rob

@robertlmcgee

pure silver.
Followers
1,574
Following
666
Account Insight
Score
27.3%
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Health Rate
%
Users Ratio
2:1
Weeks posts
@addictedtorags SS ‘23 Shop Lookbook A collaborative project between @juliandrake_ & @robertlmcgee Photography: @juliandrake_ & @robertlmcgee Layout Design & Effects: @robertlmcgee Retouching/Color: @juliandrake_ Models: @tannerreddick @eddiemarcoe @nova9367101 Styling: @eduardovertti
0 45
2 years ago
“RARE EARTH” A Fashion Film Directed by Robert McGee A visual exploration of nature’s unifying patterns, their connection to movement, and the human form. Director/DP: @robertlmcgee Edit/Color/VFX: @robertlmcgee Gaffer: @juliandrake_ Stylist: @tate.jp Sound Design: @kanelefou Production: Sol Focus Studio: @7space8 Talent: @charlie.crook
0 71
2 years ago
“Who killed the dreamcatcher?” 18 in. x 5 ft. 1/1 portrayal of models exact wingspan a death of mind under the stars and stripes. print details: printed on 14pt NEENAH paper CMYK process matte finish pieces: 1 pen 1 sketchbook 1 notebook and a brain model: @kirrav who killed the dreamcatcher? are you so wounded? they tried to shake it she couldn’t take it now she’s but a dream.
0 45
3 years ago
Campaign Teaser for @somar.us Directed and Edited by Robert McGee. Shot on a Sony A7IV, digitally rescanned with a 2004 Pentax Optio pointed directly at my MacBook Pro. The end credit sequence consists of 200+ written and printed elements, each individually scanned and composited together to play at 24 fps. “Ahab Denim” sold out everywhere. Director/DP: @robertlmcgee CD/Styling: @owenmhyatt Edit/Color/VFX/Title Design: @robertlmcgee Producer/Casting/BTS: @mustbemargiela Gaffer/Assistant: @kelvintohar Talent: @carllovestrand Production: Sol Focus
0 25
1 year ago
Stills from the making of “SLINGSHOT”. + A physical copy of my edits/notes while retouching. Shot/Retouched by: @robertlmcgee Lighting/PA: @juliandrake_ Model/Styling: @tannerreddick
0 30
2 years ago
“SEE-THROUGH” process work Experimentation with concrete as a substrate. A total of 8 hand cast concrete tiles were produced, only two of which discernible enough to be included in the final piece. Excited by this technique as I am now familiarized with how to properly adhere ink to an atypical substrate. I have always been fascinated with the idea of replicating pieces of my environment and intend on using this technique in such a capacity down the line.
0 7
2 years ago
“SLINGSHOT” My salute to the golden age of title sequences. In keeping with the era, all effects/transitions have been created in true analog fashion. The walking animation alone featuring 188 individually scanned frames printed in ink on acetate film. An enlightening challenge and experience in terms of technique application. Director/DP/Edit: @robertlmcgee Gaffer/PA: @juliandrake_ Sound Design: @freeadvice.xyz Talent/Styling: @tannerreddick Forward is forward.
0 61
2 years ago
“SEE-THROUGH”. 2023. Concrete, water, ink, ziploc bag, and a corroded nail. My first ever self portraits permanently mounted on quick-setting cement. The final iteration seen above is as a result of an inkjet photographic transfer onto multiple hand-cast cement tiles. Words: We fall apart and stand up just as fast a defiant game we play showing the powers that be that we are fit and able.
0 21
2 years ago
Collectively, we must be listening to much more lounge music.
0 47
2 years ago
“sacrosanct” a reclamation of self. print details: printed on 130lb ultrawhite eggshell 2-color riso print process matte finish 19x28” parts: 858.2 miles in under 2 days 14 hours on the road 4 full tanks of gas 1 reclaimed 1960’s window sash 4 nails + washers and a renewed perspective description: This time last year I decided, at 4am, I would take a solo trip 7 hours west to Marfa, TX. Having recently been consumed by the drop-everything-attitude of the summer of ‘69 documentaries I had been watching, I set out on a trip of self discovery. I was in pain and seeking answers. In a 48 hour timespan I saw how beautifully Donald Judd’s concrete sculptures framed the Chihuahuan Desert, was treated with unwavering kindness by all I encountered, and watched the sun rise over the Chinati Mountains that next morning. I did this alone, and told no one until today. I found peace out west.
0 28
3 years ago
“Salvation costs $112.45” A recontextualization, questioning manufactured lights spiritual and subconscious emotional effects. In collaboration with: @nik.harshaw Materials used: 5 plastic zip ties 1 50lb bag of fast-set concrete 1 stripped power cord 1 20z gorilla poly glue 1 4ft LED strip light 1 2ft LED strip light 1 cardboard box and a sugarfree red bull. What is the natural response to unnatural intervention? Concept: @robertlmcgee Wiring: @nik.harshaw Construction: @nik.harshaw + @robertlmcgee Photos by: @juliandrake_ Assisted by: @sashisudhakar Wardrobe provided by: @addictedtorags
0 56
3 years ago
cast from the sky she lies in wait divinely connected various ink/scan techniques textures lifted from a 1915 french legal treatise model: @kirrav
0 23
3 years ago