ominouswooshing dot com : a website you can go to, with two pictures of me and a sampling of some of the work I’ve done over the last few years. Send it to a neighbor or enemy #professional #thankyou
Wrote about @gisela_colon_ ‘s La Montaña, El Monolito at @museomacpr for the May @brooklynrail (link in bio and in print!) - “I’ve never discovered an ancient monument so outside my understanding as to be obviously sacred, but I have to imagine this is what it feels like—a profound inscrutability you have to force yourself to look away from as you picture this monolith existing one thousand years before and one thousand years after you. Time makes ancient aliens of us all. At the opening, I watched visitors walk in locked rotations around [Projectile Monolith Iridium (12 Foot Circular Monolith Iridium), (2017)]; on a crowded day that might look like a ritual.”
#art #thankyou
Wrote about @elizabethhazan ’s Double Fantasy up at @hesse_flatow thru the 14th for @brooklynrail (link in bio!) - “Double Fantasy, Elizabeth Hazan’s second solo show with HESSE FLATOW, takes its title both from Hazan’s doubling (an improvisational tendency: these paintings start from spontaneous ink and watercolor sketches, giving them a certain looping rhythm) and from the final John Lennon/Yoko Ono album of the same name, released in 1980. If that album conveyed intimacy and reconciliation through collaboration and reflection, here Hazan’s thirteen vivid abstracts use the hazy, refracting nature of memory and dreams to convey the sacred, interconnected, and confounding nature of life itself.” #art #thankyou
Wrote about GIVE ME TWO curated by @marcusjahmal & @giorgialliatadimontereale at @antonkerngallery for @brooklynrail (link in bio!) - “The intended effect is musical, like a streaming playlist that leapfrogs from Chuck Berry to Nettspend and back again. The result is closer to the productive radical chaos of a one-day festival, where rhythm and melody ultimately foreground communal action and splendor, making way for new modes of free association that couldn’t have existed if not for the pairings at hand.” #art #thankyou
Wrote about @tina_braegger ‘s The Dream Relatives at @meredithrosengallery for the Dec-Jan @brooklynrail (link in bio!) - “Braegger takes her bears to arresting new heights, dancing all over the lines between appropriation and first-principles improvisation with a tenderness that’s as cryptically enveloping as it is joyfully immediate.” #art #thankyou
Also in this month’s @brooklynrail , I wrote about @claregrill ’s spellbinding & transportive Parlance at @derekellergallery (link in bio, and in print!) - “…a near-cinematic spiritual gathering of legitimate dream portals, unstable entrances to living scenes from Grill’s vast internal and temporal world.” #art #thankyou