@polyeste Nikola Knezevic Instagram profile, stories

Church candle on an industrial robotic arm, designed for by Florentina Holzinger, 2024

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Church candle on an industrial robotic arm, designed for 𝘚𝘈𝘕𝘊𝘛𝘈 by Florentina Holzinger, 2024

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1 year ago

Dining table for 5 people with a rotating mustard sun designed by me for the performance (2023) by Maria Metsalu @dotasita

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𝘔𝘶𝘴𝘵𝘢𝘳𝘥 𝘚𝘶𝘯 𝘛𝘢𝘣𝘭𝘦 Dining table for 5 people with a rotating mustard sun designed by me for the performance 𝘒𝘶𝘭𝘵𝘶𝘶𝘳 (2023) by Maria Metsalu @dotasita

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2 years ago

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Étude For Church Choreography, Concept, Direction: Florentina Holzinger Scenery, Concept: Nikola Knežević @polyeste Performers: Sophie Duncan, Luna Duran, Fibi Eyewalker, Lucy Fire, Florentina Holzinger, Annina Machaz, Xana Novais, Bärbel Schwarz, Veronica Thompson Composition and Sound Design: Stefan Schneider Bell Arrangement: Almut Lustig Conductor: Sibylle Fischer Piercer: Philippa Downey Technical Direction: Stephan Werner Stage Support: Camilla Smolders, Daniela Kuich Rigging / Operator: Dörte Wilfroth Stunt and Rigging Coordination: Alexander Kusmak, Florian Christoph / Gravity Stunts Stunt Supervisor: Ronny Horning / Gravity Stunts Stunt Advisor: Joe Tödtling / Stunt Factory Research: Florentina Holzinger, Renée Copraij, Nikola Knežević Production: neon lobster / Giulia Messia, Sarah Parolin, Katharina Wallisch, Tammo Walter Atonal 2023, Berlin Photo by Mayra Wallraff

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2 years ago

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Nikola Knežević ist nominiert für das Bühnenbild zu »SANCTA« – einer Produktion von @floholzinger /Spirit, @neonlobster_ , dem @mecklenburgischesstaatstheater und der @staatsoperstuttgart in Koproduktion mit den @wienerfestwochen und der @volksbuehne_berlin , in Kooperation mit der @komischeoperberlin , Opera Ballet Vlaanderen, @julidans_amsterdam und @theaterrotterdam . 🙌 📸: Nikola Knežević @polyeste © Fotoshoot Rotterdam / Aneta Chocholak #DerFaust2025 #Nominierte #Raum #Bühnenbild

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6 months ago

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My first architectural project, made during my studies: a design for an “InternetCafé/Bookstore” located in Karađorđev Park, Belgrade 😄. Early 2000s, obviously. I still really like the collage; it combines a photocopied image from a wall calendar, red sandpaper, smoky transparent foil, tiny people scanned from photo documentation of The Brasserie project by Diller and Scofidio, a scanned handmade drawing, and a little figure of my brother Dušan in the last slide.

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6 months ago