oLympia

@olympegautier

nyc ◡̈ 🥦🥕🥭🍊🍓🍋🐚📹
Followers
1,152
Following
2,351
Account Insight
Score
26.07%
Index
Health Rate
%
Users Ratio
0:1
Weeks posts
Views of ‘’I am Sophie’s wife’’ this past march at @notthatdeepgallery . A huge merci to @hoaipng & @sadiew1thers for their trust and for their love. Big merci also to my dear @chajacquot & @villagegree.n for being by my side in this adventure <3
103 8
3 days ago
Every time I’m at the beach I can’t help but think of the work of Jenny Calivas. This time, I had to pay tribute and make my own Self Portrait Buried (with a Wig!).
153 20
16 days ago
Collection of 16 t-shirts handmade for ‘’I am Sophie’s Wife’’ show, sold last month at @notthatdeepgallery 🎆
85 10
1 month ago
Come see Sophie appear (or disappear) at @notthatdeepgallery before the show ends this friday (04/10)! Sophie and I getting ready in Las Vegas Hotel Room Sophie and I in front of the Trevi Fountain Sophie and I in Venice 4x6 inches, 2026. Closing reception Friday April 10th 304 evergreen ave Bushwick, Brooklyn @notthatdeepgallery ❤️
123 6
1 month ago
S+O = 4ever! Come #congratulate me for my wedding with Sophie this Friday at @notthatdeepgallery . ‘I am Sophie’s Wife’ Opening reception Friday March 13th, 5-9pm 304 Evergreen Ave Brooklyn, NY 11221
157 10
2 months ago
Not That Deep is proud to present 𝓘 𝓪𝓶 𝓢𝓸𝓹𝓱𝓲𝓮’𝓼 𝓦𝓲𝓯𝓮, Olympe Gautier’s first solo exhibition at the gallery. The opening reception will take place on Friday March 13th, 2026 from 5-9pm. In October 2024, Olympe proposed to Sophie Calle with a letter. “Meet me Sunday October 12, 2025 in front of the Little White Chapel in Las Vegas at noon.” A year later, Olympe flew to Vegas to meet Sophie at the chapel, documenting the process through photography, sound and text. Olympe Gautier I am Sophie’s Wife March 13 - April 3, 2026 Opening Friday, March 13th, 5-9PM 304 Evergreen Ave Brooklyn, NY 11221 Many thanks to @lizzugh for the precious help with the poster.
226 31
2 months ago
Fugue Gallery is pleased to feature Olympe Gautier, whose work is featured in “Future Forward” our current exhibition spotlighting emerging artists exploring new ideas, materials, or art processes.  On view: Feb 12 – Feb 28, 2026. Schedule an appointment to view or see the digital gallery at fuguegallery.com. “My work moves through disguise, experimentation, and play. I gravitate around scientific, technological, and political subjects, often familiar systems of power or belief. I explore these interests with photography, video, and sculptural elements. While photography is usually the most visible, what underlies most of my projects, is my engagement to research, process, and the multiple layers beneath each work.  Image making became a tool for me to operate within the tension of reality and constructed fiction.”
222 20
2 months ago
#live
114 2
3 months ago
En balade
59 3
4 months ago
Marguerite dans mes bras 27 x 22 inches, 2025
189 14
5 months ago
Veni, Vidi, Pipi Spectograms of urine sounds recorded in various public bathrooms across New York City. Digital portraits of myself transformed into three personas based on text generated by an artificial intelligence program. What does it mean for the universal and private act of urinating to be subject to the analysis of an artificial intelligence program? 1. Clara ‘’In the stall, her posture is slightly hunched, showing some discomfort, perhaps from menstrual cramps. […] There’s a quiet resilience in her demeanor, a mix of vulnerability and inner strength…’’ 16 x 24 inches, 2025 2. George ‘’This man carry with him a sense of fatigue, both in his physical actions and in his overall demeanor, as thought the weight of his years and experience has gradually worn him down.’’ 16 x 24 inches, 2025. 3. Ethan ‘’The stream is strong and steady, reflecting his no-nonsense attitude towards life - direct, confident, efficient.’’ 16 x 24 inches, 2025.
225 25
5 months ago
Excerpts from my film “Who Gets to Look, Who Gets to Hide”.  After accessing surveillance cameras and webcams in Miami, I used a mirror to catch and reflect the sun directly into the surveillance camera’s lens, creating a stain on the live footage.  In this film, the intervention is recorded through the lens of the surveillance cameras. Visually, the process of “bounding box annotation” (commonly used in data labelling tasks) is recreated here with green rectangles, serving as reference points for detection. When the light strikes the camera, the detection becomes impossible. The green box disappears, replaced by the sound of Wonder Woman’s transformation from the 1976 series.   Duration - 4’57’’ 2025
169 35
6 months ago