Frank Sinatra, for all his talents, was not much of a songwriter. Across a seven-decade run and nearly 1,000 recordings, he racked up co-writing credit on only seven songs. That’s not a knock on Ol’ Blue Eyes. Sinatra wasn’t built to draft lyrics or fuss over chord changes. He was, first and foremost, an interpreter—the kind who could borrow a song and return it sounding unmistakably Sinatra.
He also had a knack for spotting kindred craftsmen. So when he wanted a home in Beverly Hills, he went to Paul R. Williams—who did for architecture what Sinatra did for song. What set Williams apart was not a single signature style but a capacious design empathy. He could read between a client’s words, then give their preferences a clear architectural grammar. The result felt current without being trendy, personal without being precious, and tailored to both the person and the site. Williams moved from private houses to schools, hotels, civic buildings and churches, shifting styles with ease—Spanish Colonial, Tudor, Regency, Modernist… even a brief Googie moment.
One crystallization of signature Williams talent sits above Pasadena’s treetops at 200 Fern Drive in the tucked-away neighborhood of Alta San Rafael.
The property’s stature isn’t just a matter of taste, either. In 2018, the City of Pasadena granted the home designated-monument status, citing exceptional representation of its style, as well as regional significance. The home is also covered by the Mills Act, which offers meaningful property-tax savings in exchange for preserving the residence’s historic character.
From the start, the home was never going to be modest, thanks to the built-in momentum of a promising pairing: an architect with a reputation for lavish detail, and a client with the means and appetite to let the idea go all the way.
All of it comes wrapped in a confident command of Mediterranean Revival.
Read more at the link in bio
200 Fern Dr, Pasadena
Represented by Patrick Fogarty
@patrickwfogarty
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@lawrencefitzsimonstudio
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