Nekem lámpást adott kezembe az Úr Pesten
oil on canvas
100 x 150 cm
2024
Evergreen - works from the MBH Bank collection group show at the Liszt Institute-Munkácsy Hall in Sopron, curated by Délia Vékony.
Exhibiting artists:
Gyula Benczúr, Róbert Berény, Samu Börtsök, Béla Czóbel, István Csók, Jenő Gadányi, Annamária Gáspár, Tibor Kocsis iski, Johan Tahon, Károly Kernstok, Gábor Király, Attila Kondor, Ábel Kotormán, Róbert Lak, Antal Ligeti, Ödön Márffy, Ferenc Markó, László Mednyánszky, Hugó Mund, Muntean/Rosenblum, Róbert Nádler, Viktor Olgyai, Dezső Orbán, Dezső Pécsi Pilch, Nóra Szirmai, István Szőnyi, Tereza Tomanová, Sándor Ziffer
As the year draws to a close, I find myself reflecting not only on what has passed, but also on where I am now and where I am heading.
This year was a challenging one. After the momentum and success of last year, the first third of this year felt like a sharp contrast. It wasn’t unsuccessful, but it was slow. At first, that slowness felt heavy, yet over time it became a space for thinking, reassessing, and gaining clarity. Accepting the situation took time, but once I did, I was able to turn what initially felt negative into something constructive.
By spring, it became clear that I had to let go of my studio. Its limitations had begun to limit me as well, and I needed a larger, more isolated space to continue growing. At the beginning of summer, I stopped working there altogether. I felt that I need to stop working in that studio for the next one to arrive.
For several months, I worked differently. I drew in small notebooks on our terrace, without pressure or expectations. That period felt light and honest, and I enjoyed it deeply. It reminded me of creating for its own sake, without weight and expectations regarding it’s outcome.
After three to four months of searching, an unexpected phone call in early October led me to view what is now my current studio. Compared to the other spaces I had seen, it was a lot better. By mid-October, I had the keys to my new studio.
The studio wasn’t immediately ready nor was I. It required time, effort, and adjustment. Even now, it is still evolving. But I’ve begun, and with each step it feels more and more like my own.
Looking back, this year was less about output and more about alignment. It taught me patience, trust in timing, and the importance of creating space—both physically and mentally—for the work I want to do next.
Thank you for following my journey even though it was a lot more silent on my social media platforms.
See you next year!
Merry Christmas and Happy New Year to you all! 🎄🍾✨
I rarely share drawings from my sketchbook, but since I’ve been drawing a lot lately, I thought it was time. I call them drawings rather than sketches, as I don’t intend them to be preparatory works that I’ll later implement on a larger scale. This may influence my later, larger-scale work, but it’s more about the playful realization of ideas. Small scale feels more immediate, playful, and intimate.
untitled /vision/
Oil on canvas
80 x 120 cm (2x 80x60)
2025
In 2023 when I starzed to paint again on canvas after a 6 months break, that’s when I started to use these double panel solution. Since I build paintings simultaneously, sometimes they merge into one. The same happened here at @hegyvidekimuvesztelep this year (last year too). I like how two become one and the meaning of it what lies beneath. This also became more of an abstract painting with imprints of animals, nature and human.
Check it out this week at the @hegyvidekgaleria !
Last two photos of the interior are by: Egressy Orsi // MOM kulturális központ/Hegyvidék Galéria
16:59
Photos were taken at the international artist residency by @hegyvidekgaleria this month in Budapest. @hegyvidekimuvesztelep
You can still catch our exhibition titled vision this week! 💥
photos: Egressy Orsi // Mom kulturális központ/ Hegyvidék Galéria
those who remember
120 x 200 cm (2x 120 x 100)
oil, oil stick on canvas
2025
This painting was made during my stay at @hegyvidekgaleria ‘s art residency during the first half of August in Budapest. It was an amazing opportunity to be with another 11 artist and create art at the @momkult for 10 days. I created more artworks then how much we could exhibit at the end. This is one of my works you can’t see at the exhibition, so I decided to start and share this one first, followed by the works that got exhibited and can be seen until the end of August.
✨Exciting news!✨
I’m incredibly honored that my works have been selected for the Ongekend Young Masters Auction at @adams.amsterdam.auctions organized by @kers_gallery
A heartfelt thank you to the jury members @raquelvanhaver and @marc.mulders for selecting my pieces — I truly appreciate the recognition.
The auction will take place on September 6th, and I’m thrilled to share that this will be my first time participating in an auction in the Netherlands! 🇳🇱
Can’t wait to be part of this amazing moment with so many talented artists. Stay tuned!
Thank you @csengelantos for the photos! 📸
back in August 2024 at the @hegyvidekgaleria ’s art camp. @hegyvidekimuvesztelep
It felt about time to share some photos of me and me while I’m making my art.
photo: Hegyvidék Galéria/MOM kult/ Egressy Orsolya
spring equinox I.
oil on linen
210 x 178 cm
2024
#contemporaryart #contemporarypainting #painting #art #fineart #figurativeartist #landscape #spring #eqinox #artcollector #artist #emergingartist #youngartist #idontusehashtags
in time, the cumbersome river of memory no longer carried it /series/
oil on belgian linen
45 x 35 cm
2024
Another piece I didn’t exhibited with the series. On one side because I painted it afterwards, when I still fet, that these series are not over yet. In this series somehow I did not painted smaller format paintings, not that I sometimes fon’t like it but the images needed space to unfold and that required bigger formats. After I had a path I managed to paint this smal paintings and here the impasto came back. How is familiar with my Foind in Nature series, which were all painted with this technique, they know that it is also close to me but it’s slow if I use on the big ones, but with this it was playful. This one also hangs on the wall of my studio.
