“Há um tempo certo para tudo, mas nunca é tarde para cooperar.” - in Manifesto @gremiodotempo
———————————————————————————-POP-UP • 15. 05. 2026
Rua de Xabregas 20, 2.°andar, atelier 208, Lx
SAVE THE DATE
O Grémio do Tempo nasce do encontro de mulheres com percursos distintos que decidiram reunir-se em torno de um objetivo comum, criar, refletir e apresentar coletivamente as suas obras. O projeto parte da ideia de tempo enquanto estrutura que organiza o campo da experiência e propõe pensá-lo como recurso ativo na construção de práticas artísticas, abertas à experimentação dentro de uma comunidade que se fortalece.
Mentoria/Curadoria
Susana Guardado
Artistas
Anysabel
Bárbara Teixeira
Carla Pacheco
Carla Quinta
Catarina Lente
#generativecraft #penplotter #metatiles #drawingmachine #artlisbon
Processing interactive sketch 👾
you asked for it… here’s the code 👩💻(details at the end)
this sketch reacts to you in real time:
keyboard changes the palette,
mouse builds the composition,
and every movement becomes texture 💽
but this final result only exists because of a lot of experiments that “went wrong”, or at least didn’t go as planned. those moments were important to the sketch, so I decided to include parts of the process here too.
at the end, the full code is included 👇
if you want it more easily, just comment “code” and I’ll send it 💌
#creativecoding #processingcode #generativeart #interactivesketch #visualart
Processing interactive sketch 👾
@processing_core
keyPressed changes the color (R turns it purple), mousePressed draws a white square, and mouseMoved generates circle textures💽
Want the code? 👩💻coming soon on my feed @porluasesois_design follow to catch it :)
#creativecoding #interactivesketch #visualart #processingcode #codingart
Touch-driven generative interface shaped by gesture, motion, and live visual interaction. Made in @p5xjs with advanced design workflow in Codex_5.5
#p5js #codex #codeart #newmediaart #audiovisual
This semester, I embarked on the journey to learn creative coding through Processing. Starting with basically no knowledge of coding or its language. After months of testing, learning, and crying, I’ve come away with a solid understanding of just how useful creative coding can be. The ability to automate and randomize objects with the press of a button is truly amazing.
Above is my final project, known as “The Digital Garden”. I wanted to explore how a medium so based in computers can be reflective of nature and my environment. In the end, I created a series of stamp designs inspired by different flowers.
Additional credit to @daniel.shiffman as his code on recursive trees was used to help create the branch elements.
#graphicdesign #creativecoding #proccesing
Several tests before generating the base that will be sent to the pen plotter. This code has many possibilities—like memories, there is no fixed number. I’ll share some; help me organize them :) #processing #penplotter #generativeart #metatiles #computercraft
My starting point for creating code almost always begins with a question: how can I translate emotions, ideas, and humanistic concepts into mathematical formulas?
Within a collective reflection with other artists, we were invited to think about time. The first word that came to me was memory — perhaps because it is something I engage with daily while accompanying my mother through her experience with dementia.
For the development of this new series, I knew I wanted to work with memory — affective memory — and the ways in which it can be activated. In this process, I began to look at construction leftovers and old tiles found in my family home — objects carrying emotional, familial, and material memories.
This investigation led me to the term rememory, introduced by Toni Morrison in the novel Beloved (1987). More than memory, rememory describes the idea that the past does not disappear: it remains inscribed in places, objects, and surfaces, capable of being revisited and reactivated.
The question then became: how can this idea be translated into code? How can a generative system work with layers of time, traces, repetitions, disruptions, displacements, and reappearances?
Here I present the first tests of this code — an attempt to transform memory into a system, and the system into matter.
#processing #uunatek #idrawha2 #penplotter #largeformatplotter
Controlling sound with just muscles 💪
EMG -> MIDI -> Ableton Live
Raw EMG signals from the Thalmic Labs Myo translated into sound. The sensor data is collected in Processing and converted to MIDI messages, mapped to oscillator controls in Ableton live.
Experiment from 2015. A year prior I was researching mapping brain wave activity with an EEG headset
