Artist: Bartosz Kokosiński
@bartosz_kokosinski
Painting Devouring Rural Landscape
artist’s own technique, 2012–2014
36 × 44 × 19 cm
/camp-hetero-apocalipse/
This artwork is part of the exhibition Imagining Queer Utopia, curated by
@michal.rutz at
@queermuseumvienna__
26.02-21.06.2026
Camp Hetero-Apocalypse
The image literally bends and twists, devouring the heteronormative order — single-family houses. These seemingly neutral architectural forms carry a specific ideology: the model of nuclear family, private property, and inheritance. Their destruction can be read in the spirit of Jack Halberstam’s concept of “unlearning, unbuilding” — as a conscious rejection of normative structures. In their place emerges the potential for a new architecture: one open to alternative forms of kinship, relationships, and community, which are yet to unfold.
The object may also be read as a playful take on the classical motif of the destruction of Sodom and Gomorrah. In the traditional biblical interpretation, the destruction of the cities functions as punishment for queerness: God annihilates the cities of sin to reaffirm divine order. Similarly, many fascist fantasies idealize a return to traditional family structures and simpler rural living, while demonizing cities as sources of depravity. Kokosiński reverses this narrative by replacing the city with the village: it is not queerness that is annihilated, but the normative world itself.
A specter of Revolution
What is this force that warps, overturns, and shatters the established order? It can be understood as an assemblage of hunger, rage, and defiance — a desire that slips beyond reason and social control. It devours and digests them into disorder.
Desire is not attributed to any particular being or subject. It operates as an external force, as affect that flows between bodies and social structures, enveloping entire communities. It can take both reactionary and revolutionary forms. In this sense, it is no coincidence that Marx described communism as a spirit—the specter hovering over Europe.
(…)
Michał Rutz