Creating a bit of order and taking care of things after 25 years in a warehouse just north of Stockholm. Mostly items from Songs from the Second Floor (2000). In the scene The Sacrifice we used nearly 1,000 extras, but also hundreds of cardboard figures like these.
Posted @withregram • @swedennewyork Starting from December 15, Museum of the Moving Image is presenting a full retrospective of Swedish director Roy Andersson’s work, with support from the Consulate General of Sweden in New York. 🎞️🍿
Roy Andersson has had one of the most idiosyncratic careers of any great film director. After the success of his charming debut, A Swedish Love Story (1970), his bold follow-up, Giliap (1975), a neo-noir experiment, was a commercial and critical failure. Andersson stopped making features and became a successful director of TV commercials, minimalist comedies that were admired by Ingmar Bergman for their trenchant humor and inventive visuals. His success in advertising gave Andersson the resources to build his own film production facility and company, Studio 24, and he returned to making features in 2000 (at the age of 57) with his bittersweet existentialist comic masterpiece Songs from the Second Floor.
Don’t miss the chance to see Roy Andersson’s films in NYC in December, including a selection of his commercials. Visit @movingimagenyc full lineup and tickets. Get 10% of with discount code ROY10. 🎬
Posted @withregram • @swedennewyork Starting from December 15, Museum of the Moving Image is presenting a full retrospective of Swedish director Roy Andersson’s work, with support from the Consulate General of Sweden in New York. 🎞️🍿
Roy Andersson has had one of the most idiosyncratic careers of any great film director. After the success of his charming debut, A Swedish Love Story (1970), his bold follow-up, Giliap (1975), a neo-noir experiment, was a commercial and critical failure. Andersson stopped making features and became a successful director of TV commercials, minimalist comedies that were admired by Ingmar Bergman for their trenchant humor and inventive visuals. His success in advertising gave Andersson the resources to build his own film production facility and company, Studio 24, and he returned to making features in 2000 (at the age of 57) with his bittersweet existentialist comic masterpiece Songs from the Second Floor.
Don’t miss the chance to see Roy Andersson’s films in NYC in December, including a selection of his commercials. Visit @movingimagenyc full lineup and tickets. Get 10% of with discount code ROY10. 🎬
Produktionsledare sökes till kortfilmsprojekt. Vi skall spela in en ambitiös kortfilm i studion på Sibyllegatan och behöver en erfaren produktionsledare/linjeproducent. Inspelning i slutet av november. [email protected]
Sista chansen att se den stora Roy Andersson-utställningen
på Kulturhuset! Klippet är från förberedelserna i maj 2021 #omdettaattvaramänniska #royandersson
Also at the Roy Andersson exhibition, mosaic with images of some of the people who have worked at Studio 24 during the last 40 years + VHS of Roy during renovations in 1981. #royandersson #omdettaattvaramänniska
Roy Andersson Filmproduction is reorganizing but we will keep on working from the office on Sibyllegatan in Stockholm. Production in the studio will now be run by Roys long time collaborator Johan Carlsson with a separate company. Right now a French music video is produced in the studio, take a look at instagram “Studio24Stockholm”.
The big Roy Andersson exhibition - now also with film retrospective, workshops and other events. Roy Yra = lots of events about Roy’s work.
#omdettaattvaramänniska #royandersson
