Peter Mccaughey

@petermccaughey

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Weeks posts
Our Custodian, @sorchadallas , was deeply honoured to write the obituary for sculptor and educator David Harding in @guardian Harding believed art should exist in the same conditions as everyday life — “standing in the same weather as everyone else.” As town artist for Glenrothes in the late 1960s and 70s, he embedded sculpture directly into the fabric of the town: underpasses, bus stops and housing schemes. Working alongside planners and using the same concrete and brick as the surrounding streets, his work wasn’t decoration but a statement — that public space could hold memory, poetry and dissent. He later brought these ideas to the environmental art department at Glasgow School of Art, where he encouraged students to move beyond the studio and engage with institutions, communities and landscapes as collaborators. With deepest thanks to David’s family - Donald and Ben Harding, Peter McCaughey @petermccaughey , Lizzy O’Brien and Ross Birrell for their support in writing the piece. Now online — link in bio. #davidharding #alasdairgray #thealasdairgrayarchive
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2 months ago
Glasgow has lost one of its true radical champions today — David Harding. This photo was taken a few years ago when David visited us, thanks to Lizzy and @petermccaughey for making it happen. He was a much-loved regular at our annual Gray Day and will be deeply missed this year. David was a generous supporter of our Custodian @sorchadallas and knew Alasdair well from their overlapping days — Gray at The Glasgow School of Art @gsa_sea , Harding at Edinburgh College of Art. When he visited, he fondly recalled the rowdy central belt meet-ups between the two schools. Their paths crossed often. In 1985, David became Head of Gray’s former department at The Glasgow School of Art, now known as Sculpture & Environmental Art. Gray’s training in mural making and stained glass at GSA fostered a temporal approach to practice — works unfolding and reforming across decades. That department evolved into Environmental Art, shaped decisively by Harding’s vision. Through his leadership, the ethos “context is half the work” influenced generations. It’s a principle that resonates strongly with Gray’s lifelong commitment to repairing Glasgow’s overlooked histories. David was also a tireless advocate for others, using his position at GSA to support and shape countless artists and creative lives across the city. Born in Leith in 1937, David studied at Edinburgh College of Art before attending Moray House College of Education. After teaching in Scotland and Nigeria, he returned home determined to work as an artist. From 1968–1978 he served as town artist for Glenrothes, embedding art into the fabric of everyday life. Later, he lectured at Dartington College of Arts before returning to GSA in 1985 to lead Environmental Art, retiring in 2001. David believed art belonged in the world — in its streets, its schools, its housing schemes, its conversations. His influence is woven through Glasgow and far beyond. We are grateful for his generosity, his radicalism, and his care. He will be so deeply missed. #davidharding #alasdairgray #contextishalfthework
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2 months ago
So good to catch up with just a few of the students teachers and friends who have helped our fundraiser party and film become more visible in March ❤️and great @waveparticleglasgow working such inspirational models ❤️
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7 months ago
Happy St. Patrick’s one and all
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1 year ago
#IPSS #Caen #WorkshopWeek #ésam 27-31/01/25
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1 year ago
2nd march 2024
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2 years ago
ABOUT THE ARTISTS AT DUSK23 Peter McCaughey, (b. 1964, Ireland), is an artist based in Glasgow, who has exhibited and lectured in the UK, Switzerland, Germany, Portugal, Finland, Norway, Belgium, Serbia- Montenegro, the Czech Republic and Australia. He is the Lead Artist and Director of WAVEparticle, an award-winning, artist-led art organisation he set up in 2006, to support and direct a team approach to large urban regeneration arts projects, public art commissions and various levels of consultation and engagement. WAVEparticle produces events, processes and objects focused on re-thinking the relation of art to urbanism. He is Vice Chair of the Board of WASPS Artists Studio and co-organiser of Cultural Hijack. He is a senior lecturer in the Sculpture and Environmental Art Department of the Glasgow School of Art, lecturing on Mapping Strategies and Public Art Practice. Peter was invited by the Scottish Government to curate The Happenstance Scotland's contribution at La Biennale di Venezia’s 2018 International Architecture Exhibition, in partnership with Architecture and Design Scotland, Creative Scotland, the British Council Scotland and Year of Young People.  🪨 Peter McCaughey presented his artwork titled HIDE, 2023, at the DUSK Contemporary Art Festival. The piece is a collage documentation featuring three artworks by the International Peripatetic Sculptor Society (IPSS). These artworks adhere to a common principle centred around the concept of Stone. No Stone. Leave. Unturned. Through McCaughey's collage format, the viewer is invited to delve into the intricate details and narratives embedded within the artworks, engaging with the notion of uncovering hidden truths and unearthing the unconventional in the realm of sculpture. 🪨© All images are courtesy of the artist. www.duskfestival.art #dusk #duskcontemporaryartfestival #PeterMcCaughey #performance#artist #night #festival #art #stones #megalitic #hinterland #liveperformace #video #photo #stones #newspaper #dyi #mindelo #lgbt #solstice #nunosacramento #inesvalle #alentejo #montadodofreixodomeio #dgartes #portugal
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2 years ago
Happy Father’s Day dads and sons and extended families
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2 years ago
COP26_Polebender Photographer (Under duress) Lizzy O'Brien
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4 years ago
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5 years ago
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5 years ago
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5 years ago