Ram Samocha

@ramsamocha

Multidisciplinary Artist
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Weeks posts
Ram Samocha - Vibs, One Go Drawing, 22:02 - 16.05.26. Autodesk sketchbook. #ramsamocha #contemporarydrawing #improvisation #onetouch #drawingmarks
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1 day ago
Part 2 of a @talk.drawing interview with Ram Samocha @ramsamocha @draw2perform . What medium/s do you choose to draw with and why? I primarily work with metalpoint, alongside other minimal and time-based drawing tools. I use it on mineral and stone paper, drawn to their durability, smooth resistance, and subtle responsiveness, where I have developed a unique 3D drawing technique. I also incorporate a drill into my process, extending mark-making into vibration, force, and unpredictability. Metalpoint draws me in for its precision and resistance - it demands patience, discipline, and sensitivity to surface. Marks cannot be erased, so each gesture carries weight and permanence, connecting to my interest in duration and the tension between control and unpredictability. More broadly, I choose mediums that slow the process and heighten awareness, keeping drawing present within the work.  Any advice for someone wanting to learn/start drawing or for drawing artists at the start of their career? Start by drawing regularly and without overthinking the outcome - consistency matters more than perfection. Allow yourself time to develop sensitivity to materials and process. Be patient, as drawing is a slow form of understanding. Stay open to experimentation and to questioning your own habits. For emerging artists, it’s important to trust your direction while remaining critical and curious, and to see drawing not just as a skill, but also as a way of thinking and engaging with the world. Is there anything else you would like to say, share or promote? I’d like to share my recent series, Metal Barks, where I explore a shift from more abstract imagery toward closer observation of nature, using metalpoint in a sculptural way that expands drawing into 3D. The works were presented in several exhibitions last year and will continue to be shown in upcoming exhibitions this year - stay tuned for more. Thank you for reading and to Ram for sharing his experiences and drawing practice. 1  Metal Plum Bark, with lichen, 2026 2  Metal Plum Bark, with lichen (detail), 2026 3  Metal Oak Bark (dry), 2026 4  Silver Birch Bark, 2025-26 5  Metal Pine Bark, 2026 6  Ram Samocha, London 2025
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3 days ago
Part 1 of a @talk.drawing interview with Ram Samocha @ramsamocha   @draw2perform , an artist fromBrighton, UK. Tell us about yourself and your artist background? I am a multidisciplinary artist working between drawing and performance, exploring each as both physical act and conceptual language. Rooted in traditional draftsmanship, my practice has expanded into experimental processes that challenge mark-making and the presence of the body. I am interested in how time, repetition, and material resistance shape an image or action. Working with metalpoint slows the process, allowing a deeper engagement with surface, gesture, and duration. Across drawing and performance, my work reflects a dialogue between control and unpredictability, where each piece becomes a record of intention, presence, and discovery. In this interview, I focus on my metalpoint work. Why do you draw? I draw as a way of thinking and being present. It allows me to slow down, to observe more carefully, and to engage in a direct dialogue between my body, the material, and time. Drawing is not only about producing an image, but also about entering a state where repetition, focus, and subtle shifts become meaningful. It gives form to processes that are often invisible-attention, duration, and change. Within my broader practice, drawing also connects closely to performance, as both involve action, endurance, and the trace of a lived moment. Ultimately, I draw to explore what emerges when control meets uncertainty. Follow for part 2 (coming soon) and to read about other drawing artist practices and to see their work. 1  Metal Oak Bark, 2025 2  Metal Elm Bark 1, 2025 3  Metal Elm Bark 1 (detail), 2025 4  Metal Elm Bark 2, 2025 5  Metal Elm Bark 3, 2025 6  Metal Elm Bark 3 (detail), 2025 #talkdrawing #drawing #drawingartist #multidisciplinaryartist #performanceartist
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5 days ago
Dark shadows on trees St Ann's Well Gardens, Brighton. 03.05.26 #shadows #lines #trees #weekend #brighton
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13 days ago
At art session. 28.04.26 #lifemodel #whilchair #artsession
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19 days ago
Manly Ram - Reflection in dark glass, 16.04.26 #selfies #looking #manly #darkglass #ram
11 1
1 month ago
Ram Samocha - Night Sea Sparkling (to Fiona), March 2026. Embossed marks on A4 black paper. #ramsamocha #black #drawing #space blackdrawing art 3ddrawing contemporarydrawing drawingnow embossed drawingwithlight movement 3dart abstractdrawing theartofdrawing
12 0
1 month ago
Ram Samocha - Enough, One Go Drawing, 20:42 - 06.04.26. Autodesk sketchbook. #ramsamocha #contemporarydrawing #stopthewar #onetouch #drawingmarks
7 0
1 month ago
Ram Samocha - Boom, One Go Drawing, 17:42 - 21.03.26. Autodesk sketchbook. #ramsamocha #contemporarydrawing #improvisation #onetouch #drawingmarks
13 0
1 month ago
I’m delighted that my 3D metalpoint work Metal Oak Bark (2025) has been shortlisted for the Royal Academy Summer Exhibition 2026. Fingers crossed for the next stage. Explore more of my 3D metalpoint drawings at: /ramsamocha #RoyalAcademySummerExhibition #Metalpoint #ContemporaryArt #artnow #ramsamocha
17 1
1 month ago
I’m happy to be part of the Newhaven Open Call 2026 exhibition at BN9 Studio, Marine Workshops, Newhaven. The exhibition runs from 12-29 March open Thur to Sun 10am-4am and I’ll be presenting works from my 3D metalpoint series Metal Elm Bark. This 3D metalpoint work was not created by rubbing the paper against tree bark, but is the result of a unique drawing technique that I gradually developed. After long periods of observing the English wilderness and focusing on the remarkable textures of tree bark, I shifted my metalpoint practice from a more abstract, mark-making approach to work that draws its inspiration directly from the natural world around me. I have tried to expand the rich tradition of drawing with metals, incorporating a drill and mineral paper to give a contemporary interpretation to this amazing ancient technique. / #NewhavenOpenCall #BN9Studio #Metalpoint #DrawingArt #ContemporaryDrawing Newhaven ArtExhibition
24 2
2 months ago
This Saturday I’m happy to be part of the Newhaven Open Call 2026 exhibition at BN9 Studio, Marine Workshops, Newhaven. The exhibition opens 14 March, 5–8pm, and I’ll be presenting works from my 3D metalpoint series Metal Elm Bark. This 3D metalpoint work was not created by rubbing the paper against tree bark, but is the result of a unique drawing technique that I gradually developed. After long periods of observing the English wilderness and focusing on the remarkable textures of tree bark, I shifted my metalpoint practice from a more abstract, mark-making approach to work that draws its inspiration directly from the natural world around me. I have tried to expand the rich tradition of drawing with metals, incorporating a drill and mineral paper to give a contemporary interpretation to this amazing ancient technique. Feel free to join us for the opening. / #NewhavenOpenCall #BN9Studio #Metalpoint #DrawingArt #ContemporaryDrawing Newhaven ArtExhibition
19 0
2 months ago