Museo Camera X Goa Open Arts: Prabhakar Duwarah
Prabhakar Duwarah’s Homing reflects on movement, displacement, and the search for belonging. Emerging from repeated shifts in living spaces and shaped by literary influences, the series traces an ongoing attempt to make and remake a sense of home. His photographs hold fragments of this process, where memory, space, and survival quietly intersect.
Works part of What Remains, on view till 26th April.
What Remains is a travelling exhibition by Goa Open Arts in collaboration with Museo Camera.
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Timings: 11:00 am – 7:00 pm (Tuesday to Sunday; closed on Mondays)
Venue:� Museo Camera� Centre for the Photographic Arts� Gurugram
Prabhakar Duwarah reports on the conversation between Ahmed Alaqra and yasmine eid-sabbagh, titled “When the World Is Blind—Images by Palestinians,” held as part of PhotoKTM6.
The discussion reflects on Alaqra’s ongoing project Between Us, A Thread and what it means for Palestinians to make images in the present moment, two years into the Israeli state’s ongoing genocide of the Palestinian people.
You can read this essay on the app as well as the website. Link in bio!
Images courtesy of Prabhakar Duwarah and Samagra Shah.
The editorial work at ASAP | art is supported by The Alkazi Foundation for the Arts.
Keywords: Resistance, Personal Narratives, New Media,
#asap #asapart #alkazifoundation
Currently on view at PhotoKTM6, Humo, Semilla, Raíz (Fume, Root, Seed), Tanvi Mishra’s curation of Ecuadorian artist Isadora Romero’s work, offers a specific manifestation of how practices from the Global South converse with one another.
In the second part of this conversation, Romero and Mishra discuss how the exhibition and the book take different forms, reflecting Romero’s research and personal journey.
You can read the interview on the app as well as the website. Link in bio!
The editorial work at ASAP | art is supported by The Alkazi Foundation for the Arts.
Installation view of Isadora Romero's Humo, Semilla, Raíz at the Nepal Art Council. (Kathmandu, 2025. Image courtesy of Rojan Shrestha.); Installation view of Humo, Semilla, Raíz by Isadora Romero. (Neimënster, Luxembourg. 2025. Image courtesy of the artist.)
#Ecology #Personal Narratives #New Media #Installation Art #Analogue #asap #asapart #alkazifoundation
Isadora Romero’s Humo, Semilla, Raíz (Fume, Root, Seed) reflects on the cultural, political and social consequences of monoculture farming across Latin America. Currently on view at PhotoKTM6 and curated by Tanvi Mishra, the project foregrounds the ecological crisis and the erosion of ancestral memory within indigenous communities.
In the first part of this edited conversation, Romero and Mishra discuss how the work opens up a different lens for confronting the ecological consequences of neoliberalism.
You can read the interview on the app as well as the website. Link in bio!
The editorial work at ASAP | art is supported by The Alkazi Foundation for the Arts.
Zulma Vega (Nazuni) in her garden. (Isadora Romero. Paraguay, 2018. From Humo, Semilla, Raíz. Image courtesy of the artist.); Palette of anthotypes made with the juice of the different plants and vegetables that are harvested in the community of Camuendo Chico, Imbabura-Ecuador. (Isadora Romero. Ecuador, 2020. From Humo, Semilla, Raíz. Image courtesy of the artist.)
#Ecology #Personal Narratives #New Media #Installation_Art #Analogue #asap #asapart #alkazifoundation
