90005
softdrive: “Historic Wilshire Park”
Quality-air-cultured bovine gelatin (+ post-treatment with formaldehyde) with recorded microbial growth endemic to the area zoned as the 90005 zip-code in Los Angeles, California.
Puddle. Water from under the gallery (4478) sink (a puddle), gelatin; formaldehyde. Installed on top of tracing box + podium. Video of the drippy sink (source).
34.03257659309928, -118.33773906153222. Scaled grid of gallery (4478 W Adams Blvd), tracing of map of Santa MonicaFreeway, water from under the Santa Monica Freeway, transfers from each wall of the gallery (north, south, east, west), drawing (in perspective) of gallery front, gelatin, formaldehyde, interleaving paper, charcoal, copper wire, brass nails. Eclipsed.
‘
1. Spoon and Fork—or, CCCounting and the Mouth
(Etched Bronze, Patina, Charcoal, Pigment)
3. Stoned Sips from a Bow(e)l
(Plaster, Bronze Bowl, Hash Oil, Sumi Ink)
4. A Writing Lesson (1)
6. The Tonic and the Clonic
7. À Cage to Grow-Up In
8. Nice Jug
9. Avunculate (“Say Uncle”)
10. Aura [Symptom 0]
Fragments from “Blue Print: Gallery Structure (0)” installed at Reisig and Taylor Contemporary [May 2023].
Addressing this specific location/building, this work formulates an encounter with the latent or repressed forces constructing a gallery-space.
With both day and night exposures, this installation works with minimal and recurring traits of the gallery’s fundamental structures: architectures, writings, readings, histories, topologies, symbols, images, shadows, sounds, gravities, bodies, masks, and symptoms…. Presences and absences.
Preliminary Questions: How to catch a glimpse of the gallery at work on itself, performing itself? Or, how to render passive forms into conscious acts?
‘
Thank you @pe_galleryy for including our work in this exciting experimental show. We are thrilled to be included in this radical group and to take-part in the Summer Program!
If you happen to be in or near Taipei, stop by the gallery—
(A version of our work “Bumps In The Night—or, Doomed To Sleep” is exhibiting.)
‘
埤益 GHOST PIT
PE Gallery Summer Program 2023
July 20 - August 31.
No.5 Lane 129 Daoxiang Rd Beitou Taipei.
Thursday 18:00-22:00 or by appointment.
照片來源 Photo Credit: 曾淳嘉 Tseng Chun-Jia, 『Mom』2020/5
,
Artists:
Reza Afisina
Samantha CC
Die Kette Moabit
Vika Kirchenbauer objet A.D (80)
囍 Shuangxi
曾淳嘉 Tseng Chun-Jia
….
#pegallery #summerprogram
‘
Included in exhibition: “The [LA] Living Room”
Curated by Daniela Soberman at D2 Art
‘
Her Warbling, She Whinnied—or, the Heil of her belt on horseback makes [Hannah Montana] a Hit-ler where the sieg used to be—or, (a) party in the USA
>(After Richter’s Hitler on the back of a deer)
{Charcoal, Oil, and Oil-stick on Paper: 61cm x 45,7cm (24in. x 18in.)
<series: “Her Warbling”>
![‘1. Spoon and Fork—or, CCCounting and the Mouth(Etched Bronze, Patina, Charcoal, Pigment)3. Stoned Sips from a Bow(e)l(Plaster, Bronze Bowl, Hash Oil, Sumi Ink)4. A Writing Lesson (1)6. The Tonic and the Clonic7. À Cage to Grow-Up In8. Nice Jug9. Avunculate (“Say Uncle”)10. Aura [Symptom 0]Fragments from “Blue Print: Gallery Structure (0)” installed at Reisig and Taylor Contemporary [May 2023].Addressing this specific location/building, this work formulates an encounter with the latent or repressed forces constructing a gallery-space.With both day and night exposures, this installation works with minimal and recurring traits of the gallery’s fundamental structures: architectures, writings, readings, histories, topologies, symbols, images, shadows, sounds, gravities, bodies, masks, and symptoms…. Presences and absences.Preliminary Questions: How to catch a glimpse of the gallery at work on itself, performing itself? Or, how to render passive forms into conscious acts?](https://sp1.picnob.com/p/pt_6855476417711959126259_0_5f3e869b48e59ecd695648c54433fc03.jpg?o=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&h=eb8b913c57739eacd5c477aabd102432)
![‘Included in exhibition: “The [LA] Living Room”Curated by Daniela Soberman at D2 Art‘Her Warbling, She Whinnied—or, the Heil of her belt on horseback makes [Hannah Montana] a Hit-ler where the sieg used to be—or, (a) party in the USA>(After Richter’s Hitler on the back of a deer){Charcoal, Oil, and Oil-stick on Paper: 61cm x 45,7cm (24in. x 18in.)](https://sp1.picnob.com/p/pt_6836432171694936494714_0_6a9db27adfecf26114032930ac4ca804.jpg?o=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&h=322bc9e83f9d0b7898a99a1088802198)
