Twenty-six years after the original release of 666 on Sombre Records, NoEvDia is infinitely proud to present the first and only official vinyl reprint of this work of cruelty and darkness.
Erik Danielsson designed the layout around Timo Ketola’s iconic cover artwork for the 2004 album version, here paired with the ominous death noise of the original MC edition from Harvester Records. The special vinyl master for this album is based on the sole authorised source and was cut by the same studio that handled the original Sombre Records pressing.
The first pressing is virtually sold out from us, but fear not: a reprint will be available in early June. In the meantime, check with your local distributors, such as The Ajna Offensive, High Roller, Amor Fati, His Wounds, Eye and Ear Control, I Hate Records, Urtod Void, Hell’s Headbangers, Into Endless Chaos Records, Salvation Distro, Iron Bonehead, New Era, Crypt of the Wizard, and others.
Coming soon: DomJord – “Morgonglöd: Laus Industria, Cunabula Ardens Exitii - Part I”.
‘If the final collapse is to be man-made, the Industrial Revolution may be deemed the cradle.
This is my attempt at its soundtrack.’ /Daniel Rostén (@daniel_rosten )
Trackslist:
Kol
Eld
Masugn
Rök
Blåsbälg
Stål
“Morgonglöd...” will be released through Vidfare Productions and distributed by NoEvDia. Pre-orders are live at the NoEvDia webshop; CD and vinyl editions available as of March 27.
Artwork by Holy Poison Design (@holypoisondesign ).
We herewith present the song “To Receive the Final Task”, taken from the upcoming album “Infernal Commands”, to be released on End All Life Productions in late May 2026.
Listen via NoEvDia's YouTube channel.
Thy Killing Hand, a faceless Polish duo, wields Black Metal stripped to bone and rust. Their debut full-length, “Infernal Commands”, follows two tape-borne warnings – “Scarlet Ceremonies” (2023) and “Ixaxar” (2024) – and distils those impulses into a heavier, more oppressive form.
The album moves at a stalking pace: dirge-like, mid-tempo malice driven by reaper-sharp guitars, punishing drums, and basslines that sear through the mix like molten ore. Synths drift as funeral vapour; choral howls rise from below. All of it carries the foul breath of dungeon air and the conviction of nonconformists operating beyond any scene or expectation.
No adornment, no polish – only the stench of mould and a curse older than time. This is an invocation of dormant Evil: freshly forged, yet ancient in spirit. Hints of Necromantia, Beherit, and Master’s Hammer flicker through the gloom, but the voice here is unmistakably their own. A debut meant not to entertain, but to contaminate.
December 5 is the release date of Sodality’s new album, “Benediction, Part 2.” Pre-orders are live at the NoEvDia webshop.
Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ's breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “...Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Visuals by Dehn Sora.
#sodality #blackmetal #noevdia
A Celebration of Death
TIMO KETOLA
1975-2020
Reminder: The Paris exhibition takes place on November 1 at Lucid Interval. The doors will be open to the public from 2 to 9 PM.
We expect the book to start shipping upon the conclusion of the European promotional tour around November 3.
Inritvm’s glacial “Ex Nihilo Ad Nihilum” is out today.
Listen now via your preferred streaming platform, and treat yourself to the exquisite CD or LP editions available from NoEvDia’s webshop and select distributors.
#inritvm #blackmetal #noevdia
A Celebration of Death
TIMO KETOLA
1975-2020
Pre-orders from NoEvDia and The Ajna Offensive will open on October 12, with shipping scheduled for early November. The book will also be available for purchase at the exhibitions in Stockholm, Berlin, Rome, and Paris.
We are proud to unveil the first song taken from the debut album “Ex Nihilo Ad Nihilum” by Inritvm.
/watch?v=R4I-L5DtDfc
Bicephalous entity, Inritvm formalised “Ex Nihilo Ad Nihilum” within a collective comprised of individuals active since the ‘90s.
Syht (Haemoth) and Akhaeus (Bael) laid the foundations – both new and deeply rooted in a claimed and embraced heritage – whose embodiment drew upon the contributions of Yhrm (Deviant), Hth (Haemoth), MkM (Antaeus), Aguares (Bael), and Ablass (6666).
What one could describe as resolutely nihilistic Black Metal, fuelled by the layered experiences of its contributors, is based on the cold pronouncement of an undeniable truth: all is vanity; all that exists is doomed to fade into naught.
The entirety of it assumed shape from 2022 through an iterative and decidedly exploratory method – a prolonged process at once guided and of unbounded definition.
If a paradox must needs be forged to articulate that which is not, it is but the stark illustration of impotence, a confession, a confusion.
The inherent contradiction of expressing nothingness has guided the artistic approach embedded within this work. Tangiblyd, the piece aims to represent a form of chaos, emptiness, a descent into the void – delivered through tones and playing built on a ‘traditional’ Black Metal praxis interspersed with noisier passages. The result is a sound both coherent and exploratory, paired with a visual approach by Metastazis that is equally abstract and materially vertiginous.
This is no more about darkness than it is about light. Yet in the void, none can fail to envision the presence of that which corrupts.
Release date: October 3. Pre-orders are live on the NoEvDia webshop!
#inritvm #blackmetal #noevdia
Destruction Ritual’s album “Providence” is now streaming in full on NoEvDia’s YouTube page. CD and LP editions are available for pre-order.
#destructionritual #antaeus #aosoth #necroblood #blackmetal #noevdia
Treha Sektori's “Rejet” is finally available on black vinyl, and comes with a splendid 32-page booklet, size 30x30cm.
Besides serving as an expression in the instinctive language inherent in the Treha Sektori project, ‘rejet’ is French for ‘rejection’.
In the dictionary of corporeal modification, rejection occurs when an impulse leaves the body. As mirrored in the first edition of Treha Sektori in literary format – a book entitled The Sensation of Being one of Them – it assumed the form of a primal emotional state. A quixotic reflection, like a mirage, but still deeply felt. Here, rejection is imbued in the process of shedding flesh and replacing it with armour. Scales that no arrow could ever pierce without being absorbed. A body able to drink unscathed from puddles of purest poison; it is the rejection of the mortal cloak.
“Rejet” is one step further in Treha Sektori’s strife to transcend its own limitations. Each and every medium is linked together. All of the accompanying images are crucial factors for those who wish to understand “Rejet” – vestigial structures of these bodies, and testimonies of their burdens.
Fuelling the choice of the book format on the CD version, was the ironclad will to push ever-onwards – a sentiment deeply echoed in each of these tracks. The tunes themselves provide notation to mental images and help blur the borders between different sensory inputs.
The music morphs from abstract inspirations to percussive pulses: heartbeats and breaths, as if beseeching external energies. The soundscape shows greater compositional confidence than before, ranging from desperate primal screams to the acceptance of wounds and the structured chaos of a trance, with disenchanted voices murmuring in the background. It’s designed to bring you to a place where your feet are stuck in the mud and grime, while your spirit soars freely through the fog.
@trehasektori #trehasektori #noevdia
