O FUTURE

We in the middle of of #wip around projects and ideas ‘ buried memory treasures’ / ‘ you’re different from your photo ‘NOT A.I but 3D animation and modeling 🌹

Found out we were picked by @berlingske as one of the TOP 10 exhibitions of 2025, inside and outside Denmark. We are alongside such amazing exhibits also picked like @kaariupson at @louisianamuseum and David Hockney (foundation Louis Vuitton @fondationlv )!!!!! Totally feeling CASUAL about this. Extraordinary Thank-you’s to Siri Buric head curator @thorvaldsensmuseum for trusting us so totally and seeing our vision. As well as @clarastruve and @emma_mdml for helping us put together the nuts and bolts of the exhibit and doing wild stuff with ladders, and early mornings. Also wild thanks to Alex Christoffer Rasmussen who worked miracles with all the projectors . ✨Happy New Year

Our choir piece ‘The Weeping Saint Pity’ part of the 2025 exhibition at @nikolajkunsthal in Copenhagen, is finally released for streaming on all platforms and as a choir score book set as SSTB + sounds from the middle class. Any choir can now perform the piece that contemplates life in the middle class. Printed by Eks Skolens trykkeri @eksskolens and bound by bookbinder Klara K (@bogbinderklarak ) The work is supported by The Danish Art Foundation (Statens Kunstfond) @statenskunstfond . Cover and book design by O Future all vocals by O Future.

Our work ‘Water Baby’ played for a week Dec 8-14 at Tokyo’s Shibuya Crossing (the worlds busiest pedestrian crossing) on various large and smaller screens 📺 It really was an amazing way to close out 2025🫠🫠🫠🫠 thanks to @neoshibuyatv for seeing us and having us.🖤💘

【放送期間】12/8-12/14 BGMプロジェクト ☆☆☆ O Future @o_future_ O Future is an international artist group consisting of South African Katherine Mills Rymer and Danish Jens Bjornkjaer.  They create 3D-animated video, music, and sound art and have produced a wide range of audiovisual works and electronic-orchestral releases.  After living and working in New York and Los Angeles, they relocated to Copenhagen in 2023. In 2025 O Future opened the solo exhibition Enter Afterlife at Copenhagen’s distinguished Thorvaldsens Museum. In 2024 they created works for Subjective Art Festival in NYC, The Wrong Biennale in Madrid, video and music for Oslo Nye Teater, music for the US Netflix No. 1 documentary Tell Them You Love Me, and exhibited their 10x5 meter audiovisual 3D work Saint Pity for six months at Copenhagen’s Nikolaj Kunsthal. O Future has worked with Ai Weiwei, Lars Von Trier, among many others.  They have exhibited in Berlin, Paris, New York, Copenhagen, Milan, Tehran,  Los Angeles, Seoul, and have been featured in the New York Times,  The Guardian, Interview Magazine, among others. . NEO SHIBUYA TVがピックアップする最新の音楽を1分間チョイスする企画の第114弾。 . . #neoshibuyatv #渋谷 #shibuya #shibuyacrossing #digitalsignage #billboard

Throughout the last year @pederfromdenmark and myself have worked on an album titled Dual Minor made only with acoustic instrumentation released today. Thanks to @larsvissing and Anders AC Christensen and label @anewstory.music and musichouse @uprightmusiccph Cover photo by OFuture.

4mnths Post Partum ( how?!) some images Jens took at home this morning while I wore our baby which of u know, u know is basically my lifestyle and my personality for the last while😅. Also🌹 Thanks @artipoppe for gifting me 🫠🫠It’s been a beautiful luxury and an absolute must have.

Happy Halloween

Wild to see our work The Weeping Saint Pity and Field Promisies via drone shots and on the sides of buildings don’t get to see that all the time also.. to be part of this @kinomural was superb.wish we could have seen our stuff and all the other insane works in person.🖤. Such a perfect way to view digital work, grand and thick and irl with human eyes in the pre winter. Also special thanks to @bartekbartos for including us💘

Tommorow Oct 4th we showing our WEEPiNG SAINT PITY in Glasgow @fashioninfilmfestival @glasgowfilmtheatre curated by @margarita.louca from central st martins @csm_news as a part of a fashion and film festival. If u there go see🔥🌹🔥

‘Regret Mountain’ one of 3 works of ours included in @xor_space curation Screen Savers For The End of Time🖤 via @objktcom opening 12 September. All work ( visual and sound) made by O Future. Not made in AI or with generative processes ( before anyone asks👌)

Screensavers For The End Of Time Sep 12, 2025 on @objktcom Screensavers for the End of Time confronts the aesthetics of calm, distraction, and pseudo-utility that define the interface of the techno-capitalist society. In this exhibition, digital art becomes a mirror held up not to reality, but to its carefully curated simulation. Through generative simulations of nature, glitch-calming UIs, and auto-playing visualizations that lull rather than confront, this genre of art serves a double function: to soothe and to suppress. It masks the crisis beneath a polished reflective mirror and offers an anesthetic rather than a resisting aesthetic experience. Within this paradigm, “digital nature” emerges as a bold theme. It’s an increasingly commodified art practice in which code mimics the organic to create a hyperreal connection to a nature we are alienated from. By generating trees, fog, waterfalls, and birdsong via procedural algorithms, these works project a false utopia of connection and eco-consciousness, while users remain within feedback loops of consumption and disembodiment. Screensavers for the End of Time confronts the aesthetics of calm, distraction, and pseudo-utility that define the interface of the techno-capitalist society. In this exhibition, digital art becomes a mirror held up not to reality, but to its carefully curated simulation. We invited works that critically inhabit or subvert these aesthetics, ambient systems that collapse, UI metaphors turned inside-out, or generative nature that glitches under stress, to expose the anxiety, dissonance, and entropy beneath the smooth surface of the screen. Rather than celebrating seamlessness, we are interested in the fractures within mediated tranquility, and in digital works that reflect the tension between collective unease and corporate spectacle. By doing so, this exhibition aims to uncover how digital art becomes a screen between us and the world in crisis. Music by @o_future_ Artists: OFuture @o_future_ Eric R. Souther @ericsouther Elhem Younes @elhemyounes Domenico De Simone @domenico.desimone.7587 Karisman @_karisman GALA MIRISSA @gifgalamirissa Henrique Cartaxo @henrique.cartaxo