Five years of shorts! The ticking clock - that’s the real horror. I finally put together the ol’ vertical “business card,” and it feels like a good time to express some gratitude.
A huge thank you to the long-term collaborators who helped shape these films @ani.priyo@lilabelle_darvall@ruben_defran@yyuepan - your creativity, patience, and professionalism took these projects to the next level.
And to the Save The Howard club - Ameya, @bla.ale@sam.dugan.31@auntiebeave@notawheaten@saraooor - thank you for the years of advice and support. I genuinely couldn’t have come this far without you.
There are many more folks to thank, but that’ll have to wait until I switch into the dreaded code-mode and get some more films up.
#australianfilm #indiehorror
#PIROUETTEFILM SCREENING TODAY AT MONSTERFEST! BUY NOW OR ELSE I DIE! LINK IN BIO! Suuper glad we got the chance to properly appreciate the @angellistaliuu 5.1 mix & the cello is awwwn point - For any folk who saw #pirouettefilm with Vicious Fun, we hope it was loud enough for you, we decided to boost the overall mix because the technical manager at Nova suggested that because it is a horror film, and we really wanted that intensity to come through we should definitely boost. It's a common thing for directors to do, for example, apparently they had to Turn Tenent down because it was so intense! But it absolutely makes sense when I think about when I saw something like Inception or drag me to hell. I don't even want to think about theatre architecture & the varying sound systems.... now I'm thinking about theatre architecture and varying sound systems #turnitto11 #gotosleepete
