Happy to be showing this painting with @meganmulrooneygallery@newartdealers this week, booth C10 🤍
Young Girls at the Window
30 x 40”
76 x 102 cm
oil on linen
All we need is a pear of heels…
Getting ready for Friends Fair @friendsfair.art in Austin with @piperbangs
The Friends Fair in Austin will host its second edition, with an opening preview on May 7, with public days on May 8–9. Returning to the Loren Hotel Austin, the fair has also increased the number of exhibitors from 10 to 17, and it will take over an entire floor within the Loren.
We can’t wait!
#piperbangs #meganmulrooneygallery #friendsfair
Another wonderful residency comes to an end. Piper was brave this winter in NYC- a few snowstorms didn’t slow her down. She spent her time running around the city, visiting museums and galleries, did some studio visits with other Brooklyn artist as well. She was also painting up a storm in the MAF studio!
Piper, we already miss you and can’t wait to see you back in New York again very soon.
@piperbangs@meganmulrooneygallery
#mackartfoundation #artistresidency #nycart #artistcommunity
After an incredibly challenging selection process, we are proud to introduce the Mack Art Foundation 2026 Residency Artists:
Piper Bangs
Maia Regis
Bobbie Essers
Andrew Moncrief
Nina Rimer
Choosing this group was not easy- there was so much strong work to consider. Thank you to everyone who applied and shared their practice with us.
For those who didn’t make it this round: We are expanding with additional studio space this spring and will continue reviewing your applications on a rolling basis throughout the year.
Excited for what’s ahead. More soon!
@piperbangs@maia_regis@bobbiessers@an_drew_moncrief@ninarimer@katarinaswanstrom@lizmunsell@artmuseny@rashidjohnson@kaws
#MackArtFoundation #ArtistResidency #MAFResidency #ContemporaryArt #EmergingArtists NYCArt BrooklynArt ArtistSupport ArtCommunity ArtInProcess ArtistsToWatch StudioPractice ArtFoundation
Piper Bangs is an American painter based in Los Angeles whose work unfolds like a theatrical scene built around stage, actors, and light. Through supple brushwork, layered space, and sensually charged objects, she constructs compositions where the “mask” becomes a central metaphor, not to hide, but to reveal what emerges as perception slowly shifts. Grounded in a deep study of 19th-century academic painting, Rococo ornamentation, and the luminous structures of the Dutch Golden Age, Bangs merges historical technique with reflections on contemporary life and personal experience. Her paintings move between humor and gravity, stillness and motion using thick impasto, sculptural strokes, and recurring motifs like the pear to explore the body, desire, and the tension between surface and meaning. @piperbangs
Photo credit: @reid.calvert@halliegluk
#PiperBangs #ContemporaryArt #MatterArthouse #미술 #현대미술 #전시 #갤러리
Piper Bangs | Artist Focus | pt. 1
Q. What was your first encounter with art?
A. The art I first remember being hooked on was cropped details of paintings by Lawrence Alma-Tadema, John Singer Sargent, and a handful of Spanish and Dutch painters on Tumblr as a young teenager. Finding the paintings there made them feel more accessible to me, and I started seeking them out in museums. It sparked my interest in learning classical painting.
Q. How did you find your artistic path? What contributed to your current style/characteristics?
A. I found my artistic path by navigating young adulthood and womanhood alongside my studies in art history. During that transitory phase, I wanted to (and continue to want to) develop a visual language for my own experiences, something that could hold both personal immediacy and historical resonance. My current work takes off from an anecdote about Renoir, who once said he wanted to paint women like beautiful fruit. I found that both humorous and telling, and it became a point of departure. The series allows me to critique the art historical male gaze while also experimenting with play, humour, and anthropomorphism. At the same time, it lets me bring forward the more classically grounded techniques I trained in, such as still-life painting, while pushing them into a more imaginative, critical register.
Piper Bangs|Masks Fall Gently
On view until 03 January 2026
HdM Gallery, Square Room
The exhibition is presented in collaboration with Megan Mulrooney Gallery and with special thanks to Melanie Lum.