Rintu Thomas

@rintuthomas

Lover of Jasmine. She’s hypnotic in the air. In my hair. Seductress in my tea.
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Weeks posts
Soaking UV light of all kinds in Kalimpong. Lounging in between the non stop energy of @thehimalayanstorylab with @aryarothe and @mentalsyrup 🕺🏽
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6 days ago
❄️❄️❄️🩵
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3 months ago
The Himalayan Story Lab was thought of as a concept for many years over chai, coffee, banter, serious interrogations of power, access and collaboration in documentary filmmaking. Many iterations over many years. It finally took shape in Nov 2023 as an incubation lab, a fellowship and a space that empowers. In its third year now, co-founders Rintu and Sushmit unpack the thought, learnings, structure and joys that have created this space. Most importantly - collaboration is everything. Thank you @idaorg and @botakoilybayeva , @abbypsun for this long-form conversation. Fortunate to have a stellar string of filmmakers as our Fellows @manishahalai95 @jaja_chase @debashish_nandi @chentei_photography @epil.kongari @shiba_lee_ @tallo_anthony @neatpegs . And we’re looking forward to welcome @_thepotbellied @lhakpa.choedon @evlinasiddiqua @takar_pzn @bambiilin_ @sushillsapkota @ipshita_reelnomad @prodyutpal_ & basit jamal HSL is supported by @rnp_foundation , @royalenfieldsocialmission , @greenhub_india , @blackticketfilms . Link to the IDA piece in bio.
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6 months ago
Autumn..
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6 months ago
I’ve carried these words inside me for a long time - shaping them as they shaped me. Much like the way filmmaking has shaped me. — ‘’I’ve known myself as someone whose realizations about the world often arrived carrying the heat of rage. But it is the women in my life—those I have met, befriended, argued with, held close—who have taught me that rage alone is not enough. That to truly see the world, one must learn to hold its absurdities, its tenderness, its relentless contradictions. From them, I’ve learned that resistance can be wry, that humour can be an ally, that silence can be an armour. And perhaps, without quite knowing it, they shaped the way I frame a story, the way I choose to look.’’ — This piece is my reckoning with the work that I love so fiercely and wrestle with often. Thank you @idaorg for giving it space and breadth. To @docresi for co-publishing it and ensuring it has a larger home audience. To the women in my life who’ve held me through so many journeys of walk, limp and hopscotch - I’m richer by your stardust in me. You know who you are. And to the one whose journey is written into mine, Sushmit. Link to the piece in bio.
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8 months ago
Masterclass by Rintu Thomas - Listening with the Lens: Intimacy and Presence in Non-Fiction Cinema. 11 AM, 25 August 2025 at Menza Hall, Hotel Horizon #idsffk #idsffk2025 #17idsffk #ksca #chalachitraacademy #idsffk25
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8 months ago
Panel Discussion with Faiza Ahmad Khan, Jyoti Nisha, and Rintu Thomas - Shifting Terrains of Documentary Making: Finding New Paths. Moderated by Ishwar Srikumar Today 2 PM at Nila Theatre, Thiruvananthapuram #idsffk #idsffk2025 #17idsffk #ksca #chalachitraacademy #idsffk25
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8 months ago
Works chosen and presented by the Fiction and Non-Fiction juries. An opportunity to encounter cinema through the eyes of its discerning evaluators. Where judgement meets dialogue with the moving image.
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8 months ago
We are pleased to introduce the mentor for the inaugural edition of Kathmandu Doc Lab. #anamabbas @arunbhattaraii @rintuthomas From Saturday, May 24th to Tuesday, May 27th, 2025, participating filmmakers will engage in a dynamic program featuring both group sessions and one-on-one mentorship. The lab will culminate in the Kathmandu Doc Lab Live Pitch, taking place on Wednesday, May 28th. We look forward to an inspiring and productive week of documentary development. . . . . #ktmdoclab #doclab #documentary #documentaryfilm #kathmandu #kimff #filmpitch #pitch
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11 months ago
Documentary filmmaking often brings with it moments of self-doubt and uncertainty with every edit. At such times, it is essential to have a collaborator who believes in both you and the story you are striving to tell. We’re incredibly proud to introduce Rintu Thomas ( @rintuthomas ) — a filmmaker whose body of work sits at the intersection of storytelling as both an art and a conversation. With a keen eye for stories rooted in justice and humanity, she brings a bold, fresh perspective to our platform. #DocProducingSouth #CreativeProducing #DocumentaryFilm #FilmProducer #ProducersLab #SouthAsianFilmmakers
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1 year ago
This is a special collaboration between an artist, a filmmaker and a photographer. For this set, I invited my friend, @rintuthomas (Director-Producer/@blackticketfilms ), to take my photo and discuss what consent means to her. The lens is not just mine. The stories are not just ours. It's time we took responsibility for creating safe spaces, not as individuals, but as a collective. . . . Touch is memory. Some touches are like poetry, light and deliberate, knowing where to land. My mother’s palm against my fevered forehead, its comfort anchoring me to the world. The slight, absentminded weight of a friend’s knee against mine as we sit deep in conversation. Dida’s shurshuri curling over my skin, dissolving wakefulness into the hush of her hands. These are the touches that settle lightly, asking for nothing and leaving no debt behind. But some touches stay too long. They sink into the skin, like the oily residue of a careless handprint on a wall that was once clean. Like the faint, stubborn stains of colour left behind after Holi. Days later, they emerge—pink ghosts on forearms, yellow traces on collarbones—quiet proof of something that should have vanished, but didn’t. I often try to trace the moment I became awakened to the ways in which others’ eyes touch my skin and being. Holi reminds me of this. It is the only other time I let myself be drenched in the open, apart from the rain. But the rain is different, it belongs to no one. Even in a crowd, it is mine. I step into it when I choose. It does not watch me as it falls. Holi is different. The water is also different. Fabric that once obeyed now clings, outlining things I did not offer. Life has been a slow lesson in the language of boundaries. I've learnt the difference between an embrace and an enclosure, between being adorned and being claimed. And yet, I refuse to fold myself small just to be safe. I will not retreat to dry corners while colour explodes outside me, will not let the joy of open sky and running water be taken from me. I will let the colour find me, the water touch me—but only when I decide. Only when it is welcome. Only when it belongs to me. . . . #naqab #benaqab #consent #holi
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1 year ago
Directors of Writing with Fire, Rintu Thomas and Sushmit Ghosh talk about the challenges of young documentary filmmakers in India
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1 year ago