Tommysarng is a Vietnamese DJ, digital artist, and house/techno producer whose sound is shaped by the raw energy of Saigon. A self-taught artist, he works with analog and modular synthesizers to create deep basslines, atmospheric melodies, and introspective sonic journeys.
Active in music, tattoo, and techno communities, he supports artistic freedom and contributes to Vietnam’s growing techno scene, gaining international recognition along the way.
Tonight i will play at @supergato_dnc some experimental and some beautiful music.
And very good music as always from @rokotro_o
Welcome everybody!
Will glad to see you!
KICKBACK is not just a word.
It's a state of mind.
It's when friends get together not to party, but to chill out.
No plans, no schedule, no dress code. Just good people, great music, and an atmosphere that comes naturally.
KICKBACK is not just a word.
It's a state of mind.
It's when friends get together not to party, but to chill out.
No plans, no schedule, no dress code. Just good people, great music, and an atmosphere that comes naturally.
LFO — “LFO”
Imagine Leeds, England, 1990. Two 19-year-olds, Mark Bell and Gez Varley, messing around with drum machines in makeshift bedrooms and industrial studios. They want something raw, heavy, unpolished—but also strangely melodic. Enter “LFO (The Leeds Warehouse Mix).” A track that would crack open underground dance music forever.
💥 What makes “LFO” unforgettable:
It was one of Warp Records’ earliest hits. At a time when “electronic acts” were still niche, “LFO” crossed over—peaked at #12 in UK singles chart.
The sound was radical: deep sub-bass that rattled walls, minimalist bleeps and clicks, drum machines that felt both mechanical and alive.
They used unusual tools: a kids’ toy “Speak & Spell” to vocalize the track’s name (“LFO”). It was such a simple creative idea, but a powerful identity signifier—fans would shout out, “You got that track that says ‘LFO’?” when DJ booths played it.
🔮 Why it matters:
It helped define bleep techno, a sub-style born in the UK’s late-80s/early-90s rave / warehouse / industrial backdrop, where bass wasn’t just heard—it was felt.
It showed that electronic music could be both dancefloor weapon and artistic statement. “LFO” wasn’t polished to radio perfection—it was raw, experimental, visceral. But still, it transcended underground.
It inspired a generation: people making rave music, techno, IDM, all picked up threads from that track. It’s part of the DNA of what came next—Massive Attack, Björk collaborations, etc., especially through Mark Bell.
🎧 “LFO” — the moment when minimalism became massive, when bleep turned to bass, and when two young producers in Leeds changed what dance music could be.
🎛 #lfo #warprecords #bleeptechno #ukrave #electronichistory
Aphex Twin — “Polynomial-C”
Picture this: it’s 1992. The world of techno is ruled by acid lines and dancefloor beats.
And then — Richard D. James appears. A man who seems to dream in sound, hearing the future before anyone else. “Polynomial-C” isn’t just a track. It’s a hallucination made of math and melody.
It starts as a fragile arpeggio — innocent, almost naive — but slowly grows into something beautifully unhinged, like a mind trying to calculate emotion.
This isn’t music for the body — it’s music for your inner cosmos.
Sounds twist and fold into each other, formulas turn into feelings, and suddenly you’re not on a dancefloor — you’re inside the processor, where sound itself breathes electricity.
Aphex Twin proved that even cold mathematics can cry.
🎧 “Polynomial-C” — the moment when electronic music learned to speak the language of the soul.
Want to hear what inspiration sounds like when it goes insane?
👉 Play this track at night.
Коммунизм привет!
Демократическая федерация молодежи Индии (DYFI ) - это политическая организация в Индии, связанная с молодежным крылом Коммунистической партией Индии (марксистской) (CPI(M)).
#kerala #keralam #varkala #demonstration #dyfi #cpim #dyfikerala #dyfivarkala
