“Surfaces as Communicative Einrichtung” with works by Jakob Forster (
@jllforster ), Giulietta Ockenfuß (
@g1u_o ), Daniel Giles (
@d_a_giles ), Marta Riniker-Radich (
@martarinikerradich ) and Philipp Schwalb (
@philippschwalb )
Open daily: 1 November–2 December 2025.
Painting and drawing appear here as activatable structures of memory – akin to furniture. Five sample chapters trace inscriptions, ambivalences and dialogues across surfaces: worn realities; contrast and discard as ornament; layered histories; strata and misleading apertures; accretions of time and psyche.
Finissage: Tuesday 2 December 2025, 6 pm – Mnemosyne.Atlas.Läb #33 × AdBK München (
@sabine.v.weingartner &
@philosophie_adbkmuenchen )
“Matrix” with Merve Kılıçer (
@mervekilicerstudio )
1: Installation view, “Surfaces as Communicative Einrichtung”, 2025.
2: Philipp Schwalb, 2025, “Surfaces: Schwester_Daughter / day and night Maas reflections”, acrylic, gouache and oil on canvas, 60 × 60 cm.
3: Daniel Giles, 2024, “Griekse Ornament (1)”, glazed stoneware, diameter 55 cm.
4: Marta Riniker-Radich, 2025, “Bonds”, pencil on paper, 32.5 × 22.5 cm.
5: Giulietta Ockenfuß, 2025, “Politik des Privaten”, acrylic and found objects on canvas, 35 × 80 cm.
6: Daniel Giles, 2025, “Untitled”, modelling paste, acrylic paint and black gesso on primed canvas, diameter 55 cm.
7: Jakob Forster, 2024, “Don’t kiss me I’m in training”, hide glue, champagne chalk, paper, adhesive, gilder’s size, gold leaf, silver leaf, wood, 70 × 35 × 148.5 cm.
8: Jakob Forster, 2025, “gilder’s pillow”, paper, cardboard, glue, nails, wood, 15 × 27.5 × 1.3 cm.
9: Marta Riniker-Radich, 2025, “Bonds”, coloured pencil, pencil, wax crayon and pigment powder on paper, 36.5 × 55 cm.
10: Giulietta Ockenfuß, 2025, “in private”, acrylic, found objects and lipstick on canvas, 30.5 × 60 cm.
11: Philipp Schwalb, 2025, “Surfaces: Mutter_Mother / Geburt im Printemps while playing Kaiawase”, acrylic, gouache and oil on fabric, 70 × 70 cm.
12: Installation view, “Surfaces as Communicative Einrichtung”, 2025.
📸: Julian Arayapong (
@fortschrittdurchregression )