RM

I collaborated with @specchimagici on this mirror edition named “Chiaro di Luna”. Reach out to them for info. Cat not included. 
Picture @charly__dudu Postprod @rgb_dog and yours truly

“Chiaro di Luna” by @rmrm.info is a new, and possibly final, edition for Specchi Magici. The edition consists of a red-colored MDF frame combined with a small circular glass mirror. Dimensions: 118 × 85 × 0.5 cm (46.46 × 33.46 × 0.20 in) Materials: colored MDF, glass mirror Edition: 100 pieces Price: 350 € Shipping: 50 € EU / 100 € international 50% of the revenue from this edition will be donated to @fightinequality

is among the artists participating in Ghost Track, a project promoted by MAC - Milano Art Community and Milano Art Week, which places works by artists connected to MAC member spaces within the exhibition routes of Milan’s civic museums. In musical terminology, a “ghost track” is a hidden track: a piece concealed at the end of an album that does not appear on the official tracklist, a silent presence revealed only to those who keep listening beyond the expected limit. The works enter into dialogue with the permanent collections, inhabiting the spaces as unexpected guests that open up new possible narratives. RM, (former Real Madrid) For all intents and purposes 2025 Variable dimensions A disposable object displaced from its function and reorganized into a fragile form of luxury, of value and class. With Alessandro Carano, Alina Chaiderov, Gina Folly, Joana Escoval, Latifa Echakhch, Hans Josephsohn, Markus Schinwald, Matteo Nasini, Maurizio Cattelan, Vasilis Papageorgiou, RM, Thomas Jeppe, Natália Trejbalová, Virginia Russolo, Xiao Zhiyu. GHOST TRACK
14–19 April 2026
 A project promoted by MAC - Milano Art Community and Milano Art Week in collaboration with Milan’s civic museums
(Palazzo Moriggia, Castello Sforzesco, Museo Civico di Storia Naturale di Milano, Biblioteca Sormani, Biblioteca Parco Sempione) Curated by Lucrezia Calabrò Visconti and Chiara Nuzzi
Project Direction: Astrid Welter Discover the full programme at www.milanoartweek.it Comune di Milano Cultura #MilanoArtWeek2026 #GhostTrack

For those in Milan this week, Tonight “for all intents and purposes” is blooming in the entrance of the @museostorianaturale_milano as part of Ghost Track @milanoartcommunity @milanoartweekofficial ❤️ @lucreziacalabrovisconti @cn_cocoon @astridreginaw @martinasimeti Pic @andrea_rossetti_archive

NEW ON OUR SHELVES⁠ ⁠ The work of RM (formerly Real Madrid), which was founded in Geneva in 2015, homes in on the intersection between sexuality, consumerism, identity, and physicality. In sprawling sculptural and installation projects, RM scrutinizes social and political responses to stigmatized sexually transmitted diseases and infections, up to and including the stigma of death. Their work is distinguished by its precise formal vocabulary, references to pop culture, and shrewd sense of humor. ⁠ ⁠ On occasion of the project’s tenth anniversary, they release their first monograph, titled “Decay”. The book’s formal design recalls sticker albums for soccer fans, a medium that unleashed a craze for collecting and trading stickers when it came on the market in the 1960s. Each book contains ten stickers. A conversation between Melanie Buhler and the duo provides an introduction to their practice; with additional contributions by the poet and writer Eileen Myles and the artist Lili Reynaud-Dewar, among others.⁠ ⁠ Stay tuned for upcoming book launches in Milan and Berlin! ⁠ ⁠ For more information about the book, visit our website. ⁠ ⁠ #distanzverlag #distanzpublishing @rmrm.info @melaniebue @eileen.myles @furieuxboy ⁠ Design by @neverenver

If you happen to walk through Plainpalais in Geneva, look up. Among all the other beautiful light installations that have been there for years, now there’s this “Ligne-de-Linge”. A line of hanging clothes, left to dry in a hypothetical sun.
 Strange enough this clothesline concludes a collaborative cycle marked by a lot of naked selfies (and if you need context, read caption on the previous post). There is an official opening on THURSDAY around 6pm so if you’re around, come and say hi. @neonparallax @fmac.geneve @ville_de_geneve @geneve_ville_culture @ge_culture @simon_lamuniere Pic Serge Fruehauf; Courtesy RM (collaborative) @martinasimeti

Hello peers, friends, exes, nextes. We wanted to update you about some changes in RM. After long consideration, Bianca has decided to take an indefinite break and move in a new direction. Marco will continue the name as a (for now) solo project. We’re both sure RM will keep changing and growing. It’s been 10 amazing years together and we’re happy to be collecting them in the book DECAY: a monograph coming out next January 2026. It’s time for rerouting. Love. B, M Decay is published by @distanzverlag Cover design @neverenver

4 pointers on view @fondazione_michetti until sept 15 Group Shows Kill The Group curated by @massimilianoscuderi Photos by @andrea_rossetti_archive

Last two days to visit RM’s show at Kunstmuseum St Gallen. Anus Horribilis is the first museum exhibition of the artist duo RM which features works specifically created for the LOK, the Kunstmuseum St. Gallen’s second venue. The practice of this artist collective (formerly Real Madrid) founded in 2015 in Geneva, is situated at the intersection of sexuality, consumption, and identity. With previous large-scale sculptures and installations, RM has investigated social and political reactions to stigmatized sexually transmitted diseases and infections. For Anus Horribilis the duo is now taking this thematic exploration further, right up to the last stigma – that of dying. In the show, a series of wooden figures are scattered around the room. These are based on what are known as tangrams, Chinese wooden games in which pieces can be put together to create different shapes. RM has made their wooden figures from coffin parts. The reference to the game—where forms are arranged, dissolved and made into new figures—alludes to the body’s ability to transform itself. The wooden figures in the exhibition space are archetypal everyday objects: a shoe, a key, a hammer, a T-shirt, a cup. They evoke a daily reality filled with objects that are handled and used frequently, only becoming static after the person using them dies. A huge thank you goes to @melaniebue and @giannijetzer Pictured: A Game of Sleep Chair, 2024 Holz / Wood 98,5 × 60 cm A Game of Sleep Shoe, 2024 Holz / Wood 56 × 92 cm A Game of Sleep Pipe, 2024 Holz / Wood 79 × 96 cm A Game of Sleep Cat, 2024 Holz / Wood 88 × 77 cm A Game of Sleep Arrow, 2024 Holz / Wood 95 × 96 cm A Game of Sleep Key, 2024 Holz / Wood 109,5 × 56 cm A Game of Sleep Shirt, 2024 Holz / Wood 60 × 79,5 cm A Game of Sleep Hammer, 2024 Holz / Wood 110 × 85 cm A Game of Sleep X, 2024 Holz / Wood 60,5 × 100 cm A Game of Sleep Cup, 2024 Holz / Wood 49,5 × 78,5 cm Ph: Sebastian Stadler #anushorribilis

Some images from our show Anus Horribilis that opened some weeks ago at @kunstmuseumsg It was a beautiful and intense ride with @melaniebue @giannijetzer @hennakeskim and many others The show is on until Nov 10th so go see it ❤️‍🔥

See you tonight @kunstmuseumsg

Tomorrow opens our solo Anus Horribilis at @kunstmuseumsg It was an intense and touching journey started with the fruits of the loo then woven with grief feelings and loss. Many thanks to the best team ever @melaniebue @giannijetzer @kunstmuseumsg @hennakeskim @martinasimeti and many others. Here a still from the vid that opens the show, animated by magic hands @naro.is.not If you are around St. Gallen see you tomorrow at @lokremise