Noémi Büchi

still processing @ctmfestival 🙏 :::::: best team: @brigittefaessler @rebeka_mondovics @maurizioborgna @ous.ooo thank you to the whole @ctmfestival and @volksbuehne_berlin team for having me and for having the best time!!

💿 RELEASE ANNOUNCEMENT : @noemibuchi returns to -OUS with her third full length album «Exuvie», scheduled for release on March 13, 2026. Inspired by the dislocated bodies of Francis Bacon, the strange hunger of intimacy, and the texture of silence, Exuvie unfolds like a painting — opening spaces of memory and transformation. The first single «I was almost there» was recently released digitally. The full album will be released as vinyl LP and in digital formats. ->> pre-order vinyl LP via ousooo.bandcamp.com Cover image by @brigittefaessler Graphic design by @lydia.perrot

Merci infiniment @biennaleson what a venue Grand merci à @pablofelley @jeanpaulfelley @structurals_

Two artists radically rethinking contemporary electronic music meet for a double concert on the opening night of @videoex_festival in Zurich: Swiss-French composer and sound artist Noémi Büchi and Italian artist & theorist Lorenzo Senni. @noemibuchi celebrates the release of her new album «Exuvie» with an immersive audiovisual performance exploring memory, transformation and corporeality. @lorenzo_senni — one of the defining voices in contemporary experimental electronic music — presents Canone Infinito Xtended: a hypnotic live work suspended between minimalism and maximal intensity. 📍 21 May 2026 —- OPENING @videoex_festival a Kunstraum Walcheturm, Zürich // ti***s via link@in bio or eve****g A collaboration between @videoex_festival , @ous.ooo and @noisereduction_zurich . supported by @kadmonia www.videoex.ch Animation by: @jahnkoutrios #———____________________ DE: Zwei Positionen, die elektronische Musik radikal weiterdenken: Die schweizerisch-französische Komponistin @noemibuchi feiert die Plattentaufe von Exuvie mit einer immersiven Performance über Erinnerung, Transformation und Körperlichkeit. Eine der prägenden Exponenten experimenteller elektronischer Musik, der italienische Musiker-Theoretiker @lorenzo_senni , bringt mit Canone Infinito Xtended eine hypnotische Live-Komposition zwischen Minimalismus und maximaler Intensität. 📍 Donnerstag 21. Mai 2026 ——- OPENING @videoex_festival @kunstraum_walcheturm Zürich Eine Zusammenarbeit von @videoex_festival @ous.ooo und @noisereduction_zurich Unterstützt von @kadmonia T***** via link in bio oder eventf*** Animation von @jahnkoutrios

catch me at @nuits_sonores this Saturday ⚡️ playtime 00:00 can’t wait to be on stage again!

dear beast you are opaque, excessive, absorbing 
and impossible to look away from,
you distort my sense of time,
directing my attention into hidden places. I keep returning to the silence you require before anything reveals itself.
your logic feels detached,
and still, ————- you are open,
precise and strangely generous. I hope I’ll spend much more time with you, Serge.
Grateful to be in proximity to something this wild. One thing i‘m sure about you‘ll always surprise me :] YOUR BRAIN HAS NO FORM ☮️

Donnerstag 21. Mai 2026 Noémi Büchi / Lorenzo Senni @ OPENING Videoex, Kunstraum Walcheturm, Zürich Zwei Positionen, die elektronische Musik radikal weiterdenken: Die schweizerisch-französische Komponistin @noemibuchi feiert die Plattentaufe von Exuvie mit einer immersiven Performance über Erinnerung, Transformation und Körperlichkeit. Eine der prägenden Exponenten experimenteller elektronischer Musik, der italienische Musiker-Theoretiker @lorenzo_senni , bringt mit Canone Infinito Xtended eine hypnotische Live-Komposition zwischen Minimalismus und maximaler Intensität. Eine Zusammenarbeit von @videoex_festival @ous.ooo und @noisereduction_zurich T***** via link in bio oder eventf***

Merci infiniment @liberationfr pour ce magnifique article! Can’t wait to play at @nuits_sonores next week!! ::::: «In fact, I even completely reversed Matter; Exuvie is like its complete opposite. Exuvie is kind of a test, almost a parody of myself: I change all the time, every album is different. I like playing with that, with this idea of identity that one can take very seriously. To have a precise identity, to be a defined figure – whereas for me, that’s off-putting. I don’t feel the need to have a clear line, because I think music offers so much more, and I like exploring it in its entirety and I just want to serve the music as an intermediary. I just want to be a channel for the music. The important instance is the music, not my style, not my signature, not me. »

ΕΚΔΥΜΑΤΑ

thank you @tmagofficial @speedoboi_ @aria.ruffini @lisa_lionello_ @ornella_maglione @lucanolascoo @alice.suppa for this very special shooting ✨ such a great team!

Ahead of the release of Exuvie, me and Brigitte Fässler spoke with Mila Azimonti for @neroeditions about our collaborative A/V show, which premiered at CTM Festival earlier this year and is now touring across Europe and other continents tba soon. The album grew out of a choreographic collaboration with dancer Rebeka Mondovics. Brigitte worked mainly with footage she recorded herself, filming her dancing in mountainous terrain and nocturnal environments. Rebeka’s choreography is based on the archive someone can have in the body. How you can remember things through the skin. DISCOVER MORE ABOUT THE VISUAL WORLD OF EXUVIE ON NERO Interview by @acid___reflux Press @alice.suppa

thanks for all the wishes - nice exuvie to you all 🩸 It´s time for me to slow down the machine and to rechannel the creative energy. My only true dream is time. thanks for all your passion and support.