Shot in 2026.03
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📷 Mamiya 645 Super + Sekor-Cs
🎞️ Kodak Gold 200 (120)
🧪 @thedarkroomlab
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Car frames are buzzed (*probably* need another eye exam ye)
Shot on 26.03.07
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📷 Canon F1 (Old) + Canon FDs
🎞️ Kodak Gold 200 (35mm)
🧪 @thedarkroomlab
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Last of my 35mm (but unironically the FIRST roll of 35mm I purchased). Save the best for last…?
Shot in 2026.02
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📷 Canon F1 (Old) + Canon FDs
🎞️ Ilford XP2/HP5 Super 400 (35mm) +1-Stop Push (guess which is which lol)
🧪 @thedarkroomlab
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XP2 has some raw chemical contrast I just can’t recreate digitally I guess. Magic.
Shot in 2026.02
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📷 Canon F1 (Old) + Canon FDs
🎞️ Kodak ULTRAMAX 400 (35mm) +1-Stop Push (sans Frame 4)
🧪 @thedarkroomlab
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Besides a few obligations, the digital body’s been collecting dust…
Shot on 26.01.13 (*definitely* unmute)
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BATHROOM VIEWS — A SHORT VIBE (also live on YouTube bc they hate 1m+ videos here lol)
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Stayed late to evaluate new lenses & diopters after work. Concept came to me (entirely separately) mid last week.
Started cutting a sequence & it (very organically) came together.
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Track — ‘California’ by The Olympians
Filmed on 25.09.18-22
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Def read the tech notes at the end (correction: capture color space was Rec.2100 for HLG, not Rec.2020)
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Didn’t *really* plan to make this while shooting around, but I’m pleasantly surprised.
