Before your next release:
make sure your metadata is as clean as your mix.
Because platforms forgive bad songs faster than bad delivery data.
Share this with an indie artist that needs to hear it.
One wrong piece of artist infrastructure can slow down everything.
And most people don’t know it until something breaks.
What do you wish someone explained sooner?
Every fake stream changes the math.
Because royalties are paid from a shared pool, artificial activity can dilute payouts for real artists.
That means fraud doesn’t just create noise… It can take value away from honest music.
TS9 helps us catch risk early and stop fraud before it spreads.
Tag an artist or manager who needs to know this.
It’s not about being pro or anti ai. It’s here. It’s not going anywhere. It’s about how you create new standards and workflows to bring ethics and compensation to the table. That’s why we built OMG inside of Once. Try it today. Distribute today. Rout the money back to artists. Simple. Sort of…
Right now, anyone can generate a song on Suno, download it, and upload it to DistroKid or TuneCore with zero disclosure. No money goes back to artists. No tracking. No transparency. No one even knows it happened until the song pops up on their playlist two weeks later.
@onceforcreators is the first distribution platform to natively generate AI music and prioritize distribution to official stores.
Suno and Udio generate music but can’t get it on Spotify.
DistroKid and TuneCore distribute music but don’t generate it (and don’t properly track AI provenance, at all).
We do both, under one roof, with a complete chain of custody from the moment someone types a prompt to the moment the track goes live on streaming platforms.
https://www.once.app/blog/once-ai-music-why-its-good-for-us
You can’t put your foot down and stop “the computer”.
You can create standards, transparency, fairness, and new workflows. That’s what we are doing. Create with OMG. Upload Once. Pay real artists.
