TWKL is an instrumental project exploring the vast space between silence and noise. Drawing from the textures of post-rock, the depth of ambient music, and the raw energy of experimental soundscapes, each track is created as an open canvas allowing listeners to fill it with their own stories, memories, and unspoken feelings.
Influenced by urban isolation, the suffocating weight of modern life, and quiet moments that words often fail to capture, TWKL translates emotion into sound. Every composition begins in simplicity, a slow-building reverb, before gradually unfolding into massive, immersive walls of sound that feel both devastating and deeply cathartic.
Watch the full session through the link in bio.
#PARA #PARASession #TWKL
“A saxophone can express my thoughts better than words.” — @gabrielle_internalobject
In this quick interview, Internal Object talks about reconnecting with the saxophone through noise and ambient music, using it as a second voice to channel thoughts, tension, drones, and chaos beyond language.
#PARA #InternalObject
Internal Object is a London-based acoustic-electronic noise artist working with alto saxophone, spoken vocals, samplers, and DIY synths. With a background in cognitive neuroscience, Internal Object pushes for psychological unease and howling dread.
In this set, clinical mental health assessments are read aloud while the saxophone finds its voice through the torment harsh noise wall to represent the frustration of information gatekeeping doctors and a society with empathy-fatigue.
Alongside solo work, Internal Object is also the vocalist of the hardcore punk band Rotten Luck (EP available on Bandcamp), and organiser of DIY music events.
Watch the full session through the link in bio.
#PARA #PARASession #InternalObject
Xhabarabot Voice Machines (XVM) is a series of web-based interfaces developed by @rshabara Rully Shabara as part of a practice-based research exploring music culture in the post-AI era.
Initially rooted in the exploration of his own personal vocal data, the project has evolved into an interactive platform for sample processing and live performance. XVM exists in multiple forms—ranging from sequencers to interfaces that respond to audio or visual input.
Rather than following conventional digital instrument logic, this approach leans toward a more improvisational, intuitive, and non-linear way of interaction.
For his solo live performance using XVM at PARA Studio, he also incorporates live vocals processed through delay and reverb effects.
Watch the full session through the link in our bio.
#PARA #PARASession #RullyShabara #Xhabarabot #XVM
Alkahfa is an electronic musician raised in Tanjungsari, now based in Bandung, Indonesia. His work explores the boundaries of experimental electronic music, particularly focusing on the fusion of synthetic textures and the kinetic energy of contemporary club dance. Deeply inspired by complex rhythmic patterns, his sonic palette often blends polyrhythmic structures with cultural motifs that reflect his roots and artistic curiosity.
In addition to his solo practice, Alkahfa is actively involved in the underground electronic music scene. He is a member of @ruangbavr , a DJ collective that supports and cultivates alternative electronic expressions through events, collaborative projects, and community-driven initiatives.
In 2025, Alkahfa released four singles: DENGUNG, UNCUT, Body.exe, and Crash Sequence. His latest release, Crash Sequence, is part of a compilation curated by @clight___ C-Light Record Label (Italy).
Watch the full session through the link in our bio.
#PARA #PARASession #ALKAHFA
FUZZTAP is a visual artist and musician based in Bandung, Indonesia. He began his experimental electronic music project in 2020, with a practice centered on structured improvisation that draws from everyday experiences as a source of sonic material. He actively organizes the local electronic music event Musterschaden and is also part of a band project called Murja.
His exploration of sound through electronic hardware and stompbox pedals serves as a medium for expressing emotion, anxiety, and ego. By combining polyrhythmic structures, primitive and tribal elements, ambient textures, evolving soundscapes, and spontaneity, his work navigates the space between composition and improvisation.
Watch the full session through the link in our bio.
#PARA #PARASession #FUZZTAP
The word PURGE is taken from the name of one of the magnum opus albums by the British proto-industrial metal band Godflesh. PURGE was chosen as a nickname for an experimental music project that incorporates many elements of Power Electronics, Industrial, Harsh Noise Wall, and Drone. PURGE’s musical experiments are heavily influenced by Prurient, Deathpile, Vomir, Bastard Noise, and Yamataka EYE.
Using several samples of chaos, industrial machine repetition, and even shrill feedback, each of their works attempts to create a kind of sonic chaos. This experimental project began in 2023 and continues to this day. PURGE actively organizes noise-experimental gigs with @bandungnullemergence in their city. In addition to producing music, PURGE also manages an alternative media and distribution label: @riseabove_mediaa .
Watch the full session through the link in our bio.
#PARA #PARASession #PURGE
NEKO.EA B2B CTP
Neko.ea is an Indonesian-born, Melbourne-based artist whose performances are celebrated for their hypnotic flow and intense emotional resonance, transmitting her presence straight to the dancefloor. Her sound draws inspiration from classic forms while pushing into futuristic territory, shifting across styles guided not by genre boundaries but by a deep, immersive energy.
CTP is an Melbourne-based mixing engineer recognized for work with artists such as Hame DJ, Jada Weazel, Gruuel, and others. They collectively run a label known as @ethereal_distribution .
Watch it all via the link on bio.
#PARA #PARASession #nekoea #CTP
Taipei and Bandung-based alternative electronic music duo Sundialll @sundialll_sundialll is performing “Dyeying,” rooted in Eckhart Tolle’s “The Power of Now,” reflecting the body’s journey from suffering to recovery. The title itself intertwines three layers of meaning: 🔹 Dying – The transient nature of pain, Dye – The imprint of experience, Yiying (嚶嚶) – The resonance of nature’s 🔹🔹 symphony.
In early year of 2025, they released HUB, a live improvisational album by the labels WV Sorcerer (FR/CN) and Yes No Wave (ID); Single track Ding Dong Ting 聽口嚼, self-released through Sundialll digital streaming platforms, part of Dreamscreen/Dreamscream exhibition at Seoul’s Leeum Museum (KR). Original track of Dyeying is released by the labels Tradisi Records (ID/UK), as the latest collaborative piece for Etudans Vol 2: P.A.I.N-B.O.D.Y., a co-creative learning space by NAMARINA. This work emerged from a 10-day intra-art residency with choreographer Mimi Korompis and five dancers, exploring the transformative connection between pain and resilience.
Watch it all via the link in bio.
Audio Reactive Visuals by @denarpraba@termsect_
Audio Mastering by @thepandoralabs
#PARA #PARASession #Sundialll
We would like to thank to everyone who came to support and dance till dawn. The morbid and essential moments will always in our head and heart, until not sure when we’ll be able to put on another event.
Lets just keep up the good vibes, forever! 🤙🏽
All photos and documentations by: @_indrasidharta (Indra Sidharta) & @darkofmoist_ (Prita M)
#blackonyonsociety #kapehood #kapehoodconnection #DPM #deadlettersperminute
