Oder restored. In the autumn, I’ll build a grid frame for more efficient timber storage in the hayloft. Now it’s time to apply energy and dial back the outa control entropy in the studio!
So I got back from Julio’s and this was on my doorstep. I ordered a fresh copy because all the copies I lent to friends never came back. So I’ll be up half the night reading it yet again. It’s just a sensational book about a sensational artist.
Now that the preservation shop is well on its way, Saturday morning I will make an assault on the beggar’s lice, wild lettuce, mustang grapes, briars, trumpet creeper and cat’s claw. Battle time. 👨🏭
Would anyone like lots of wood scraps? Maybe all of you “makers” who “craft” charcuterie boards out of 2x4s? I haven’t done a deep clean and re-organization of the preservation shop since I finished rebuilding the Compound’s entire external envelope. So this has been a 3-day effort. (One more day to go, unless I get a second wind tonight.)
Found suitable heavy duty screws and countersinking bits. The 2” x 2” poplar ledgers need to be mounted to the 1/2” sheet rock and the 2” x4” blocking behind. There will be steel angles mounted to the ledgers so I have to be careful about spacing so the sets of screws don’t interfere with each other.
The New York Times published a digital edition of remarkable testament to Donlyn Lyndom. Penelope Green wrote the piece. Evidently, it will be published in the print edition in the coming days too.
#mltw, #thesearanch, #thesearanchlodge, #theplaceofhouses, #twentyfiveyearaward, @nytimes , @penelopegreen1
Starting with the mud. Since I saw this at the Triennale di Milano, I’m wondering if we should just keep Charles’ study this way and call it Post-Post Koolhaas? 😳😂💁♂️ @triennalemilano
