raque inez ford

All aboard! Last Thursday, artist Raque Ford unveiled her intervention, created specifically for the two elevators in the Fridericianum rotunda. Now visitors can enjoy extraordinary art even while riding the elevator – but even if you prefer taking the stairs, it’s worth taking a peek inside the time capsules, that were designed to resemble a now-closed discount store in Brooklyn! Thank you @punkraque , for this unique work and the wonderful opening! For further information about the project, visit the Fridericianum website. ——— Alles einsteigen! Am vergangenen Donnerstag eröffnete die Künstlerin Raque Ford ihre eigens für die beiden Aufzüge in der Rotunde des Fridericianum entwickelte Intervention. Nun haben die Besuchenden sogar während ihres Fahrstuhlaufenthalts die Möglichkeit, außergewöhnliche Kunst zu genießen – aber auch für Treppensteigende lohnt sich ein Blick in die nach dem Vorbild eines mittlerweile geschlossenen Discount-Shops in Brooklyn gestalteten Zeitkapseln! Vielen Dank @punkraque für dieses einzigartige Werk und die wunderbare Eröffnung! Weitere Informationen über das Projekt finden sich auf der Webseite des Fridericianum. Photo / Foto: Nicolas Wefers @nwefers #raqueford #theonlyonewillingtodothehardpart #fridericianum #kunsthalle #kassel @punkraque

New work that will be up @dallasinvitational with @goodweather.llc For some reason I can taste what you taste (Spring), 2026 Acrylic, dibond, acrylic ink on polycarbonate film, color pencils on paper, decal stickers, and metal rivets 60.125 × 30 in Restless (Spring), 2026 Acrylic, dibond, acrylic ink on polycarbonate film, pen on paper, decal stickers, and metal rivets 60.125 × 30 in Your Greatest Folly (Spring), 2026 Acrylic, dibond, acrylic ink on polycarbonate film, color pencils on paper, decal stickers, and metal rivets 60.125 × 30 in

Raque Ford is a self-described crybaby, a childhood tease that she has come to own in adulthood. Her work, with all its bright streaks of color and glimmering tinted film, acts as a kind of exposure therapy, putting on display taunts and flattery, former jobs and a penchant for “The Real Housewives.” In discussing her work, Qingyuan Deng points out how one is “hailed and heckled by dramatically shifting scales” in the artist’s work, pointing to the narrative prowess that underwrites it all. Hit the link in bio to read “Friend of X,” a conversation between @punkraque and @dionysus.in.modernity from 354 Spring 2026. Ford’s commission “THE ONLY ONE WILLING TO DO THE HARD PART” is currently on view at @fridericianum , Kassel, until January 2027. #RaqueFord #QingyuanDeng #FlashArt354 #FlashArtMagazine

If you are at the Fridericianum make sure you take the elevator not the stairs. I made a site specific work in the two elevators up until January 2027. 📷 by @nwefers

RAQUE FORD THE ONLY ONE WILLING TO DO THE HARD PART March 12, 2026 – January 2027 Intervention at the Fridericianum, Kassel Layered up like collages, Raque Fords works combine sculpture, painting, and graphics and reference the cutouts of the late Henri Matisse, Minimalism, and Pop Art. At the Fridericianum, the artist is creating designs for both public elevators. ——— RAQUE FORD THE ONLY ONE WILLING TO DO THE HARD PART 12. März 2026 – Januar 2027 Intervention im Fridericianum, Kassel Raque Fords collagenartig aufgebauten Werke vereinen Skulptur, Malerei und Grafik und weisen Referenzen zu den Scherenschnitten des späten Henri Matisse, zum Minimalismus und zur Pop Art auf. Im Fridericianum gestaltet die Künstlerin die beiden öffentlichen Fahrstühle. Images / Bilder: 1.© Raque Ford; 2. Raque Ford, Foto / Photo: Curtis Wallen #raqueford #theonlyonewillingtodothehardpart #fridericianum #kunsthalle #kassel @punkraque

Good Weather will participate in Post-Fair with a presentation of Raque Ford. Raque Ford (b. 1986 Columbia, Maryland) lives and works in Brooklyn, New York. Solo exhibitions and public commissions include Greene Naftali (New York), Whitney Museum of American Art (New York), Kunstverein Gartenhaus, (Vienna), Good Weather (Chicago), The Print Center, (Philadelphia), Gianni Manhattan (Vienna), MoMA PS1 (New York), and 321 Gallery (New York), among others. Significant group shows include White Columns (New York), Buffalo AKG Art Museum (Buffalo), Greater New York at MoMA PS1 (New York), and SculptureCenter (New York). Ford’s work is in the collections of the High Museum of Art (Atlanta), The Museum of Modern Art (New York), and the Whitney Museum of American Art (New York). Forthcoming, she will open a site-specific intervention at the Fridericianum (Kassel) in March 2026 and a solo exhibition in Mike Kelley’s Mobile Homestead at Museum of Contemporary Art Detroit (MOCAD) in February 2027. Raque Ford Photocopy Dream II - section four (London), 2026 Acrylic and enamel paint on mylar, paper, and acrylic on dibond, hardware 77 × 51.5 in. Raque Ford Your greatest folly, 2026 Inkjet print, acrylic paint on paper, polypropylene sheet, foil, and acrylic on dibond, hardware 62 × 40 in. Raque Ford Seeking respect above your status is your greatest folly, 2026 Acrylic paint and watercolor on paper, polypropylene sheet, wrapping paper, and acrylic on dibond, hardware 60.25 × 30.25 in. All images are courtesy of the artist and Good Weather, Chicago/Little Rock. —— Post-Fair 2026 Thursday 2/26: 11am - 8pm Friday 2/27: 11am - 6pm Saturday 2/28: 11am - 6pm @goodweather.llc @punkraque @post_fair #goodweatherllc #raqueford #postfair

:)

I’m doing a glitter monotype demo next Saturday 11/15 at the Robert Blackburn exhibition at the James gallery at CUNY from 1 to 3 . Maybe I will wear this outfit. Also woke up with this song in my head.

For some reason I can taste what you taste

last dump can people tag them selves?

pt 3