Crossreading, monotony is nice
Walter & Nicole Leblanc Foundation, Brussels
What the archive makes possible. The archive tends toward order. Documents are preserved in boxes and albums, chronologically or by subject. Someone, at some point, decided to keep them, others were lost along the way. Archiving and destroying walk side by side. The archive is what remains. The archive exists only when it is activated, when it is looked at, when it is listened to. But when this happens, it wavers, the act of looking disrupts it. We see only what we sense, what intrigues us, or what we are capable of deciphering. I like to visit an archive as one strolls through a flea market, without looking for anything specific, attentive to the possible. Everything is displayed and hidden at the same time.
While reviewing the archive, I paused at Walter Leblanc’s participation in the pioneering exhibition Serielle Formationen, organized by Paul Maenz and Peter Roehr in May 1967 at the Studio Gallery in the Student House of Goethe University in Frankfurt. The exhibition emphasized the exploration of seriality in art, featuring conceptual art, minimalism, pop art, op art, and works from the ZERO movement.
Using Walter Leblanc’s archive as the starting point for the exhibition, the intervention consists of bringing together three artists who participated in Serielle Formationen: Charlotte Posenenske, Peter Roehr, and Walter Leblanc. I accompany them. A shared dialogue about repetition, monotony, and rhythm. Charlotte Posenenske and Peter Roehr were good friends. It always seems like a good occasion to me to celebrate friendship among artists.
The time spent in the archive has allowed me to get closer to Walter and Nicole Leblanc: their modus operandi, their relationships with other artists, their motivations, their negotiations, their transactions, their dreams, and their legacy. All of this has helped me understand the work better.
OV
Courtesy of the Estates of Charlotte Posenenkse (Frankfurt am Main/ Berlin) and Peter Roehr (Berlin)and Mehdi Chouakri, Berlin
Photos: Mina Albespy
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