had a lot of fun with regents sherlock but it did feel like a practical joke against me and me alone not having a sebastian moran reference in a show about the morality of soldiers while a tiger is running around on stage
fav elliot media of 2025 (in no order) [flash warn for later slides!]
discovering chiikawa / lorde ultrasound tour / seeing great comet 3x including the final performance / terrible influence tour & dan and phil Hard Launch / hadestown with og cast / scissor sisters tour / kenrex / lana / 4.48 psychosis / jcm singing hedwig / isabelle animal crossing at the sea life centre / dear young monster / yoshimoto nara exhibition / a little life 10 year anniversary reading / teen suicide / undertale concert (& deltarune chapter 3) / castration movie / ethel cain / all of disneyland paris / staring at spektrix inbetween all of these moments
💜💜💜
transmasculinity & fatherhood r&d 💚
got to finish the year directing/leading this wonderful week of r&d with @pushbacktheatre
an amazing week of being able to explore & create with wonderful generous participants - thinking about trans futures & what that looks like On Our Terms
also meant a lot as a director as working with interview transcripts / generating and devising work like this is still new & was an amazing time to try things out!!
so much love to all who helped bring this to life 🐣
one of the most beautiful & tragic things abt theme parks is nothing is forever & so many rides and experiences exist only in people’s memory and u will Never be able to get that back. weird to be in a theme park knowing this will change in a few months and it will never be the same again. also weird to be experiencing this while standing where beautiful original themed experiences used to exist and now their husk is being filled with an IP experience, or the tacky 90s kitsch being DEMOLISHED in front of ur eyes. rip walt disney studios & disney village i loved ur croque mcqueens & limited motion animatronics that haven’t been repaired for years
🪳SHOW ANNOUNCEMENT 🪳
‘Doll traps bug in room with her in the pre-apocalypse … I wonder what Kafka would make of all this.’
Forty-nine minutes and thirty six seconds until the end of the world. Alone in her bedroom, Jennie kidnaps a cockroach to try and leave something, anything, of her story behind.
As the clock ticks down, Jennie ponders family, her transition, lost friends, and what it means to finally want to live as the world crumbles.
A new work in progress presented by Fat Cow Theatre.
Written by Evie Chandler (@evie.chandelier )
Directed by Elliot Aitken (@queerforster )
Starring Oscar Reynolds (@oscarthegem )
Ticket link in bio 👀