Lucy Robsonâs âYou Know I Still Believe in Heaven After All Thisâ 2025 suspends the viewer in a moment of intimate reflection . Her subjectâs cool, sea-glass gaze meets us with a quiet defiance, as if guarding a private afterlife of memory and desire. Robsonâs surfacesâsilky, and meticulously glazed explore emotional thresholds: vulnerability rendered as armour, and beauty as a site of self-possession rather than display. In this work, the figure doesnât seek approval; she asserts inner world. The promise of âheavenâ becomes less celestial than psychologicalâan unbroken place within. Robsonâs most recent show with
@pm______am in September was titled âThe Rest was yet to get meâ
