exhibition as presiding sentinel-like forms that watch over this place.
Artwork details: @ryan__driscoll
Hound, 2026
Watercolor and ink on paper
19 ²⁷⁄₃₂ x 13 ²⁵⁄₃₂ inches / 50.4 x 35 cm
